In 1925, philosopher and leading black intellectual Alain Locke published the short essay The New Negro. In this essay, Locke describes the contemporary conditions of black Americans, and discusses the trajectory and potential of black culture to affect global change in its historical moment (Locke 47). Locke wrote this essay in the midst of the Harlem Renaissance, a period in which black artists and intellectuals sought to reconceptualize black lives apart from the stereotypes and racist portrayals of prior decades (Hutchinson). The New Negro and the discourse around Locke’s work attempted to push forth a bold project: that of reshaping the cultural identity of black America with respect to the existent structures of American culture, as …show more content…
This idea has taken on many different forms over the past century and a half, and its discourse has evolved alongside the major works of prominent figures like W.E.B. Du Bois, Martin Delany, and Marcus Garvey. A common theme among these thinkers is the notion of historicizing the development of black culture relative to diasporic movements in the preceding centuries. However, they differ significantly in their visions and aspirations for the culture at large, as well as in their interpretations of how peoples of African descent should behave with respect to the dominant (primarily white) societies in which they live and function. In particular, earlier scholars like Du Bois tended to “sustain their faith in a partnership with white allies, wagering that [their] commitments to ‘civilization building’ ... would hasten the day when they and their race would be respected as equal partners” (Ewing 16). In contrast, Garvey, a contemporary of Locke, supported a radical agenda for African independence, and a mass migration to bring peoples of African descent back to Africa (Ewing 76).
Locke situates The New Negro in a curious position within these intellectual histories. This matter is further complicated by Locke’s contemporary work on cultural relativism and pluralism. Although Locke emphasizes the power and significance of Garveyism as an ideology during the Harlem Renaissance, he does so with regards to its power as a unifying
Although it took almost fifty years after the American Revolutionary War was over, on July 4th and 5th, 1827, African American New Yorkers celebrated the passage of legislation that would finally free them from the bondage of slavery (11). In her book, In the Shadow of Slavery: African Americans in New York City, 1626-1863, Leslie M. Harris’s thesis is that class status was essential in the development of the black community in New York City from the moment they landed on Manhattan Island in 1626 (14). Harris also argued that the issue of slavery and emancipation of blacks in New York was an item that was brought up constantly, but elite white New Yorkers always hesitated on implementing legislation due to their constituent’s reliance on slave labor, their elite racist views of blacks (in general) as inferior (96), and the
During the 19th and 20th century African Americans faced Discrimination in the United States. Three African Americans took roles of leadership and began trying to uplift the lives of blacks in society. Those who took control of this movement were Booker T. Washington, Marcus Garvey and W.E.B Dubois. These activists wanted the same result and implemented different techniques to follow their similar hopes for blacks in America. Each of these leaders has allowed America to develop in extensive ways for several years and those yet to come. Alternate pathways were taken by each leader to resolve the overall issue of racism. These issues include things such as not having the right to vote,own property and prevent lynchings. This paper will argue that had Garvey's theory of the new negro and Dubois’ ideas of education been implemented, racism in America would have been reduced because the allocation of education would allow for their to become a new negro. The application of Marcus Garvey's theory including thoughts of W.E.B Dubois’ on racism would have brought white power to an end.
The black race has faced many hardships throughout American history. The harsh treatment is apparent through the brutal slavery era, the Civil Rights movement, or even now where sparks of racial separation emerge in urbanized areas of Baltimore, Chicago, and Detroit. Black Americans must do something to defend their right as an equal American. “I Am Not Your Negro” argues that the black race will not thrive unless society stands up against the conventional racism that still appears in modern America. “The Other Wes Moore” argues an inspiring message that proves success is a product of one’s choices instead of one’s environment or expectations.
In the midst of a long passage on black people in his Notes on the State of Virginia, Thomas Jefferson (who sniffed that [Phyllis] Wheatley’s poetry was “below the dignity of criticism”) proposed that black inferiority- “in the endowment of both body and mind”- might be an unchangeable law of nature. (181)
The struggle for equality and the battle to have one’s suppressed voice be heard is prevalent throughout the history of the United States. The Native Americans, women, and even Catholics have all encountered discrimination and belittlement in one shape or form, which eventually urged individuals within those groups to rise up and demand equal opportunity. As the United States began to shift away from slavery, one of the most deep rooted, controversial dilemmas aroused- what do black people need to do in order to gain civil rights both economically and socially? Booker T. Washington’s “Atlanta Exposition Address” and W.E.B. Du Bois's “The Soul of Black Folks” were pieces of writings influenced by the puzzle that black people were left to solve. Booker T. Washington and W.E.B Du Bois had contrasting ideas, but they both contributed a piece to the puzzle in hopes of solving the never ending mind game.
