As with many aspects of the story, Borowski uses these gruesome images in order to demonstrate how horrible the conditions of those who were imprisoned by the Nazi government were in order to hopefully prevent such atrocities from ever occurring again. The opening sentence of the story sets up this precedent of presenting horrible imagery by saying “All of us walk around naked” (Borowski 2250). This allows the author to demonstrate the dehumanization of these pitiable people which likely allows for the guards to subject them to torture. Similar imagery is used later throughout the story when Borowski described the incoming prisoners as having “pale faces…flat as though cut out of paper, with huge, feverishly burning eyes” (2258). This again
Names are taken from the Jews and replaced with numbers when they enter the camp. This act is an attempt to steal the Jews’ identities; however, they fight against this act of dehumanization. The Nazi’s hoped to kill them mentally by doing this. My arm burns. I look up into the blue eyes of a Nazi guard as he burns the number into my skin. I smell burning flesh and want to barf. All around me irons are being heated up. “You
“once more the young men tied her up and gagged her. They even struck her. People encourage them:…” (24). While on the way to Auschwitz-Birkenau, a woman has hallucinations that get on the nerves of many people in the cattle car. They proceed to be the woman up and gagged her.
Throughout the entire novel the theme of dehumanization is particularly evident in both the prisoner workers and the transport prisoners. The Nazi guards are said to have “beefy” (pg. 41) faces, while an S.S. officer is described as having a “rat-like smile” as she “sniffed around” (pg. 41) the ramp. Prisoners are referred to as “standing around like sheep” (pg. 48). Starving Greek prisoners are compared to “huge human insects” (pg. 35). Even the transport trucks are called “mad dogs” (pg. 41). Everyone is treated and processed like livestock. “Trucks drive around, loading up lumber, cement, people” (pg. 34), is yet another example of how a human life was lowered to that of a mere object. A corpse is simply a “mound of meat” (pg. 45), and dead babies are carried out of the transport “like chickens, several in each hand” (pg. 39). The poisonous compound Cyclone B used to kill the prisoners was “an effective killer of lice in clothing and of men in gas chambers” (pg. 29).
This figure helps to convey the ever-present theme of self-preservation that can easily be seen throughout the novel. This is an excellent illustration of self-preservation, as the Block commander is encouraging the inmates to save themselves and to uphold themselves by driving out the “gloom”. Therefore, this is one of the first times in the book that Elie Wiesel learns to preserve himself, which proves that this is a present theme in the
Tadeusz Borowski short story “Ladies and Gentlemen to the Gas Chamber”, is a compelling story based on Tadeusz Borowski own experiences at Auschwitz Concentration Camp. This horrific account at Auschwitz is described though the eyes of a narrator and Henri, one of the forced residents of Auschwitz from Poland. Through the story we see that the narrator and Henri do whatever it takes in order to survive and live a decent life while they are forced to stay at Auschwitz.
Although, at the same time German SS guards still treat the workers poorly having physically and mentally worked to death. It is to show how the Germans atrociously plan their ideas to exterminate the Jews simply because they are viewed as animals. By using light and dark atmospheres, Wiesel could successfully let the reader understand his overall message.
What is pornography? According to the dictionary pornography means “Obscene writings, drawings, photographs”. Yet, many people disagree with what is consider to be pornography in society today. Susan Brownmiller is a feminist activist who wrote an essay “ Lets Put Pornography Back in the Closet” argues that pornography should be not be protect by the 1st Amendment or be allowed into society. Meanwhile, Susan Jacoby a writer of “ A First Amendment Junkie” disagrees with Brownmiller because she believes that it’s everyone’s right and that society should not be able to censor pornography. Should society let the government censor pornography just because we may not approve this type of act. I agree with both of the writer’s that pornography should
The cinematography of the film gives the audience striking images which expose the taboos of Holocaust film-making, but this gives authenticity to the film itself. The cinematography utilizes accurate content such as dead bodies, nudity, and defamation to show the harsh truths of the Holocaust. For example, there was a pile of the dead jews shown in the beginning of the film shown after they entered the gas chamber. The pile was shown in the background of the main character within the initial 30 minutes of the movie.This was a daily occurrence in many extermination camps. However, one child seemed to survive the gassing, but he was suffocated by a nazi doctor on the table. The main character on the table took him away, because he
The conditions of the camp were unbearable. The prisoners were barely fed, mainly bread and water, and were cramped in small sleeping arrangements. "Hundreds slept in triple-tiered rows of bunks (Adler 51)." In the quarters that they stayed, there were no adequate cleaning facilities or restrooms for the prisoners. They rarely were able to change clothes which meant the "clothes were always infested with lice (Swiebocka 18)." Those were sick went to the infirmary where also there were eventually killed in the gas chambers or a lethal injection. The Germans did not want to have anyone not capable of hard work to live. Prisoners were also harshly punished for small things such as taking food or "relieving themselves during work hours (Swiebocka 19)." The biggest punishment was execution. The most common punishment was to receive lashings with a whip.
