Analysis Of ' A Hard Boiled Wonderland '

Enstad mentions words such as “invisible” (57, 58), “unanticipated” (61), and “threaten” (60). These words indicate the unknown which stirs a sense of terror among her readers. The unknown remains a mystery, and there is no way to predict its movements. By doing so, she underscores the direness of the spread of this toxicity by pushing against this fear. Enstad even blatantly acknowledges the emotions she’s evoking by jeering that after reading her essay, readers might want to “sanitize one’s own environment” (63). As an author, she empathizes with her audience’s thoughts on her essay which allows her to relate to her audience thus, igniting a need to take charge and further analyze this toxicity that plagues Americans. It is common for a community of people to begin scrambling for solutions to an issue when the danger is imminent compared to a future problem. On the other hand, Kim’s article not only brings together a community for a common cause like Enstad’s but, she appeals to a different emotion through her use of a history strand. Kim’s history strand consists of phrases such as “imperialism” (3), “political turmoil” (4), and “immigrant” (4). She motivates her Asian American audience to unite due to the shared histories of the community. The cultural roots of Asian Americans are not often portrayed in American media and is not commonly discussed. Kim

The autobiography illustrates personal experiences of discrimination and prejudice while also reporting the political occurrences during the United States’ involvement in World War II. After the Japanese bombed Pearl Harbor, the United States government unleashed unrestrained contempt for the Japanese residing in the nation. The general public followed this train of thought, distrusting the Japanese and treating them like something less than human. In a country of freedom and justice, no coalition stepped up to defend the people who had lived there most of or all of their lives; rather, people took advantage of the Japanese evacuation to take their property and belongings. The government released demeaning propaganda displaying comical Japanese men as monsters and rats, encouraging the public to be vigilant and wary toward anyone of Japanese descent. The abuse of the Japanese during this period was taken a little too lightly, the government apologizing too late and now minor education of the real cruelty expressed toward the nation’s own citizens. Now we see history repeating itself in society, and if we don’t catch the warning signs today, history may just come full

Transitioning from normal life in California to arid desert, the family experiences an environment where civil liberty is as scarce as water. Though the sun’s intense beams project glimmers of water and freedom upon the desert’s farthest edges, these impressions convey a cruel false sense of reality just out of reach. Water in the desert represents an imagined freedom able to quench the family’s thirst. When the family returns home, they anticipate the sea as well as welcoming neighbors and friends, but are isolated and excluded evocative of the desert. While a recognizable sea breeze wafts through the house bringing with it the reminiscent smell of simplicity and freedom, the family has changed, the neighborhood has changed, and America has changed. Water after the desert represents a fabricated freedom, which falls short of expectation. By considering the absence of water, Otsuka exposes the emptiness and lack of American freedom given to Japanese-Americans during and after World War

Takaki’s book, A Different Mirror, offers the multicultural history of the United States. This book provides the reader with the American experience of Native Americans, African Americans, Mexican Americans, Irish Americans, Chinese Americans, Japanese Americans, and Jewish Americans. During this time, America demonstrated manifest destiny and the Master Narrative. They were led by the belief of “white purity,” which these ethnic groups threatened. America exhibited supremacy over all of these ethnic groups. Takaki’s work allows me to become aware of the history and the outcomes of manifest destiny and the Master Narrative.

Most people know about the attacks on Pearl Harbor but very few know about how it affected the lives of Japanese-Americans living on the islands. In the novel, Under the Blood-Red Sun, the author Graham Salisbury tells a story from the perspective of Tomikazu Nakaji, a young Japanese-American boy and his struggles with racism and becoming the man of his family. After the attack, the suspicions and biased racism of the non-immigrant Americans is raised, which lead to the wrongful arrests of Tomikazu's father and grandfather. This resulted with him having to get a job, take care of his family, and deal with the constant bullying of his neighbor, Keet Wilson. In the end, he manages to maintain the tasks his father had assigned him with the help of his friends. This book showed me the importance of friendship, honor, and persistence.

In her novel When the Emperor Was Divine, author Julie Otsuka presents the long-lasting effects that isolation and alienation have on a person’s self- image and identity. During WWII, Japanese-Americans living in the United States were forced to move to isolated and horrific internment camps. The US government ensured they were separated from the rest of the country. This even included their own families. When the Japanese-Americans were allowed to return home after the war, the result of the isolation they experienced created irreversible damage. They continued to experience alienation, often making it impossible for them to recover emotionally, mentally and financially. Otsuka uses characterization to bring to life the traumas of the war and the effects it had on her characters, the girl, her mother and her father.

As we read further into the book, into Part II: “The War in Western Eyes”, it allows us to recognize the different types of natures. The kill or be killed, the down-home styled, and the different types of behaviors. It tells about the punishments through prisoners and the freed and even makes the reference of how “for many Japanese-Americans, the verbal stripping of their humanity was accompanied by humiliating treatment” These people were treated with disrespect and as if they were part of a cluster of cattle. Part three of the novel explains and explores the culture of the Japanese to determine racial outlook.

With the arrival of WWII came the arrival of change. Jeanne Wakatsuki’s memoir, Farewell to Manzanar illustrates the countless struggles that Japanese Americans faced during World War II. Distrust among the white Americans and Japanese Americans was at an all time high due to the war in the Pacific Ocean with Japan. With the American government encouraging wartime propaganda, the Japanese were dehumanized and ultimately forced to move into internment camps. Farewell to Manzanar explores the resilience of the human nature by illustrating the struggle of prejudice in a WWII era America.

