Analysis Of Along The Frontage Road

The Road, a post apocalyptic novel,written by Cormac McCarthy, tells the story of a father and son traveling along the cold, barren and ash ridden interstate highways of America. Pushing all their worldly possessions in a shopping cart, they struggle to survive. Faced with despair, suicide and cannibalism, the father and son show a deep loving and caring that keeps them going through unimaginable horrors. Through the setting of a post apocalyptic society, McCarthy demonstrates the psychological effects of isolation and the need to survive and how these effects affect the relationships of the last few people on Earth.

Cormac McCarthy’s The Road, is an enticing, but soul-wrenching novel that perfectly conveys the precise conditions of a cold, desolate world, in which one feels utterly isolated. McCarthy does not hesitate to go into detail about powerful or foul events within the plot. He says exactly what he means, and can effectively incorporate forceful interactions between the characters and each other, as well as characters and their given environment. By using the literary devices of symbolism, imagery, and theme, McCarthy handcrafts a novel with such eloquence and grace that such a bleak and miserable world is perhaps a seemingly beautiful one.

A man and his son travelling alone amidst the ruins of a previously prosperous nation; a young man venturing into a treacherous land to tie up the loose ends in his life; a broken ranch hand that suspects he had a conversation with death: in the most desolate and uncertain environments, the surrounding world can lend a bleak and lifeless perspective to one’s struggle to survive. In lands without accompaniment from other humans, the will to live can be as difficult to muster as shelter for the night or the first meal in days. Cormac McCarthy explores the difficulties of survival under the tension of barren landscapes and youthful inexperience and their effects on the loss of innocence. Gained maturity enables humans to persist and stay hopeful, even in the least hopeful situations. These environments and mindsets play an important role in the messages of three novels by Cormac McCarthy: The Road, The Crossing, and Cities of the Plain.

The idea of death can be, and is an enormously disturbing, unknown issue in which many people can have many different opinions. To some individuals, the process of life can progress painstakingly slow, while for others life moves too fast. In the excerpt We Were the Mulvaneys, by Joyce Carol Oates, a innocent farm boy named Judd Mulvaney has an eye-opening encounter by a brook near his driveway. During this encounter, Judd faces a chain of feelings and emotions that lead to his change of opinion of the issues of life and death, and change as a character. This emblematic imagery of life and death, as well as jumpy, and retrospective tones benefit the development of Judd as an innocent child as he begins to change into a more conscious and aware adult.

This can be seen in the poem “Brothers and Sisters” in which the literal and figurative levels of reality are joined. Wright does this through the use of pathetic fallacy, ensuring that she moves beyond simple description, to show that every aspect of the siblings’ lives is reflective of the environment that they live in. This is represented in the metaphor ‘the road turned out to be a cul-de sac, stopped like a lost intention”. Wright implies that the dead end of the street is reflective of the lack of fertility both in and outside the house, there is no movement forwards as the lives of those within it have ceased, the siblings are unmarried with no children, thus there is no new life being created. Wright has done this to ensure that that audience is aware of this process, rather than providing simple descriptions which can often be misleading. Neither the surrounding environment or the siblings are taking part in the evolutionary process of creating life, this sense of fruitless passing of time is furthered through the employment of the simile “years grew like grass and leaves” suggesting, although hindered there is an emotional connection present. By representing their lives as slow- growing and little- moving it continues to showcase the similarities between the landscape and its inhabitants, demonstrating that the environment grows old just as they do. Yet another representation of the landscape within the characters is seen in the inevitability of death, for the landscape and its inhabitants. This can be seen through the use of direct speech “There is nothing to be afraid of. Nothing at all”. This repetitive reassurance demonstrates their fear of death and the destructive nature of it, as witnessed in the landscape. The irony here is that with each

Country road has always been one of Australia leading premium stockists of apparel and home wares. Country Road began as a small manufacturer but expanded and diversified to become a leading wholesaler/retailer of apparel and home wares in the Australian market. The great success of this fueled the company into an expansionary strategy into the lucrative yet highly competitive US markets and also further along the way into the Asian markets. The strategy of international expansion into Asia had involved alternative strategies instead of the aggressive strategy into US. Such strategies included strategic partnerships and franchising agreements. Country Road was successful at first with its defined higher quality products and

The ability to paint beautiful ideas on a canvas of dark events and imagery is an essential skill in the arsenal of an accomplished writer. In his novel The Road, Cormac McCarthy demonstrates his understanding of this skill. A reviewer from the San Francisco Chronicle described The Road saying, “[McCarthy’s] tale of survival and the miracle of goodness only adds to McCarthy’s stature as a living master. It’s gripping, frightening, and, ultimately, beautiful.” These descriptions of the tale are true throughout the novel, but particularly at the ending of the story. In the final pages of the book, McCarthy continues to engage the reader with gripping and frightening moments, to emphasize the theme of survival, and to reveal beauty and “the miracle of goodness.”

