Analyse the poetry of Thomas Hardy

   "We stood by a pond that winter day," (1) This line indicates a still quietness, with lack of the movement of life. There is a vast difference in appearance and movement around a pond in winter and a pond in the midst of summer. This indicates no leaves, and no visible signs of life. The poet is painting a stark and lifeless scene.

Hardy initially uses similes to illustrate the bleak landscape, referring to the “sun [as] white” and leaves as “grey”, to emphasise his sorrowful opinion of love. Specific diction of bleak words strongly communicates his message of love being hopeless and sorrowful. He also uses personification of “starving sod”, to allude that the earth is frozen and desiring nutrients which it lacks. This creates an undesirable setting and mood of despair and sorrow expressing how he perceives love. In contrast, Browning orientates an inviting, cheerful setting through the use of similes. The scene is vibrant with “little waves that leap” and “warm sea-scented beach[es]”, allowing the reader to perceive it as joyful. This illustrates how he regards love as an uplifting experience, which brings people together. He structures his poem with no stanzas, allowing for the reader to follow the radiant journey of love. In contrast, Hardy includes stanzas allowing him to express his message though new topics. They consist of the bleak setting, his former partners eyes, her bitter smile and his message of how all love disappoints. He includes an enclosed rhyme scheme, presenting the entrapment of love, expressing no freedom and joy in relationships. In opposition, Browning uses anaphora of “and” to express how the speaker’s mind is not in the moment, looking ahead to the future where they reunite with their lover. It is evident that Hardy conveys his message of love as sorrowful and full of despair, in contrast Browning message reveals love as gracious and

Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.

The loss of a loved one is perhaps the most difficult experience that humans ever come up against. The poem Porphyria’s Lover, written by Robert Browning, adds a sense of irony to this. At the most superficial layer, the speaker’s in both Porphyria’s Lover and Neutral Tones, written by Thomas hardy, both deal with loss. The tones in Neutral Tones seem to be indifferent, or Neutral. Porphyria’s Lover speaker ends up murdering his beloved at the end the poem. While this isn’t the case with the speaker in Neutral Tones, the two speakers are much more similar than we might think. The speaker in Neutral Tones doesn’t outright murder his lover, but there is a considerable amount of disdain and contempt towards his supposed lover. The speaker in Porphyria’s Lover is quite obviously a disturbed man, the sinister nature of the speaker in Neutral Tones, however, is not as clear. Delving further into this idea, I will also discuss other obscure parallels throughout the two poems.

The poem ‘During Wind and Rain’ by Thomas Hardy looks at his late wife Emma’s fond childhood memories and the contrast of what the passing of time brings. My essay will explore the devices Hardy uses to communicate the idea of passing time and what literary evidence suggests that Hardy could be deemed as a Victorian and a Modernist writer.

Emily Dickinson lived a large period of her life isolated from the outside world, surrounded by her close family and friends. It is apparent that with most of her spare time, she wrote poems and letters. Dickinson’s poems were heavily influenced by the gothic movement in the 19th century of America, and her fascination with nature that is exposed through her continuous theme of nature being the source of joy or pain in your life. Both Dickinson’s curiosity about nature, and the gothic movement, influenced the recurring theme in her poems, which is displayed in the analysis of “Because I Could Not Stop for Death”.

For as long as it can be remembered people have used multiple forms of literature in order to gain knowledge, entertain, and even express a certain idea. Poetry is in fact one of those forms of literature, and before people began to write it, it was known to be told verbally by many. A person would tell a tale and those who listened would memorize it, what eventually caused poetry to spread around. Still to this day, many come to fall in love with the magic poetry possesses. It is the writer’s decision to either have a specific rhythm to it or just have a simple list of words. This essay argues that poetry is a creative way of expressing one's emotions and that it should be, not only preserved, but celebrated, even by those who have not considered themselves poetry fans in the past.

Toward the late 1800’s, Europe was plagued with bad news. They had already reached the prime of their empire and were now on their way to the declination of the continent. Later, people like Adolf Hitler would try to bring it back to its full glory, but for now everything was heading south. As usual, the tone of artistic works followed the success of the empire. Many pieces of art and literature became darker. Even poets such as Thomas Hardy and Emily Bronte started to write in a much more serious, somber tone. Their poems started to be drawn to subjects more of things in the past. In Emily Bronte’s Remembrance and Thomas Hardy’s poems The Darkling Thrush and “Ah, are you Digging on My Grave?”, the speakers undergo loss of love, loss of hope, and somber remembrance of things past, respectively.

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

For many people, the thought of death is a terrifying concept to fathom. Whether a beloved family member, pet, or even emotions have died, death in any form continues to be a challenging subject to communicate about to others. From dances to songs and from paintings to writings, people express their views on death in a variety of forms and fashions. In William Cullen Bryant’s “Thanatopsis” and Dylan Thomas’s “Do Not Go Gentle into That Good Night,” death exists as the main topic of both poems; however, Bryant’s and Thomas’s opinions on death contrast greatly in both works as a result of each poet’s religious beliefs, experiences, family and decisions that influenced the poems. Bryant and Thomas held different religious beliefs that influenced

The words ‘tedious’, ‘lost’, ‘bitterness’ and ‘ominous’ convey a bleak tone of death and depression. The first and second lines of the second stanza: ‘Your eyes on me… riddles of years ago’ reveals that the couple have had many similar arguments without any progress over the years. Furthermore, while smiles are normally associated with happiness and pleasure, Hardy describes the lover’s smile as ‘the deadest thing / Alive enough to have strength to die’, suggesting that their love has become meaningless. Hardy compares the lover’s grin to an ‘ominous bird-a-wing’, which symbolises Hardy’s lost

The final quatrain highlights a depressing state of mind through assonance and alliteration. Words like ‘keen’, ‘deceives’, ‘me’, ‘tree’, and ‘leaves’ exhibit the assonance of the ‘ee’ sound. Although Hardy tries to keep a neutral opinion of his experience of love, beneath the surface, the reader is aware of the inner emotional turmoil that the author has experienced.

Edward Thomas was a war poet who wrote all of his poems while he served in World War I. His poems have been thought to make up “an elaborate suicide note”, ironic to his death by a bomb (Priory). As prevalent to his situation as death was, Thomas wrote of death as a process. Allusion, rhyme, and diction develop the theme of journeying into death in Edward Thomas’s “Lights Out”. Thomas is not forthright.

A man “who [held] a beast, an angel and a madman in [him].” This accurately describes Wales-born Dylan Thomas, world renowned poet and writer. A developmental wordsmith of his time, Thomas presented the people with evolutionary compositions originated from his own personal experiences and conceptions. Although Thomas’ poetry portrays several messages involving loss of innocence and youth, his more prominent style bases itself around the Freudian concepts of psychoanalytic criticism. Observed through his opaque style and endless fascination of death, it can be concluded that the psychoanalytic impressions in Thomas’ stream of consciousness declare death to be inferior. This is made even

Several poems in the anthology explore the intensity of human emotion. Explore this theme, referring to these three poems in detail and by referencing at least three other poems from your wider reading.’