Analysis And Comparison Of Ophelia And Antigone

Although Antigone shows equality for women and rights, each character in the play has different views and believes. As a tragic hero of the play, Antigone has a tragic flaw and is very brave, as she defies Creon’s law and buries her brother, despite the fact she knows she will have to face consequences. Ismene and Creon on the other hand, do not appreciate

Within the first few hundred lines of Antigone, Sophocles shapes the reader’s perception of Antigone and her philosophical beliefs. When speaking to her sister, Ismene, about her plan to bury their brother, Antigone states “I’ll do what’s honorable, and then I’ll die” (Sophocles, 750). Antigone’s willingness to die for a cause that she feels is honorable and right demonstrates a particular value in regards to her philosophies on right and wrong. Antigone demonstrates that the conflicting nature of her beliefs and the king’s beliefs on the right way to deal with Polyneikes’ death will not hold her back from doing what she believes is right.

Antigone is a play based on a Greek tragedy, that takes place in the city of Thebes. Antigone is one of four siblings, her two brothers, Eteocles and Polyneices, and her sister, Ismene, and soon to be married to Haimon. Her two brothers Eteocles and Polyneices do not live to the end of this drama, but die fighting one another for the throne of the kingdom. Creon, a ruthless leader, takes the heir of the throne. He demands Polyneices not have a burial for he was a traitor, and anyone who attempts to disobey his ruling would be punished. Antigone violated the ruling and attempted to bury Polyneices. Creon showed no pity for the fact that she was his only son’s fiancee and instead gave Antigone a death punishment. Antigone states multiple times that she believes she did nothing wrong, as well as others in the city think that. Haimon uses rhetorical devices throughout the drama in attempts to keep his father from killing Antigone and to show his father how he is affecting the city.

Antigone's representation of feminism broke all the Greece and her strong characteristics defy the inappropriateness of her nature. Antigone has given strong characteristics in her story and because of this she does not stand around while Creon's unjust law insults Polynices. Her boldness, bravery and, unyielding morals are all extremely important to her role in the play. Towards the story by the end, Antigone was punished for her actions; therefore, she was either going to be stoned to death or be locked in a tomb. Between those two choices she got put in a tomb and trapped there with no supplies. The person to do this to her was Creon and his response to this was, “...Take her go, go! You know your orders: take her to the vault and leave her alone there. And if she lives or dies, that’s her affair, not ours: our hands are clean.” (ii, iv, 710) She was buried for doing what was right and what she was obligated to do. She not only prefers this but her bravery, obstinacy and other traits destroy the image of the weak girl who is powerless to everything. Therefore, this is the reason why Antigone represents the epic

Antigone is one of the two central characters of the play, along with Creon. Like Creon, she too has a claim to being the tragic hero of Antigone. Her first qualifying aspect is being introduced as a good, upstanding person. She is kind-hearted and caring, especially for her family as she was willing to defy her uncle’s royal edict forbidding the burial of her fallen brother Polyneices. She is also a person of high-esteem and stature. As the daughter of the late King Oedipus and Queen Jocasta, as well as the current King Creon’s niece, Antigone is well known throughout Thebes. She is also slated to marry Haemon, Creon’s son. Thus, she is essentially seen as a princess and is adored by the Theban people. The next qualifying aspect is her relatability

Antigone as a heroic and tragic archetype must internally struggle with individuality and morality versus established rule and law and she can be seen as externally fighting between her sister as an outward display of her internal conflict. Antigone then is a unique archetype as a heroine and her power and powerlessness are defining to her as a woman in politics. Her sister, Ismene is portrayed as much weaker and can be said to be metaphorical in that individual morality is weak as compared to established law and Ismene is the personification of morality in a legal-rational world, according to the emerging Hellenistic establishment. Antigone is willing to use her own morals to bury Polyneices, though it is illegal to do so. Ismene is

Antigone was used to represent family in the play while Ismene represented authority. Sophocles used the bond between two sisters and their brother, to show how family should hold the highest of importance to someone. When Antigone asked Ismene to help her in burying their brother she ask if she was “A true sister, or a traitor to your family” (1.27). This was an important line to show where Sophocles stands in the matter family or authority. He wanted to show that by not saying yes to helping Antigone, she should have been ashamed of herself for betraying her family. When Antigone went through with her plan and was caught, Creon had the guards get Ismene too. Ismene wanted to die along with her sister but Antigone told her “You shall not lessen my

Antigone got out and stood out for what she believed in, Antigone claims “He [Creon] has no right to keep me from my own” which meant she will be burying Polynices despite what law the king has set. Ismene thought otherwise, she says to Antigone, “O think, Antigone; we are women; it is not for us to fight against men; our rulers are stronger than we, and we must obey this […] I can do no other but as I am commanded”. Ismene is characterized as “feminine”, a hopeless and helpless woman that has no business in political authority. Ismenes words did not make Antigone happy, she fights back, “No; then I will not ask for your help, nor would I thank you for it, if you gave it. Go your own way; I will bury my brother; and if I die for it, what happens!”.

