Analysis: Figure Of Meat

The variety of elements of art and principles of design both establish the center figure as the focus of attention. Both principles and elements guide the audience’s attention towards the main center figure. The assortment of lines, colors, and shapes determine the movement and proportion of this piece, putting emphasis on the center women

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

The lines within the composition draws the viewer into several directions. The ruffles draw the eyes upward to the Daniel’s finger as it points to the right. Daniel’s finger directs the viewer horizontally as it does the king. The table with its array of dishes is another example of a horizontal line. The king’s hands are holding a fork and knife. The fork is also pointing right where as the knife is pointing left diagonally towards the king. The courtesan, leaning against the king’s right shoulder, is another example of a diagonal line. The painting also has a vertical feel to it. This is evident in the composition of Daniel standing, the candle and the arm holding the cigar. Like every line, every color used draw attention to the object.

The three most significant art principles I found in this painting are the contrast of the light and dark areas, the focal point being his aunt, and the sense of unity conveyed. The contrast of colors shows the natural cast of shadows within an

Discoveries are everywhere in everyday life and they can impact the way we see the world, either positively or negatively. Because of this, it can be noted that “Not all discoveries are welcomed”. We can explore this philosophy through the examination of various techniques found within both Robert Gray’s ‘Journey, North Coast’ and ‘The Meatworks’, as well Leo Matsuda’s animated short film, ‘Inner workings’. These three texts, although all having visual processes of discovery, offer juxtaposing perspectives on the acceptance (or lack of) towards discoveries.

As a formal analysis, this artwork has a figure in the center of the page, which can be assumed to be the focal point due to its positioning in the center of the picture plane. Also, this artwork is monochromatic, and the only color used is the hue green. Towards the top left-hand corner, there are darker shades of green, which make this part seem to be in front of the rest of the picture by using overlapping to convey depth. Also, towards the right side of the picture, the people seem lighter and appear farther away than the dark shaded buildings Additionally, since the figure in the center of the work is larger and more detailed than the other figures, it appears that the center figure is closer to the viewer.

As I first examined this work, I could not focus on just one portion of it. Although each part tells its story, there it one overall explanation. As usual, I am drawn to the center of this piece which would be a man sitting in an oval like throne. With a closer look, I look at this man and see a cross behind him, with angelic figures in the background. I conclude this important

The ingenuity of the composition is that it used a lot of tricks in the layout of the elements, meanwhile being rendered very simply and concisely. The artist realized that the eye does not settle naturally on the center of a painting and that

Art is the theme of art, this means that the main reason artist design different types of art works is to bring about the visual satisfaction. One of the major reason as to why artist paint, draw or design their works is to have something to have look at. Therefore, before a viewer analyses a piece of art, he or she has to look at it as the first and foremost

Principle of design is shown through the artist 's use of various elements in his work of art. In this painting balance, proportion, emphasis, variety, and unity are all exemplified. The balance is not to even but leans more to the left. I believe it leans more to the left because there is more going on in that area than on the right side. Proportion and emphasis is greatly shown through the goddess Venus and her hunter Adonis because they stand out the most. Through the use of the brush, Titian represents them as three dimensional.

Vittore Carpaccio’s symmetrical input truly served it’s purpose. Focusing on the center third of the painting, there’s a mere perfect symmetrical contrast of life and death top to bottom. Most impacting is the symmetrical division of the malnourished and tortured body of Jesus Christ, The left side of his body is in a lively sitting posture on the throne. While his right side is the embodiment of death, his punctured ribs and dangling arm. From the ground up, Carpaccio illustrates the contrast of life and death with minimal details in the painting. The supporting stones of the throne, directly below the arm rests, are divided by breakage, the left stone is cracked and falling apart, while the opposing stone appears to be intact. Vittore Carpaccio managed to capture the cycle of life with many elements one wouldn’t think of comparing life and death with. The top left portion of the throne is a half broken, followed by Jesus’s deadly posture to the falling apart ground stone of the throne, Death is captured in a very recognizable minimalistic form.

The piece sits in the middle of the Altar as the center of attention and the size of the piece towers over the rest of the artworks. The size of the piece is unknown and the story on the piece is very straightforward, meaning that the story is the story of Jesus’s Crucifixion. The main characteristics that the sculpture has that really stuck out to me are lines that were painted onto Jesus, the mass of the sculpture where the significantly larger than the rest of the pieces, and the balance of the piece was very symmetrical since Jesus is nailed to a symmetrical cross. When looking at the lines my eyes were drawn from top to bottom of the piece because the direction of the lines pointing downward as if it was dripping blood. The shape and size of the piece created a feeling of heaviness because of its presence among the rest of the pieces. Because the piece has a face I was able to read Jesus’s face and get a feeling of sorrow from his glance. I also noticed how we as humans are depicting and judging

The use of geometric shapes in this painting allows the subject to be viewed in both a recognizable and unrecognizable state at the same time. Overall, geometric shapes and patterns play an essential role in what the viewer sees, which is further supported by a powerful color palate.

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this

Artworks are those that use natural tools in an aesthetically pleasing way, to express some deep meanings desired by the artist, for which this art is found. These works can be analyzed by looking at a variety of aspects individually and these elements are often called elements They are very useful for criticizing or understanding any artwork as a whole. The materials used by the artist creating the artwork in the documentary "Mystery Masterpiece", the shape of the work is the shape of which it is, including its size or its volumetric perception, and the artwork has three dimensions; the depth as well as the width and height, the three-dimensional form is the basis of sculpture, yet the two-dimensional artwork can achieve the illusion of the