Analysis Of Away Gwen By Gow

Michael Gow’s “Away” is an Australian play, set in the summer of 1967-68, in a time of great social and political change. “Away” tells the story of three families, each from different social classes, living in suburban Australia, as they each embark on their own holiday, attempting to escape their underlying personal issues. Immigrants Harry and Vic love their adopted country but are constantly faced with their son, Tom’s, terminal illness, while Jim and Gwen fret over their daughter Meg’s blossoming independence and her friendship with the socially unsuitable Tom, and Roy is unable to console a grief–stricken Coral over the death of their only son during the Vietnam war. Although each family is completely dissimilar, the theme of love remains

The purpose of this paper is to analyze the song “Hey There Delilah” by the Plain White T’s. This paper will identify the message and tone of the song, as well as the artist’s appeal to the audience by analyzing the organization of the song, and the specific rhetorical strategies the artist used to connect to the audience. The song’s organization, style, figurative language, and hyperboles in the lyrics will also be analyzed to connect the artist’s intention back to the audience. In this song, the artist’s main point and thesis, is that he is head over heels in love with a girl named Delilah. He wants to tell the world, and Delilah herself, how much he loves her, and how their love conquers the distance between them.

Gabrielle Roy's "The Move", highlights a young girl's longing for adventure and travel toward unknown destinations. However, as she realizes what is truly present outside her imagination, a surge of disillusionment comes over her. The child's description of horses, spearheading an adventure, but then falling ill and tired, illustrates the girl's realization that excitement and joy in the world cannot amount to her vivid imagination. In the short story, the image of weary moving horses parallels the child's sudden grasp of reality, illustrating the naive character's loss of innocence.

“Away” is a play written in 1988 by Michael Gow. Away refers to the central ideas of Australia in 1967-68. The central ideas embrace the outsiders, family conflicts and grief and loss which affected families in the play. Gow uses three main families to convey the message of the play. The use of language and stylistic devices influence the way Gow has been able to speak to the modern Australian audience. In the play “Away” Gow is able to speak to the modern Australian audience with the use of allusion. Gow alludes to two of Shakespeare’s plays; Midsummer Night’s Dream and King Lear, two well-known actors in the 1960’s; Chips Rafferty and Laurance Olivier and the Vietnam War. The modern audience would have to do research to

Over the Garden Wall is a children’s cartoon series with a rather dark subject: a visit to the afterlife. The show focuses on two brothers, Wirt and Greg. Unaware of their true plight, Wirt and Greg navigate their way through unfamiliar territory in search of a way home, and meet other unusual characters along the way. The show resembles Dante’s own trip to the afterlife in many ways. Over the Garden Wall alludes to Dante’s Commedia through its settings, the characters, and the aspects that the two versions of the afterlife share, all of which implies that the series is based loosely on Dante’s travels in his Commedia.

“Away” is a historical play written in 1988 by Michael Gow. Away reflects to the central ideas, values and conflicts of Australia in 1967-68. The central ideas embrace outsiders, family conflicts and grief and loss which affected families in the play and in the time. Gow uses three main families to convey the message of the play. The use of language and stylistic devices influence the way Gow has been able to speak to the modern Australian audience. In the play, Gow is able to speak to the modern Australian audience with the clever, complex use of allusion. The modern audience would have to do research to understand the allusions in the play however on a superficial level the audience is still able to enjoy the central themes and ideas of the play.

The poem “The White Porch” by Cathy Song is an illustration of maturity and coming of age. There is an innocent tone to the beginning of the poem with sensual undertones as the writing progress’s. In the poem, a woman is reminiscing about her young womanhood as she sits on her porch awaiting her presumed lover. Song creates the character of the woman to be of a homemaker, describing her duties taking care of laundry, having a cake in the oven and snapping beans in her lap. Through the visualization that Song creates it is assumed that the woman is pregnant, and as she is waiting for her husband she thinks back to the things she herself used to do when she was younger with her own mother. She is reflecting on the way her mother raised her thinking about how she wants to raise her own child. The speaker admits to sneaking in her lover late at night behind her mother’s back, but does not seem to feel remorseful because all her decisions led to where she is in her life now. Cathy Songs poem “The White Porch” portrays the transition of a girl into a woman using symbolism, imagery and simile.