However, these feelings were helpless at that time. They were repressed inside their souls. The Jews were killed in brutal ways such as shooting or gassing them: “The people become a twisted load / Of intertwined limps and heads glued with blood.” (20-21). Through this image which tackles the sense of vision, one can see those dead people covered with blood which is very pathetic and
When the Jews got to the barracks, they were told to strip and only could keep their shoes and belts in hand. The Jews were dehumanized in many ways, and it all started the minute they set foot in Auschwitz. When they got to Auschwitz there were two lines, men to the left and women to the right. The men were later separated into another two groups, if you were of suitable age and health you would go the the left heading towards the barracks, but if you were not of suitable age and health you were sent to the right probably towards inevitable death. A few days after being sent to Auschwitz is when they were the most publicly humiliated, mortified, and exposed. “Our clothes were to be thrown on the floor at the back of the barrack… belt and shoes
According to “I’m Telling the Story” by Magdalena Klein, the prisoners were not given proper clothing. She writes “In rags, soiled, infested with lice” (Klein, stanza 2) and “Unclad frail feet were trudging in the snow” (Klein, stanza 4). The Nazi’s not only neglect to give the prisoners proper clothing, they also force them to walk barefoot through the snow! This problem is still present in the world today, not with the Nazis, but tyrannical governments still do this. In short, Nazi prisoners were not treated with the respect that is due to every human being, and suffered greatly because of it.
The Jews had been starved while being detained in forced labor camp. Those who weren’t fit to work were killed and cremated. The most eye-opening description of the Jewish peoples’ state in the concentration camp came at the very end of the book. After being freed, Wiesel looked in a mirror for the first since his arrival at the camp. Wiesel described his reflection as a “corpse” and stated “the look in his eyes… has never left me.” (Wiesel 115). Not only had the Nazis carried out a brutal campaign on the Jews’ physical being, but they had also infiltrated deep into their psyche. Upon arrival at camps, all Jews’ were forced to hand over all of their clothes and wearing matching uniforms. After that, the prisoners’ were sent to the barber. Wiesel described the process, stating, “[The barbers’] clippers tore out our hair, shaved every hair on our bodies.” (Wiesel 35). After this process, every Jew was tattooed with a number. This process lead to the ego-death of every prisoner. They were no longer people: they were numbers. Nothing differentiated one Jew from another, besides the numbers tattooed on them. This horrendous act could only be classified as psychological torture, carried out by monsters who had lost control of their own
This traumatizing image symbolizes the horror of being in a concentration camp. Furthermore the image conveys heavily on his language related to decay. Wiesel “succeeded in digging a hole in [the] wall of dead and dying people”(Wiesel 94) to get too fresh air. This horrifying image symbolizes the constant fight for survival in the concentration camp. Wiesel is living in the concentration camp, with people dying around him as he is trying to not meet the same fate as them.
There is a part where we watch as humans are so ugly that it is hard for us to imagine that what they had done is possible. Liesel is playing soccer in the park and all of a sudden all the kids stop because of a noise they hear coming down the street. They think it could be a herd of cattle, but that not what it is. It is a group of Jewish people being led, or forced, to the death camps by German soldiers. On there way we watch a man die “He was dead. The man was dead. Just give him five minutes and he would surely fall into the German gutter and die. They would all let him, and they would all watch”(Zusak 393). This is talking about how when a Jewish person would die, the Germans wouldn’t do anything. They wouldn’t care that a man died right in front of them. While the Jews are walking Hans, Liesel adopted father, gives them bread. While Hans is giving this man bread a German soldier notices what is going on. He walks over to the man and, “The Jew was whipped six times. On his back, his heart, and