Analysis Of Baseball As History And Myth In August Wilson's Fences

The Negro Leagues were one of the most important and influential movements to happen in baseball history. Without these ‘Invisible Men’, who knows where baseball’s racial standpoint with not only African American’s, but others such as Cuban, Dominican, and South American players, would be in the Major Leagues. Throughout the book, one pressing theme stays from beginning to end: Segregation.

August Wilson uses baseball ideology to construct the mindset of his protagonist, Troy Maxson, in “Fences”; however, Wilson also uses Troy to embody black America in the 50s. The metaphorical and literal significance of baseball is the driving force Troy’s subjectivity and ideology. Whether it be comparing death to baseball pitch, warning his son to not strikeout, or complaining about being stuck on first base, Troy uses baseball to explain life to those around him. Ironically, it is baseball that actually leads to Troy’s psychic castration. Although Troy was older when he was released from prison and playing in the Negro leagues, racism held younger players from competing with white Americans and there is no doubt that Troy saw this as what held him back as well. Unable to play in the major leagues bitters Troy’s attitude towards life and affects his relationship with his son, Cory, and wife, Rose. While on a micro level, the rules and mechanics of baseball have a negative impact on Troy’s mentality, on a macro level Troy’s loyalty to the game can be seen as an empowering force for black America in the 50s. The idea of not striking out, and the fetish of the home-run is meant to represent the black community’s resistance against society’s racism during this time. Although the ideology of baseball consumes Troy to the point of his own personal strikeouts, the ideology itself, and who Troy represents, is suppose to represent black America’s fight against a racist

Baseball is America’s pastime. The sport of baseball goes back all the way to civil war era, 1839. August Wilson saw the potential this sport had to send a message, and incorporated it into his play Fences. His collection of ten plays portrays the hardships of African Americans for every decade of the twentieth century (Wilson 961). Fences, in particular portrays the nineteen fifties (Wilson 961). When one reads Fences, yes it is about the struggle of African Americans in the time period, but it also incorporates baseball as multiple plot elements, and a metaphor for life.

The fence becomes a representation of the barrier that Troy tries to create between him and mortality. Troy has a fixation on Death. He talks about how Death is an easy “fastball on the outside corner” (I. i). Troy always speaks about how he could easily knock a baseball out of the park. Comparing Death to a fastball shows how Troy thinks that he can continue to always keep Death on the other side of the fence because like a

August Wilson’s Fences depicts life in the 1950s for a typical African American family. The play touches upon racism, shifting family dynamics, and the politics of war. While racism plays an important and vital role in the play, instead of lamenting the issue, Wilson uses the characters as a weapon against the rampant racism of the time. In the same fashion, the relationship between Troy, Rose, and Cory demonstrates the shifting cultural and family dynamics of the decade. Likewise, Wilson’s depiction of Gabriel as a wounded veteran who is not fully supported by the government that sent him off to war offers an enlightening commentary on the politics of the era. Wilson uses the

     "Over the decades, African American teams played 445-recorded games against white teams, winning sixty-one percent of them." (Conrads, pg.8) The Negro Leagues were an alternative baseball group for African American baseball player that were denied the right to play with the white baseball payers in the Major League Baseball Association. In 1920, the first African American League was formed, and that paved the way for numerous African American innovation and movements. Fences, and Jackie Robinson: The Biography, raises consciousness about the baseball players that have been overlooked, and the struggle they had to endure simply because of their color.

In 1839 Americas soon to be favorite past time was invented right here in New York, Baseball. Baseball whether you like the game or not, has weaved itself deeply into our culture and isn’t going anywhere anytime soon. There are countless movies, articles, songs, playing cards, bobble heads, merchandise and books all made about baseball. The players are often idolized by children and adults alike. Baseball in our country was and still is a huge topic of discussion, whose batting average is higher, which team is better, is someone cheating. Troy Maxson like many American’s knows a lot about baseball like how striking out is bad and homeruns are how you win but there are things about baseball that Troy doesn’t know. The article, Walking Around the Fences: Troy Maxson and the Ideology of “Going Down Swinging”, written by David Letzler. Letzler Delves into the ideology of batting and walks in baseball in explanation of the main character Troy Maxson of August Willison’s play Fences, and his thought process of going down swinging and Troy’s thoughts on some of the major league players of that time.