Compare the ways in which poets reflect on parental relationships – Daddy by Sylvia Plath and Mother Who Gave Me Life by Gwen Harwood

Gwen Harwood, a contemporary female poet, born in Brisbane Australia in the 1920 's, wrote her poetry during a time where Australian society held dominant gender ideologies that focused on domesticating women. A widely held belief of a passive, nurturing mother figure who looked after her children and complied with her duties as a 'house-wife ', whilst men were viewed as the sole source of income and had a minimal nurturing role with children, was shared, along with ideas of male superiority, and of masculine qualities being superior to feminine qualities, both of which were only expected to be embodied by males and females respectively. The construction of people, places and institutions through poetic conventions in Harwood 's poetry allows the audience to identify these cultural beliefs in conventional gender roles and expectations within 1950 's Australian society in particular. These constructions critique the attitudes and values of the time, especially where women are concerned, and thus position the audience to reject the patriarchal assumptions of the time. Her poems Suburban Sonnet and Prize Giving are can be perceived as radical interpretations and criticisms of the views of the time they were written in, and attest to Harwood 's own beliefs of female independence and placing value on feminine and masculine roles and qualities equally. Harwood grew up with the main female figures in her life being her mother and grandmother, who were both very independent; her

Crazy Brave is the story on how Joy Harjo, the author, overcame and survived abandonment and abuse; alcohol abuse; struggles with failed marriages; and being a single mother. In her memoir she recalls her memories, dreams and visions that helped her find courage and her voice.

In this story, Carolina and Savvie are sisters that can't be apart from each other. “I will Follow you” by Roxane Gay follows a story about these two girls that have lived a very difficult life and all they have is each other, they keep thinking back and forth about their very traumatic past as little as ten and eleven years old. Savvie and Carolina were kidnapped and molested, after six weeks of them being kidnapped by this perpetrator, they try to maintain a normal life but they keep getting flashbacks. When the perpetrator (Mr.Peter) returns to their lives he sends a letter from prison to the girls and asks them for forgiveness. These girls are put to the hardest test, will they let Mr.Peter still take advantage of them after they are

Gwen Harwood explores through many of her poems the role of women in society in which reflects the challenges of the changing nature of Australian society and expectations of women. Harwood highlights the stultifying world of domesticity and the importance of identity in relation to motherhood, by challenging dominant values and mainstream beliefs. Harwood criticizes the male dominated society and channels the zeitgeist of 1960s feminism, by depicting the entrapment of motherhood in a domestic life and reinforcing of loss of identity within her poems. In both of Harwood's poems 'suburban Sonnet' and 'In the Park', the common themes of motherhood and loss of identity is enforced using a wide variety of literally techniques to portray the inner pain and anguish felt by Harwood in a patriarchal society.

Gwendolyn brooks was born in Topeka, Kansas. Her family moved to Chicago during the great migration when Brooks was six weeks old. Her first poem was published when she was 13 and at the age of 17, she already had a series of poems published in the poetry column “Lights and shadows” in the Chicago defender newspaper. . After working for The NAACP, she began to write poems that focus on urban poor blacks. Those poems were later published as a collection in 1945. The collection was titled A Street in Bronzeville. A street in bronzeville received critical acclaim but it was her next work, Annie Allen, that was got her the Pulitzer Prize. She lived in Chicago until her death on December 3, 2000 at age of 83.

Gwendolyn Brooks is one of the most celebrated poets and some of her poems have been at the center of academic discussion for many years. One of her most famous poems includes ‘The Boy Died on My Alley’, which will particularly form the center of discussion in this study. The study will focus primarily on the critical analysis that helps to define and to unify the central argument. In addition, the study will also examine some of the aspects that make this poem unique and worthwhile. Moreover, the study will critically analyze the techniques used by the author, the arguments that are central to the piece and how these techniques help to define the importance of the literature.

In this paper, I will explain how the article “The Lady and the Tramp (II): Feminist Welfare Politics, Poor Single Mothers, and the Challenge of Welfare Justice” by Gwendolyn Mink relates to the thematic focus of working women and the Marxist and socialist branch of feminism. In Feminist Thought: A More Comprehensive Introduction, Rosemarie Tong explains that Marxist and socialist feminists understand women’s oppression as a labor issue. Women’s work is not viewed as a productive contribution to society. One of the ways Marxist and socialist feminists sought to improve women’s oppression was through the wages-for-housework campaign of the 1970s, which fought for work done in the domestic sphere to be paid and respected by society. In this same vein, Mink’s article can be viewed as a continuation of sorts of the wages-for-housework campaign. Mink suggests that poor single mothers have the right for their work to be recognized by society and supported economically like the Marxist and socialist feminist in the 1970s.