Analysis Of ' A Streetcar Named Desire '

A Streetcar Named Desire is focused almost completely on its three protagonists: Blanche, Stella, and Stanley. It could be suggested that this play was influenced by Williams’ own upbringing: his sister Rose was mentally ill, and Williams’ was a doting older brother. Potentially, Blanche was inspired by Rose and that this play uses his unique perspective to comment on the treatment of the mentally ill. Williams may be using Stella’s conflict to highlight this.

It is clear from the beginning that Blanche is not a very honest character. She lives in a fantasy world of her own design. One of the very first things she does when she enters Stella’s

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

In the classic fairytale of Cinderella, the main character is trapped in an abusive household. However, Cinderella’s self-perception of optimism and hope, enables her to believe that ultimately, her life will naturally improve with these attributes. True to her convictions, Cinderella gets her happily ever after by going to the ball where the prince falls in love with her. Cinderella is saved from her evil. On the other hand, Cinderella can be viewed as a victim who does nothing to enable herself to escape her abusive reality, insteads helplessly waits for fate to intervene. She does not confront the situation nor independently strive to improve her circumstances. Correspondingly, how individuals act when faced with conflict is strongly influenced by their self-perception. It is possible to become confused between reality and illusion, which is determined by their level of self-awareness. In Tennessee Williams’ play, A Streetcar Named Desire, the character of Stella struggles between the control of her husband and sister. Throughout the play, this conflict is demonstrated as she struggles with becoming aware of her abusive household and the contrast to the fairytale illusion she desperately clings to. Ultimately, Stella’s choice to maintain her illusion, rather than confronting her reality, is due to the self-perception of her need to depend on others and desire for idealism, which overall controls her fate.

The contrasts in character emphasised here show that Blanche’s flirtatious attempts to manipulate Stanley are marked out to end in tragedy. Furthering this point Blanche herself recognises what is expected of her as a woman “It was the other little – familiarity – that I – felt obliged to – discourage”[9]. But the disjointed nature of this utterance, by use of hyphens, suggests that she is uncomfortable with these conventions; which is further suggested by her “affection of demureness”.[10]

In Tennessee Williams’s play, A Streetcar Named Desire, Blanche DuBois’s personality is built around false pretenses in order to protect herself from facing the reality and the consequences of her actions. However, her downfall is brought about as a result of her inability to cope with reality after the truth about her is revealed, which contributes to the play’s pessimistic take on the worth of dreams, as well as its criticism on the inherent flaws of deception.

In Tennessee Williams’ play A Streetcar Named Desire, Blanche DuBois is thrust into a series of unfortunate events and undergoes drastic changes in an effort to come to terms with her completely changed life. Through these events, Blanche happens to be the only remaining individual left to take care of the once valuable and prestigious family belongings, and her psychological mind spirals out of control in her attempts to restore the family’s honor. In addition to experiencing loneliness and feeling isolation from humans, Blanche faced many new challenges in stressful situations, which contributed to her poor decision making skills and inevitable negative outcomes in most of those situations. Through the characterization of Blanche DuBois, Williams’ intends to display the power of significant experiences in one’s life, which serves as a warning of how the effects of significant experiences on individuals should not be underestimated. Unfortunately, in Blanche’s case, abandonment by her sister was the perfect example of an individual underestimating the result of their actions, as this action was the initiation point of the events that would eventually lead to her unfortunate fate. Specifically, Williams’ focuses on portraying the disastrous effects of human isolation, which is often the result of an individual’s mindless actions. Human isolation plays an important role in the outcome of the play, as Blanche is known to have been abandoned at a young age, and her

“A Streetcar Named Desire” is not only considered to be the best play written by Tennessee Williams but is also arguably one the greatest plays ever written. The play has a very Shakespearean sensibility with a southern twist while also having an original complexity woven throughout the entire body that became unique as William’s signature artistry. The most important attributes of the play is the construction and motivation of the characters, the juxtaposition of illusion and reality, as well as the relationship between the dialogue and stage directions. The play’s characters are ultimately defined and driven by their gender identity and sexuality, hence the title “A Streetcar Named Desire”. This is evident in the number of

The author, Tennessee Williams, does a phenomenal job of portraying Blanche Dubois as a deceiving, manipulative, arrogant person in his book “A Streetcar named Desire”. Williams first showcases these characteristics during the arrival of Blanche. This introduction not only sets a mood and tone but it gives us our first impression of Blanche. Overall this impression leaves the audience with a sour taste in their mouths and ill feelings towards the new girl. However, don’t be so quick to jump the gun. What if I said Blanche isn’t the villain she’s depicted as in this story?

A Streetcar Named Desire written by Tennessee 0portray a play center and revolving around characters and New Orleans. The two settings are completely different we are introduced to Elysian Field where the Kowalski live and then Blanche from Belle Reve a high class society. Stella has written to Blanche “She wasn’t expecting to find us in such a small place. You see I’d tried to gloss things over a little in my letters” (31). Blanche meanwhile travelled to stay with the Kowalski on two streetcars which will ultimately determine her faith she longs for desire but could not bear the sign of death.

She seems to hint to Stella and Stanley, and therefore the audience, that she is actually much more than she seems. In scene seven, Blanche soaks in a tub, singing:

            Blanche is not really lost in illusions; rather she uses them as camouflage. She wears them as she wears her clothes and her glass necklaces, as protection from a reality that she finds horrifying. One must not think of Blanche as just a fragile, delicate blossom. There is a fierce desire in her for life at any cost. Her masquerade may

Blanche goes through a traumatic experience in her early life due to the loss of her husband. The death of her husband caused her to “go crazy,” and she wishes it never happened. Blanche plainly states, “I don’t want realism. I want magic,” to support her fantasy. Throughout the play Tennessee Williams creates an idea of what is perfect, in Blanche’s head, and what

One of the play’s main characters, Blanche, has by no means had an easy adulthood. She has had to deal with her sister setting off to New Orleans with her new husband, the death of her father, losing her own husband, and the loss of their family’s beloved plantation, Belle Reve. With all of this going on, Blanche disguises her pain and delusion, and pretends that is does not exist. In a way,

This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.