In the beginning of the short story, as Brother reflects on Doodle’s life, the author uses personification and foreshadowing to create a mood of remorse. As he gazes out of the window into his backyard, Brother states that “the graveyard flowers were blooming. ...speaking softly the names of our dead” (Hurst 1). The flowers provide flashbacks of the past, and foreshadow a loss of life. The loneliness felt by Brother causes readers to consider how they would feel if their loved one was gone. As Brother observes the seasons, it is noted that “summer was dead but autumn had not yet been born” (Hurst 1). The personifications of the seasons as stages in the cycle of life and death creates an unsure and uncertain mood. The shift between seasons creates an idea of change and uncertainty of events to come. Hurst creates a mood of remorse through

It can be difficult for a persona to understand a different perspective. The 1914 blank verse poem, Home Burial, by Robert Frost explores the death of a child and the consequences of this disturbing event on a mother and father. The poem is set at the burgeoning of WWI in pre-war western society. At its core this text explores the gender stereotypes of its time. The mother and father embody the two differing representations of grief over their child’s death. After a brief introduction, the text consists of mostly dialogue which gives the audience an insight into the emotional rift between two personas and their different experiences in dealing with the emotional consequences of death. The husband questions the emotional response of his wife using a demanding tone, desperate to try and understand the reasons for her longing actions “What is it you see From up there always- for

In Dead End in Norvelt, by Jack Gantos, the main character, Jack, experiences an array of humorous obstacles as he tries to get through the summer. This comedic novel is set in Norvelt Pennsylvania in 1962. A combination of dark comedy, low comedy, and schadenfreude, drive the narrative through a series of weird and wondrous events, taking Jack through an intricate, funny path of summertime madness and fun. There are many examples of schadenfreude, or something funny from someone else’s misfortune, in the narrative.

The Road portrays the journey of the father and son across a black and white world that is analogous to my experiences of the quest of survival in Afghanistan and the refugee camp in Pakistan. Where many have abandoned their beliefs and morals to survive the hellish situation. Those who survive with their beliefs and values still in intact are constantly challenged on a day-by-day basis. Their survival must be persevered to keep the fire burning, however small for their own children. There must be some goodness that remains for their children to carry into the next generations. They must always remain

The Road takes place in post-apocalyptic America after an unknown disaster occurs. The novel centers around a boy and his father, both of whom are never given names. In an analepse, the reader learns that the mother of the boy kills herself with “a flake of obsidian” as she fears that she would be raped and murdered (McCarthy 30). “[The man] hadn’t kept a calendar for years” and the reader is left unsure what year or month it is (McCarthy 2). The man is sure, however, that winter is approaching and it would be best for him and the boy to travel south where it is warmer. They have nothing but a pistol, their clothes, and a cart with food they scavenged for. The world is barren with “dust and ash everywhere” (McCarthy 3). The story chronicles the man and boy’s journey to the south while they look for food, supplies, and shelter. The pair must fend off “bad guys” during their journey as well (McCarthy 39). When one of these “bad guys” puts his knife at the boy’s throat, the man is left with no other option than to shoot the “bad guy” leaving a “hole in his forehead” (McCarthy 34). Another gruesome event occurs when the man and boy are looking for food in a house they found. While walking down a cellar’s stairs, they smell an “ungodly stench” (McCarthy 56). In the cellar, there are “naked people” who are whispering “help us” and a maimed man on a mattress with his “legs gone to the hip and the stumps of them blackened and burnt” (McCarthy 56). These people are being kept to be eaten eventually and the man and his son

Often times in life, people begin to appreciate relationships when reflecting on one’s previous actions and regretting what one has done. In “Those Winter Sundays,” Robert Hayden describes how a son remembers his father’s sufferings and sacrifices that he did not appreciate in the past. Hayden uses visual and auditory imagery, personification, alliteration, and drastic shifts in tone to show how the son recognizes his father’s physical and emotional pain, and regrets his former indifference.

In a desolate world ravaged by fire, a boy and his father trudge across the countryside. They encounter people in their most desperate times where their motives are unpredictable and noone can be trusted. The boy and his father try to maintain their morality while facing starvation and having to deal with unpredictable people they encounter on the road. Cormac McCarthy in his novel The Road, uses the theme of hope to demonstrate the human trait that purpose is essential to survival.

Andrew Marvell’s “The Mower’s Song” exposes the envious and jealous side of human nature and seems to echo the saying, “misery loves company.” The poem is set in a lush meadow, and takes the reader through the emotional stages of the lovelorn mower of the meadow. The mower has a blossoming new affection for “Juliana.” The mower sees a likeness between his blossoming affection and the blossoming of the fresh meadow, and is comparing his relationship with Juliana to the meadow. The speaker begins by telling the reader that his mind was once a reflection of the beautiful meadow he cares for.