Fences can be viewed as a family play, it can also be viewed as a work specifically of the black man's place, or plight, in a predominantly white world. Either way, it has a very valuable message. It is a true art to be able to touch on so many aspects of life in a work, aspects that may be viewed differently by different people.. Wilson's work, and the character of Troy Maxson, makes me question many things, among them myself, as well as his intended message. This is why I am so in awe of Fences, and of Wilson's talent. This is why I am writing my paper on Fences.

August Wilson’s Fences was centered on the life of Troy Maxson, an African American man full of bitterness towards the world because of the cards he was dealt in life amidst the 1950’s. In the play Troy was raised by an unloving and abusive father, when he wanted to become a Major League Baseball player he was rejected because of his race. Troy even served time in prison because he was impoverished and needed money so he robbed a bank and ended up killing a man. Troy’s life was anything but easy. In the play Troy and his son Cory were told to build a fence around their home by Rose. It is common knowledge that fences are used in one of two ways: to keep things outside or to keep things inside. In the same way that fences are used to keep

having come along ‘too early’ to build a career in baseball as a black man keeps Troy

The play Fences by August Wilson centers around the character of Troy, a middle-aged African-American man. Troy struggles to keep his family together, mostly as the result of mistakes he has made as a husband and parent. These mistakes reflect certain personality traits that make up Troy’s complex character, including his obsession with providing financially, his inability to love his family, and his stubborn insistence on others following the paths he decides for them. These character traits can be explained by the social, racial, and economic climate of the time. Fences takes place in late 1950’s Pennsylvania during the beginning of the Civil Rights Era, and Troy’s character is shaped by the disappointments that have come along with racism and economic difficulty, along with not being up to date on the changes happening in the Civil Rights movement. Although Troy and his character traits are responsible for the tragic decisions he has made, it is possible that the social context of the time has shaped him into the person he is.

In "Baseball As History and Myth in August Wilson's Fences.", the thesis that Koprince stated is that "in his Pulitzer Prize-winning dramma Fences (1987, however, August Wilson uses both the history and mythology of baseball to challenge the authenticity of the American dream". ( Drama Criticism 310). Thus, Koprince implied that in Fences, Wilson use the game of baseball as a metaphor for the American ideals.

In baseball, Fences is the slang term for the outfield wall that must be cleared for a home run (Zirin). During troy’s younger years he was a great baseball player but due to the color barrier in the major leagues, he was unable to finish his dreams. Although Troy knows he could go the distance in baseball, he sees the fences in his real life as a confinement. The fences are not only his confinement from his dreams but he is confined to dealing with his guilt. Troy says “I stood on first base for eighteen years and I thought…well, goddamn it…go on for it!” (Wilson 1609). Troy has built up guilt due to his infidelities with another woman. He cheats on his wife because he despises the idea that Rose is the best he can do. The building of the fence is something that Troy is trying to delay because he feels like in a sense having the fence up with take away his dreams and keep him in which is inevitably the reason for his adultery.

Alan Nadel argues that the object of the fence in August Wilson’s play, “Fences” symbolizes a great struggle between the literal and figurative definitions of humanity and blackness. The author summarizes the play and uses the character Troy to explain the characterization of black abilities, such as Troy’s baseball talents, as “metaphoric,” which does not enable Troy to play in the white leagues as the period is set during segregation (Nadel 92). The author is trying to use the characters from the play as examples of black people during the segregation years to show how people of that time considered black people not as literal entities and more like figurative caricatures. Stating that these individuals were considered to be in a

The award winning play Fences is not just a work of fiction from the mind of August Wilson, but rather it is the reflections of a middle-aged man on his adolescent years. The majority of characters, places, and events are mirrored after real-life people, places, and history from Pittsburgh where Wilson grew up. Rather than creating a whole new world and characters for his third play, August Wilson infused his own personal childhood to form a story that could be related to by viewers and readers alike. Whether a Wilson consciously replicated elements of his history or not, the success of Fences, is due to the audience 's ability to relate to the characters and the circumstances of their lives.