In the novel Antigone the main character Antigone takes a reader on a journey of love and hate, honor and disrespect, and a roller coaster ride of emotions. In some parts of the book you feel sympathy for Antigone, but others feel disgusted with her behavior and actions. A reader can empathize with Antigone’s overall response to seeing her traitor brother’s dead body left out for public display however, it is through her actions reader starts to contemplate their sympathies for Antigone. Antigone’s behavior towards Creon, Ismene, and her defiance of the Greek feminine behavior all show that Antigone was a very selfish women. Although I agree with Antigone desire to give her brother a proper burial, I disagree with her treatment of others,

The death of Antigone is truly a tragic episode in the Theban Plays, where she hung herself with a woven linen of her dress. By convention, her death would be characterized with feminine quality. However, Antigone, one of the few female characters in the book, possessed distinguishable female characteristics that are as remarkable as a male hero. Antigone was determined when she made up her mind to bury her brother. She was an agent of her words and took up the risks that accompanied to her deeds. Antigone was very passionate from the beginning to her death and she displayed tremendous courage when facing the death penalty. Moreover, Antigone, as a female individual, confronted bravely with the state and the authority of Creon. Throughout

The play is written so that the main character is a strong powerful heroine. The first character is a shy but brave women named Antigone. “…Antigone is scrawny, sallow, withdrawn, and recalcitrant brat” (Sparknotes). One she has a goal and she plans on following through with it regardless of what her sister or anyone has to say about it. She finds out that her brother, Polyneices, was killed and insists on burying him. But due to the law that Creon set into place she was told not to. Not listening she goes behind their back and buries him but sadly she is found while doing so.

Rather than blindly accepting the strict laws put forth by Creon, Antigone abides to long held traditions and desires to revere both her family and the Gods. She is undoubtedly dedicated to her family as she takes charge to assure a respectful burial for her brother. When Antigone first confronts Ismene about the burial, she is very assertive and is “[willing] to lie by his side” (Sophocles 3). Strongly committed to her plan, Antigone is set forth on doing what she thinks is right. By placing importance on family values and long held traditions, Antigone essentially disregards the law of the city to honor her family. Critic Robert mentions that “the loss of [a] brother is irreparable to [a] sister and her duty towards him is the highest” (422). Although she must remain loyal to the city and her family, Antigone consistently settles to align her morals and desires to venerate her family. Along with her good intentions, Antigone possess moral courage as she follows her heart and full heartedly decides to accept the future consequences. Overall, Antigone’s family nobility and dignified values work to help classify her as a tragic heroine.

This story is marked by tragedy after tragedy; Antigone and Ismene are presented with a father, that dare to killed his father to married his own mother. Two brother that followed the similar example, and consequently killed each other to for throne to have power. We don’t know what age they were when her parents died, but by inference we can argue that they were young. Although, Antigone and Ismene experience some life-hard moments together, their view on certain situation are shaped differently throughout the play. Antigone, see the situation with her brother Polynieces as outrageous offense to her and her family values, especially after being an active member of leadership in the city of Thebes. Antigone, experiences had made her a stronger than other women, she doesn’t fear man, and is

Not only is Antigone courageous and highly motivated by her morals by standing up for her political and religious beliefs, she also protects her personal ones when she buries her brother. Antigone places family above her own life, and she refuses to let a man stand in her way of maintaining her ideals. She buries Polynices out of her own loyalty to her brother even after her sister, Ismene, refuses. Antigone is cruel to her for not taking part in illegally burying their brother. Instead of being caring and considerate, she becomes irate and at the end of their conversation says, "Go away Ismene: I shall be hating you soon, and the dead will too, for your hateful words," Antigone's flaw was her headstrong behavior and her stubbornness, which ultimately brought about her downfall and the downfall of those around her. Her persistence of course, is what forces Antigone to rashly take matters in to her own hands. Creon then decides to take Antigone's life "Away with her at once, and close her up in her rock-vaulted tomb. Leave her and let her die". To everyone's surprise Antigone does not run from her death sentence suggesting a great trait of braveness, which the chorus recognizes before her exodus from life. The notion that a person has no say in the affairs of their loved ones and the fact that those laws were defied deserves

Antigone is thought to be a tragic hero because of everything that had happened to her throughout her life. She lost her father Oedipus through a curse and her brothers through battle. The only one that was left was her sister Ismene. Her brother Polyneices died in battle being a traitor to his family. There was a rule made from the king of Thebes stated that no one can mourn for or bury him. But Antigone did not care she still loved Polyneices and thought that he deserved to have a proper burial like his brother Eteocles. Foreshadowing, mood, and situational irony are used in the drama to explain peripeteia the reversal of fortune, nemesis fate that you can't avoid, and catharsis when the audience is feeling pity