Analysis Of As I Lay Dying

Faulkner’s Description of Dewey Dell in As I Lay Dying William Faulkner’s phrasing, point of view, and grammar in his polyphonic novel, As I Lay Dying, strategically employs the miserably pessimistic yet juvenile voice of Dewey Dell to characterize her as the novel’s naïve victim. The only surviving female in the Bundren family, Faulkner presents the hardships that Dewey Dell must endure. In addition, as an uneducated girl with no guidance, Dewey Dell experiences an uncertainty in many issues that arise in her life.

Most works of literature often use events and objects to display a deeper meaning to the current situation. In As I Lay Dying, by William Faulkner, there are many references that connect the Bundren family to mythological, Biblical, and classical allusions. Faulkner’s use of various types of allusions emphasizes the characters’ behavior and relationship to each other.

As I Lay Dying, a novel written by William Faulkner, describes the journey that the Bundren family makes to bury their mother. Along the trip Mrs. Bundren passes away and leaves behind her 5 kids and husband. The kids all have their own serious issues, and their father, Anse, is too self absorbed to care. The children transport their mother, and the hatred they have towards one another builds up and becomes exposed. Throughout the novel, Faulkner asserts that families need an understanding of love in order to form successful relationships and meaningful bonds.

In As I Lay Dying, by William Faulkner the reader gets to see how hard life is for the Bundren family. The Bundren’s face many obstacles throughout the book and somehow manage to come through most of them okay. The family fulfills their desires along the way to relieve them of these struggles. The main theme in As I Lay Dying is family dysfunction, and this family dysfunction leads to Darl’s insanity.

“The eye is the lamp of the body. If your vision is clear, your whole body will be full of light” (). Ever since the creation of mankind, the eyes exist as the window to the soul. Taking one look into a person's eyes can leave you with more knowledge than ever thought imagined. Love, anger, lust, hatred, sympathy and guilt can all express themselves in just one glance. William Faulkner knew of this interesting trait and applied it to his 19___’s novel “As I Lay Dying”. Each character possesses their own unique traits and personalities which drive them to fulfill their end mission: burying their mother in Jefferson. To express their personalities, Faulkner incorporates a variety of similes and metaphors all relating to the eyes. This technique sheds light of their selfish ways. These selfish qualities, not the love for their mother, cause the Bundren children to succeed in their mother's dying wish.

She becomes a wife and a mother. She loves her children and they adore her. When she grows old they will take of her, and when she dies, they long for her the rest of their days. The concept of such a desired and completed journey of motherhood and womanhood is dismantled in William Faulkner’s As I Lay Dying. On a spectrum of maternity, characters Cora Tull, Addie Bundren and her daughter Dewey Dell each represent a different degree. Cora is a dedicated mother, Addie struggles to accept the idea of motherhood, and Dewey Dell rejects the role altogether. Through these female characters, Faulkner also aims to point out the absurdity of the universal experience of womanhood.

Despite the fact that human beings are oftentimes reluctant to admit it, it is a fact of life that one of the most fundamental aspects of human nature is self-interest. Selfishness pervades everyday life, no matter what efforts are made to deny and rationalize its existence. In the novel As I Lay Dying by William Faulkner, the unique method handling the death of Addie that each character uses exemplifies the inherent selfishness apparent in human nature and outlines the various emotions that accompany the death of a loved one.

    Analyzing character in a Faulkner novel is like trying to reach the bottom of a bottomless pit because Faulkner's characters often lack ration, speak in telegraphed stream-of-consciousness, and rarely if ever lend themselves to ready analysis.  This is particularly true in As I Lay Dying, a novel of a fragmented and dysfunctional family told through fragmented chapters.  Each character reveals their perspective in different chapters, but the perspectives are true to life in that though they all reveal information

As I Lay Dying and Little Miss Sunshine are two stories about a family’s journey and the setback they face along the way. The type of journey the families endure follows the path of rising and then falling that occur throughout their time together. Little Miss Sunshine is an effective contemporary version of the archetypal journey when compared to As I Lay Dying because of the similar archetypal events, characters and symbolism.

As I Lay Dying covers the story of a family as they journey to bury the mother, Addie, in her hometown after her death. They all go through the same situations but each experience different emotions and thoughts. They express these through the language they use. What each character says as well as how he/she says it lets the reader see the

This renders the tone more one of reminiscence and, if Faulkner's narrator is not as grandiloquent as Poe's, he nonetheless paints vivid pictures, as in his description of Emily later in life: “She looked bloated, like a body long submerged in water, and of that pallid hue” (Faulkner 3). What may be most interesting in the differences of narrator tone, however, is how each underscores the thrust of the story. Poe's extreme voice works to build up to a disturbing conclusion of murder; the exaggeration of Montresor's tone conforms to the trajectory of the story. With Faulkner, understatement is the key. His story ends as dramatically, if not more so, than Poe's, and the effect of the revealed necrophilia is amplified by how moderately the narrator conveys the tale.

The author of As I Lay Dying, William Faulkner, really contributes to the aspects of literature through his ability to tell a seemingly incredible story through only the “stream-of-consciousness” technique. Faulkner takes his insight beyond the piece, through other’s views and thoughts. Although the characters might be acting differently upon each subject or handling each action in opposite ways, the tone and theme that he uses really brings the whole piece to a perfect balance. In As I Lay Dying, Faulkner displays contradicting elements through the reactions of the family members towards the mother’s death with the use of dialogue, tone, imagery, and internal conflict.

This device helps him convey that people need to start writing about emotional conflicts with themselves because that alone can make good writing. He also uses a metaphor to compare the writing of something meaningful and important to something not when he states, “He writes not of the heart but of the glands”. This helps the effectiveness by comparing something major and meaningful such as the heart to something less meaningful and pity as a gland. These were effective by helping Faulkner relate to everyday situations and thing we are familiar in life therefore aiding him in connecting with his audience.

Faulkner’s use of southern gothic writing style helps the reader build a mental depiction of Miss Emily. When the town sent their ambassadors to discuss the taxes that were owed, Faulkner described Miss Emily as “bloated, like a body long submerged in motionless water” (2182). This description gives the reader the sense that the character is not well. Faulkner’s description that Miss Emily looked bloated achieves the desired effect on the reader to show how hideous she appears. This graphic description, combined with the author’s depressing description of the parlor (2182), makes the reader think of death. The reader gets the sense of being in a funeral parlor which helps to strengthen Faulkner’s narrative.

In As I Lay Dying, an important question the reader grapples with is simply why? Why all of these unnecessary hardships just to get to Jefferson? Is the Bundrens’ journey to Jefferson driven by familial duty, or familial love? It’s really driven by neither. Familial duty is the guise in this novel for each family member to get to town—namely, Anse—for some sort of ulterior motive. Anse is the driving force for the other members of the family to find a reason to go to Jefferson. The only person in the Bundren family to convey actual familial love is Darl, who tries to burn his mother’s body—which, we are reminded—makes him insane. Yes, they get to Jefferson and bury Addie’s body, but was she even really a person anymore, or