→ The author shows the racism in American from a lot of sources; such as cartoons, official documents, advertisements, movies, and songs. The mass media drew Japanese people as an immature children (p.142) and animals. Especially, cartoons depicted the Japanese as monkeys, apes, rats, bugs, beetles, lice, and other kinds of creatures that had to be wiped out. (pp. 181-189) An example is that one restaurant sign on the West Coast said "This Restaurant Poisons Both Rats and Japs". (p. 92)

After WWII ended in 1945, xenophobia amongst the white populace, coupled with an inflexible definition of who or what represented “American-ness”, prevented Asian Americans from claiming an American identity. Alongside this exclusion, the post-war period also witnessed the assertion of American identity formed by culture and family in the Issei and Nisei community. This essay will argue that through Ichiro Yamada’s struggle to integrate, Okada’s No-No Boy represents the fracturing belief of a monoracial American identity and the cultural instability found within the narrative. John Okada’s No-No Boy adopts an allegoric strategy in order to foreground the attitudes and lives the Issei and Nisei shaped during their internment and sometimes incarceration, which continued after the war. Moreover, as the novel progresses, Okada examines characters such as Ichiro Yamada, who face the cultural conflicts and form the possibility of an “elusive insinuation of promise” of belonging in post-war America (221). Additionally, the racial slurs and violent attacks by other Japanese and non-Japanese Americans that befall him highlight the divisions within American society. A close reading for the free indirect discourse and allegory shows how John Okada uses these literary strategies to suggest the disturbance of American identity.

John Dower's "Embracing Defeat" truly conveys the Japanese experience of American occupation from within by focusing on the social, cultural, and philosophical aspects of a country devastated by World War II. His capturing of the Japanese peoples' voice let us, as readers, empathize with those who had to start over in a "new nation."

Japan, forced to rebuild itself from the ashes of defeat, was occupied by Americans in the aftermath of World War II. Although it was commonly perceived through the victors’ eyes, in John W. Dower’s novel, Embracing Defeat: Japan in the Wake of World War II, Dower summarized his studies of Occupied Japan and the impact of war on Japanese society in the view of both the conqueror and the defeated. He demonstrated the “Transcending Despair” (p. 85) of the Japanese people through their everyday lives in the early stages of the occupation. In chapter three, Dower attempted to comprehend the hopes and dreams – as well as the hopelessness and realities – of the Japanese who were in a state of exhaustion and despair. In chapter four, due partly to the food shortage, crime rates rose as people began to steal. Women turned to prostitution while men turned to the black market. Some Japanese were so desperate that they stripped out of their clothing and exchanged it for food. Dower vividly conveyed the depth of loss and confusion that Japan experienced. On the other hand, Kasutori culture flourished in the 1950s as sexually oriented entertainments dominated the commercial world. In chapter five, the people of Japan turned wartime slogans into slogans for reconstruction and peace. They used witty defeat jokes as a way to escape despair. Even though they were defeated, the people of Japan pushed through the misery and sought to reinvent their identity as illustrated through prostitution, the black market, and “Bridges of Language” (p. 168).

The Victorian Era was a time where not many ethical ideals and moral standards were sustained. Yet, it is also an Era in which modern society uses to make advancements in both humanity, and philosophy. Lewis Carroll, author of Alice in Wonderland, was a novelist who wrote pass his time. He wrote further in the future of the "common" Victorian Era. The ideology he presents in Alice in Wonderland is conducive to an individual attempting to bring attention to the deteriorating mental health and humane conditions in Victorian-Era England. Alice is representative of a normal child in everyday-Victorian England. This child, Alice, has not been exposed to the likes of diversity, but instead solidarity. The type of solidarity that is all too prevalent throughout the Victorian Era, primarily in the upbringing of children during this time. Children in Victorian Era England were taught to be followers of the norms already established by adults, and to ask no questions. These types of parameters placed restraints on children growing-up during this time; not only physical restraints, but also mental restraints, such as their imaginations'. Carroll was no stranger to this ideal or the likes of this concept; In fact, he constructed Alice in The Wonderland with this in mind, to defy the imaginative 'norm' of Victorian-Era England. He created a character that dreamt of falling down a rabbit hole into another universe. This dream or imagination becomes so vivid in his novel that the

In the novel, The Sound of Waves, by Yukio Mishima, the West’s encroachment into the East is depicted allegorically. Mishima incorporates the symbolism of the West’s encroachment of the East in a multitude of ways. The author uses characterization to depict how Japanese life was affected by Western culture after World War II. Minor characters such as Yasuo Kawamoto and Chiyoko symbolize the West, while the island of Uta-Jima is a symbol of Japan as a whole. The novel pits the ancient, traditional values of the island against the new, brash values of the West. Off the shores of Uta-Jima, the author describes a world slowly succumbing to Western encroachment.

The culture of a place is an integral part of its society whether that place is a remote Indian village in Brazil or a highly industrialized city in Western Europe. The culture of Japan fascinates people in the United States because, at first glance, it seems so different. Everything that characterizes the United States--newness, racial heterogeneity, vast territory, informality, and an ethic of individualism-- is absent in Japan. There, one finds an ancient and homogeneous society, an ethic that emphasizes the importance of groups, and a tradition of formal behavior governing every aspect of daily living, from drinking tea to saying hello. On the surface at least, U.S. and Japanese