Analysis Of Allegory Of The Cave

The story of the Allegory of the Cave is about a group of prisoners have lived in a cave since birth. They are bound so that they can only look straight. Behind them is a fire and there are puppets shows play every day. Because of the fire, the cast shadows across the wall that the prisoners are facing. Therefore, those prisoners see the shadows as reality. Later, a prisoner went out to the cave and realized what the reality is. However, when he went back to the cave and tells other prisoners, and no one believed him.

Imagine yourself sitting inside a dark, damp, cave where the only thing you can see are moving shadows on the cave wall in front of you. You can’t move anywhere or see anything besides the shadows, and these are the only things you’ve seen for your entire life, so these moving dark images are the most real things you’ve ever known. At some point in our childhood we were mentally in this state of darkness, we didn’t know anything about the world or have any complex thoughts. How then, were we brought out of our caves of darkness and misunderstanding? The Allegory of the Cave is a well known section of Plato’s

I had an experience that each represents the symbol towards the Allegory of the Cave. My childhood was mostly in Jamaica where I lived with my father for two to three years. I can relate to the symbols from the "Allegory of the Cave".

An allegory is a kind of story in which writer intends a second meaning to be read beneath the surface story. One of the most important allegories ever to be gifted to humankind is Allegory of the Cave. Plato’s Allegory of the Cave is one of the most potent and pregnant of allegories that describe human condition in both its fallen and risen states. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. It is also known as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It is written as a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon at the beginning of Book VII of The Republic.

Has someone ever looked at you and immediately disregard you for you are just because of your ethnicity? Have you ever done it someone? Racism is a huge culture issue that we have not only in America, but in other parts of the world, but it does not matter the color of one’s. What really matters is the character they have withheld inside but are not given a chance to express because someone didn’t even bother to give them a chance. This is idea comes from the book written by Plato, “The Allegory of the Cave” where in the book Socrates speaks of man being in a dark cave all their lives not realizing the truth until once they reach the end of the cave to see that the light is the truth. The truth is the reality of life.

“Allegory of the Cave”, written by Plato, is story that contrasts the differences between what is real and what is perceived. He opens with Glaucon talking to Socrates. He has Glaucon imagine what it would be like to be chained down in a cave, not able to see anything other than what is in front of him. He tells a story of men that were trapped in a cave and were prisoners to the truth. These prisoners have only seen shadows. But because of their ignorance, these slaves to the cave believe that the shadows are real. The story goes on to say that one of the men has been dragged out of the cave. He is not happy to see the real world, yet upset because he is being taken

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

Plato’s book, The Republic, in the excerpt regarding “The Allegory of the Cave,” and Rene Descartes’s book, Meditations on First Philosophy, in the excerpt concerning “Meditation I of the Things of Which We May Doubt,” have influenced the epistemological realm. Furthermore, they have influenced Hollywood. For instance, in 1999, Andy and Lana Wachowski directed a film, The Matrix, that had similar epistemological attributes. The Matrix contains similar and contrasting features with “The Allegory of the Cave” and “Meditation I of the Things of Which We May Doubt,” and, through the storyline of The Matrix, truth seems to be superior to bliss.

The general concept of education is for students to learn from their teachers. Students grasp ideas and info from their teachers in order to increase their knowledge. Students take knowledge from their teachers & try to memorize them so that they can increase their knowledge. In the excerpts, “Allegory of the Cave,” and Paulo Freire's “The Banking Concept of Education,” both philosophers believe in freedom in learning. In the article, “Is Google Making us Stupid?”, Nicholas Carr states that when people have their freedom with their education with technology, it can result to a disadvantage.

Book VI further supports Socrates’ claim that the philosophers are not in fact supremely virtuous (485 a-487 a). This is important because in Book IX Socrates discusses at length how the just are virtuous and that being both of these things is what leads to the ultimate good and happiness. Furthermore, this book provides another advocacy for the goodness of philosophy in and of itself.

If you had a vast and extraordinary knowledge that would bring truth and light to the rest of the world but would be violently rejected by the world for this knowledge, would you still share it? Over that past centuries, philosophers, religious leaders, scientists, teachers, and dreamers have brought their insights and enlightenment to the forefront of society knowing that they would be violently rejected. Many of these enlightened individuals have been later claimed as martyrs for their knowledge and actions when they are later proved to be the truth. So why do they do it? A great philosopher, Plato, debates such a topic and explains the reality and risks of being one who is enlightened in an ignorant society. In his work The Allegory of the Cave, Plato urges his reader to find enlightenment and face its risks through his

The prisoners are bound by their necks and feet, and the only thing they have to look at are the shadows that show up on the cave wall they are forced to stare at. They have no freedom or choice in what they should or shouldn’t believe in. They are forced to believe that the shadows cast on the wall is the only reality that exists, since they don’t have the

Plato’s “Allegory of the Cave” presents a visualization of people who are slaves that have been chained in front of a fire their whole lives. These people observe the shadows of different things shown on the cave wall that is in front of them. The shadows are the only “reality” the slaves know. This is because they have never seen anything else to compare them to. Plato argues that there is a critical flaw in how people mistake their limited perceptions as reality, as truth, and as what they believe to be what is good. The allegory reveals how the flaw affects our education, our spirituality, and our politics. The flaw that Plato speaks about is how people trust what they see and think it is real.

To what extent can education develop or change the mindset of people regarding the world?

The allegory begins with those who are trapped in the cave. The prisoners have been imprisoned since childhood. Meanwhile, the prisoners are confined in a peculiar manner. Their legs and necks are tied together, their heads are positioned straight causing them to only see straight ahead. In front of them there is a wall, while behind them is a firelight burning. As the different objects passing by appear on the wall in front of the people, they guess the actual physicality of the objects (60-61).