The 1920’s were a period or rapid growth and change in America. After World War I American’s were introduced to a lifestyle of lavishness they had never encountered before. It was a period of radical thought and ideas. It was in this time period that the idea of the Harlem Renaissance was born. The ideology behind the Harlem Renaissance was to create the image of the “New Negro”. The image of African-American’s changed from rural, uneducated “peasants” to urban, sophisticated, cosmopolites. Literature and poetry abounded. Jazz music and the clubs where it was performed at became social “hotspots”. Harlem was the epitome of the “New Negro”. However, things weren’t as sunny as they appeared. Many felt that the Harlem Renaissance itself
According to Matthew Mason’s academic journal “A Missed Opportunity? The Founding, Postcolonial Realities, And The Abolition Of Slavery,” African Americans have been enslaved in America since the early 17th century.” The first slaves were brought by the Dutch to the colony of Jamestown, Virginia to help harvest tobacco. The institution of slavery was practiced in America through the 17th, 18th and 19th centuries. Slavery helped to build the economic foundation of the United States. When the Emancipation Proclamation was passed by Abraham Lincoln in the year 1893 it changed the lives of over three million slaves who were reclassified as “slave” to “free.” Former slaves struggled to find their place within this new world of freedom which they had not yet known before. However, African Americans still faced problems such as discrimination, lack of opportunity, stereotyping, and mortality. Booker T. Washington and W. E. B. Du Bois both confronted these issues. These two men advocated for the advancement of Black people within society, however in this essay I argue that Du Bois was more effective than Booker T. Washington because of his idea that African Americans should have the same possibility to achieve the same rights as any other race in the United States.
Locke's primary goal in the essay "The New Negro" is to migrate from monolithic notions of an "Old Negro", as well as from the exhausted frameworks of bourgeois intellectual black leadership toward an idea that gives creative agency and credibility to the "rank and file" of Negro life (Locke, New Negro: 6).
Locke furthers this argument by using even more examples if diversity within the black race. Using different types of Judaism as an comparative example, Locke proceeds to refer to many different strains of black people - "...the conformist and non-conformist strains, the conformist elite and the racialist elite, the lily-white and the race-patriotic bourgeoisie, the folk and the ghetto peasant and the emerging Negro proletariat." These all represent types of black people. He is speaking of the blacks who conform to white norms versus those who don't, the rich who conform versus those who don't, the middle class blacks who pretend they are white versus those who are proud of their race, and
Though times have changed, Alain Locke tries to convey that meaning into many of his writings. Alain Locke has been an activist for the many years of the Harlem Renaissance. He spoke forward about how the ancestors of African American referred as the “Old Negros” and the newer generation referred to as the “New Negros” took different outlooks on life. American Negros goal in life at this point in time was to change their mentality. But how? Locke had introduced many readers to the vibrant wondrous world of African Americans. He opened the eyes to what American Negros can do and not what they cannot do, no one should be restricted by any boundaries.
By going back to one’s roots, the future of developing countries resided in the “development of Africa is one of the most constructive and universally helpful missions” (Locke, 6). This direction was a form of modernization that was an improvement of relationships between African Americans and other races.
The 1920’s were a time of change for African Americans. They were beginning to retain a sense of pride in their background and culture, were becoming more independent socially and economically, and were becoming more militant. Part of this was because of the Great Migration, in which a proliferation of African Americans moved from the Southern states to the Northern states, and the excessive levels of racism and prejudice they faced during the process. African Americans were really starting to make their voices and identities prevalent, especially through movements like the Harlem Renaissance and Marcus Garvey’s Universal Negro Improvement Association (UNIA). This mentality of independence and militance that African Americans adopted which is represented through the actions of Ossian Sweet is what makes up the 1920s cultural construct of the “New Negro” which allowed me to understand the realness and effectiveness of cultural constructs.
During this time in a movement known as the Great Migration, thousands of African-Americans also known as Negros left their homes in the South and moved North toward the beach line of big cities in search of employment and a new beginning. As Locke stated, “the wash and rush of this human tide on the beach line of Northern city centers is to be explained primarily in terms of a new vision of opportunity, of social and economic freedom, of a spirit to seize, even in the face of an extortionate and heavy toll, a chance for the improvement of conditions. With each successive wave of it, the movement of the Negro becomes more and more a mass movement toward the larger
The history of the black race in Africa and America was documented in Black Folk, Then and Now: An Essay in the History and Sociology of the Negro Race. Echoing in the Saturday Review of Literature, H. J. Seligmann noted that nobody can neglect the role of the blacks in the making of the world history. Another compliment was made by Barrett Williams. In the Boston Transcript, Williams pointed out that Professor Du Bois had overlooked one of the strongest arguments against racial discrimination. In it, a man of color has proved himself, in the complex and exacting field of scholarship, the full equal of his white colleagues (Gale schools, 2004).
In many ways it could be argued that Marcus Garvey was the most significant African American civil rights leader of this time because of his role in tackling the social issues African American’s faced. He aimed to improve the lives of African Americans by encouraging them to take control of their own affairs and education. His role surrounding this issue is illustrated by his founding of the UNIA. This Universal Negro Improvement Association was an organisation dedicated to racial pride, economic self sufficiency and the formation of an independent black nation in Africa. Through this and the magazine the ‘Negro World’ he urged African Americans to be proud of their race, and argued “a people without the knowledge of their past history, origin and culture is like a tree without roots”. It has been said that through Garvey’s dedication to social improvement for his race he managed to capture the imagination of many blacks for whom the American Dream was a dirty joke.