Analysis Of Act Four Scene Three Of Othello

She is then disowned by Barbantio with no further words directed to her by him but is referenced as a liar and should be kept on watch for her conniving ways by him towards Othello. Which then begins Shakespeare’s in depth writing on Othello and Desdemona’s relationship where she is as “a child to chiding” (4.2.119-120). Not even a moment after her father leaves Othello commands Iago to tell his wife, Emilia, to tend to Desdemona as a babysitter. Irony occurs within (2.1.169-171) where Desdemona challenges Iago and stands as an independent woman for Emilia objecting to his conclusion, that women no matter how beautiful or intelligent play the same “foul pranks”. However, as Othello’s jealousy and rage arises throughout the play it seems as her character has to fight even harder to breathe under his control; symbolic for her death of suffocation. Desdemona is a gentle women living under her love’s control with no power to object even if she had opposed this type of controlling relationship. As a higher class woman she had more power and respect over other women characters such as Emilia or Bianca, but is this dominance enough to feel in control of oneself? It is believed that Shakespeare added the 2 other

Desdemona is of the higher class and is depicted as a fair, pure and respected woman who makes her own decisions. This is evident from the references made about her in the opening Act, scene 1, spoken by Iago “...an old black ram is tupping your white ewe” as well as in later scenes when she is constantly referred to as “fair Desdemona”. Her ability to make her own decisions was particularly evident within the opening Act where we learn of Desdemona’s deception to her father when she wed the man of her desire by denying her father any right to choose for her. This was Desdemona’s act of independence in her attempt to break away from male authority. Desdemona’s honesty and strong belief in morality plays on the good vs. evil concept with Iago’s character.

This further develops Emilia’s character to the audience, as it displays her view of men, and how she believes that females are treated unequally in the world. Emilia’s view of men can be summed up in one of her very own quotes:

In The Wife’s Lament, the wife is forced to exile. The wife reveals the feelings of suffering, regret, and loneliness. The wife’s misery began when her Lord left her behind. The Wife set out to find him but her Lord’s Kinsmen didn’t want them together anymore, and this is when the forced exile takes actions. “My man’s kinsmen began to plot by darkened thought to divide us two so we most widely in the world’s kingdom lived wretchedly and I suffered longing.” (Lines 11-15). The wife believes she will one day be reunited with her Lord so she moves away to new land. The wife then finds out her Lord wants to commit a crime. “Hiding his mood thinking of murder” (Line 20). This scares the wife and forces her to move into the woods under an Oak Tree. This shows the wife as weak which is not an Anglo-Saxon belief. The wife also believes a man who is weak should never show it, should always pretend to be fine. She believes this because men have the upper hand, they hold more power. A man who shows he’s weak has no belief as Anglo-Saxons. Anglo-Saxons think nobody should ever be weak, they should always be brave. It shows how she’s scared of her lord, so scared she runs into the woods and stays under an oak tree. This exile shows women have no power.

Shakespeare depicts the two women as sharing a close bond with one another. Their friendship builds throughout the play even with Emilia's act of betrayal. In act 4 scene 3, Desdemona reveals that her "mother had a maid called Barbary" who died singing the willow song (4.3, 25). Desdemona opens up to her Emilia about personal memories from her past. Sharing this recollection is not something two women would do unless they are friends. Having Desdemona share her personal memories further establishes the relationship with Emilia. In other words, Desdemona trusts Emilia enough to open up to her about the personal memories. Though Desdemona did this without knowing that Emilia betrayed

Because of these reasons, Emilia warns all men to change their ways and start treating their wives with the respect they deserve

'We women are the most unfortunate creatures.' ; (Medea 229)      'A man, when he's tired of the company in his home, Goes out of the house and puts an end to his boredom And turns to a friend or companion of his own age. But we are forced to keep our eyes on one alone.' ; (Medea 242-245)      Medea's tears soon dry with the thoughts of revenge.

Wealth and property feature heavily in the wife’s portrayal of marriage and along with the issue of her independence is responsible for many of her marital conflicts. The first three husbands "riche and olde" were married each for "hir land and hir tresoor" then discarded as the Wife looks for other prospects. When one of these husbands tries to restrict the Wife’s spending she refuses to let him be both "maister of my body and of my good" so refuses sexual favours in return for her freedom as she will not become a mere possession. She generalizes that women "love no man that taketh or keepth charge" suggesting an element of independence and individualism in 14th century marriage. The wife resents being controlled; she

She has a conversation with Emilia about adultery by women. While she found it to be an outrageous and nonexistent deed, Emilia's response should have planted a seed in her head. Women actually do

Let husbands know Their wives have sense like them. (4.3.833) The quote above explains that Emilia understands that not all is fair, where women are constraint by their husbands yet he can do whatever he likes with no consequences. She says that women

The discussion of the Wife’s five husbands describes her evolving role as a woman and how she overcame the most ridiculous obstacles to maintain this idea or illusion of marriage. The Wife’s depiction of her marriages was that three were good and two were bad. The initial marriages were to older rich men where she kept up this idea of marriage in order to receive money, but was not faithful by

In her final moments, Desdemona chooses not to blame Othello for her death because she saw that the honor of their love was more important than honesty. After Othello was convinced that Desdemona was cheating on him, Othello had started to show his disappointment with her. He had even gone as far as hitting her (4.1 134). Despite this, Desdemona continued to stay true to Othello. Othello, though, decides to kill her. Desdemona senses a change in Othello and she has a feeling that she will die soon due to the hands of Othello. This does not stop her, though, from continuing to care for Othello. Even when Desdemona was found after Othello strangles her, she still believed that her death was not the fault of Othello. Emilia comes into the couple’s bedroom after Othello smothers Desdemona, but hears Desdemona cry out. Seeing her dying, Emilia asks who would do this. Desdemona replies that it was her fault: “Nobody – I myself. Farewell / Commend me to my kind lord. O, farewell!” (5. 2. 125-126). Not only does she try to protect Othello’s reputation by blaming herself, Desdemona tells Emilia to remind Othello about her showing that she stills respects Othello. By trying to hide the fact that Othello had murdered her, Desdemona has chosen to put the honor of their love above honesty.

She continues on to explain that men and women also share the same desires and affections, but the only difference is men are weaker mentally. This conversation takes place privately and Emilia does not

Aunt Lydia, one of the women who trains the Handmaids, once mentioned that, “It's not the husbands you have to watch out for...it's the Wives. You should always try to imagine what they must be feeling. Of course, they will resent you. It is only natural. Try to feel for them” (Atwood, 46).

She professes her opinion that if the wife falls, it is her husband's fault (4.3.89) and asserts her belief that women have "some revenge" (4.3.96-97). Emilia provides the feminist voice of Othello, asserting her independence from her husband and even admitting that she would commit adultery if the price were right. Her attitude towards men is somewhat cynical, as she says "They are all but stomachs, and we all but food; They eat us hungerly, and when they are full They belch us" (3.4.106-108).