Analysis Of Behind A Mask By Louisa May Alcott

To kill a mockingbird can mean many things. It’s the title of a book that has been bought 40 million times. But, it also has a definition. To kill a mockingbird means to destroy innocence. The theme of my literary analysis is mockingbirds. Mockingbirds in TKAM are innocent things tainted by the skewed society of Maycomb. Some of these mockingbirds are Boo Radley, Tom Robinson, and the children. To Kill a Mockingbird is a book set in a small Alabama town in the 1930’s. The main character and narrator is Jean Louise Finch, but is almost always called by her nickname, Scout. Scout, her brother, and her summer friend Dill get into all kinds of mischief while living in the racist society of a 1930’s Alabama town. Scout’s dad, Atticus, is a prominent lawyer in Maycomb and is appointed to a controversial case, and is defending a black man. Scout and her brother, Jem go through many troubles and learn many lessons from the days leading up to, and during the trial. The trail makes their family some friends and a lot of enemies. To Kill a Mockingbird by Harper Lee is a story of courage and despair. Throughout TKAM, mockingbirds are used as an example of something innocent being tainted by the skewed society of TKAM. Some great examples of these are Boo Radley, Tom Robinson, and the children.

Harper Lee’s To Kill a Mockingbird demonstrates organic unity through the use of literary tools to create, maintain, and amplify the central theme. Lee constructs and develops the theme of social inequality by employing dialogue, irony, and an extended metaphor. Through dialogue, the townspeople show contempt for blacks, viewing them and anyone who treats them as equals as inferior. This is evident in the analysis of the conversations of Bob Ewell, Mrs. Dubose, and Francis Hancock where they refer to black people as uncivilized savages. Not only does Bob Ewell, contribute to the theme through his dialogue, but his full name of Robert E. Lee Ewell provokes irony that clarifies the racist undertones of the novel. Moreover, irony functions

The literary device of the mask in Fahrenheit 451, Star Wars: Revenge of the Sith and Lord of the Flies is recurring in each of the stories. The metaphoric mask is a both physical and symbolic object that alters the characteristics of an individual; usually the protagonist. The protagonist either gradually puts on or takes off the mask to change as a person. The mask itself acts how you would expect a real mask to work. A mask typically obscures the vision so that you can only see in one direction, and some obscure our vision to a blur. Despite that, the mask has a much deeper connotation in literature. The obscurity produced by the mask placed on one is not a true mask, but an event or decision significantly altering the traits of an individual. Such a transition is portrayed in literature as the putting on or removal of an actual mask. This makes easier for readers to understand, and creates a perceptible connection between the symbolism and reality. In the Lord of the Flies and Star Wars:

Harper Lee is best known for writing the Pulitzer Prize-winning bestseller To Kill a Mockingbird. The novel takes place during the depression in Alabama with the main character, Scout, viewing her lawyer father, Atticus, defending a wrongly accused black man of rape. The reader gets to understand Scout’s childhood view of this controversial situation. Scout’s character in to Kill a Mockingbird by Harper Lee is really the author’s own life playing out in the novel, which is most likely why this novel is thought to be one of the best American Novels of the 20th century.

Jem and Scout, throughout “To Kill A Mockingbird,” learn to consider things from other people’s perspectives. Atticus, Jem and Scout’s father, says “you never really understand a person until you consider things from his point of view – until you climb into his skin and walk around in” (Lee 39). They learn this through experiences with their neighbor Boo Radley as they mature beyond their years. At the beginning of the novel, Jem and Scout make fun of Boo and assume that all of the rumors going around about him are true. However, later on in the story the children grow an admiration for Boo and learn to understand him. As they matured, Jem and Scout naturally learned many life lessons of appreciation, respect, and courage

Harper Lee’s “To Kill a Mockingbird” is set in a small Southern United States community called Maycomb during the Great Depression era. The whole book primarily revolves around segregation and racism and how it relates to Maycomb’s history. It eventually leads to the trial of Tom Robinson where he is accused of beating up and raping Mayella Ewell. Even though it was clear that Tom Robinson did not do anything wrong he was convicted by an all white jury simply because he was black. The trial of Tom Robinson and its verdict shows an example of how segregation in the court system prevents fair trials from occurring.

There is hardly anyone that hasn’t had to grow up. Growth is central to every character in a story, but “Through the Tunnel” and To Kill a Mockingbird amplify this; the loss of innocence and coming of age is central to the entire story. Both “Through the Tunnel” and To Kill a Mockingbird’s main conflict test the characters (Jem in To Kill a Mockingbird and Jerry in “Through the Tunnel”) as they grow up in the face of adversity.

the North to work in a hospital caring for wounded men of the war. His

redujice is not something we are born with; it is something that we grow to learn from who and what surrounds us, things that help to form our identity. Prejudice is an integral theme in Harper Lee’s, To Kill A Mockingbird. Prejudice is evident throughout the novel, not just in the appalling racism but also through, prejudice against different sexual orientations, gender constructs and feminism. Society had certain constructs that had to be met. Throughout To Kill A Mockingbird, Lee breaks the bounds to overcome barriers, and challenge social constructs.

One Foot in Eden by award winning New York Times bestselling author Ron Rash is a story surrounding the lives of the people in the small town of Jocassee in South Carolina. A local Korean War veteran and town troublemaker, Holland Winchester, is missing and his body is nowhere to be found. The novel is separated in sections rather than the normal order of any other novel. It gives the story more depth. As the reader goes further into it, they soon learn how the lives of the people intertwine and what they have to do with Holland’s disappearance. One Foot in Eden has surely been analyzed by many critics and from very different perspectives. It is a very captivating Southern Gothic story loved by many. Has anyone looked deeper into what Rash

On the center of my art project is a mask. The mask is an a larger burn up photo of Clarisse McMellan’s things in her room. In that photo is a mask referencing the same mask that Montag referred to as his happiness after he thought about Clarisse’s question “Are you happy?” (Bradbury, Ray 10) . Montag truly thinks about this question later after he goes into his bedroom ready to go to bed. He thinks about the question and comes up with an answer, “He was not happy… He wore his happiness like a mask and the girl [Clarisse] had run off across the lawn with the mask and there was no way of getting it back” (12). So in this painting I thought about the mask that Clarisse had that belonged to Montag, I painted a mask with a huge grin symbolizing Montag’s happiness. He was searching for answers and knowledge, for clarity, “And I gave my heart to seek and search out by wisdom concerning all things that are done under heaven: this sore travail hath God given to the sons of man to be exercised therewith” (King James Bible Ecclesiastes 1-13). Searching for all the meanings of things and knowledge is what eventually gave him happiness.

On March 4, 1933, Franklin D. Roosevelt stated in his first inauguration speech, “So, first of all, let me assert my firm belief that the only thing we have to fear is fear itself, nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance," (Baughman). This quote translates to a confusing concept at first, but once discussed is practical: the fear of an individual should not be the concern, yet it should be the damage fear itself has on one. Little did we know at the time that this quote, "the only thing we have to fear is fear itself” would turn into “the very symbol” of Roosevelt’s Presidency (Baughman).

In the Tribes of Palos Verdes and The Catcher In the Rye, both Jim and Holden struggle to find mental stability in their lives. J.D. Salinger expresses one of Holden's weaknesses in the statement,"I'm just going through a phase right now. Everybody goes through phases and all, don't they?"(15). When someone has a issue they often can’t say they have that problem and blame another reason for it. For Holden in The Catcher In the Rye, he blames his struggles on the phase he is going through.

Harper Lee’s award winning novel, “To Kill a Mockingbird,” explores prejudice, social classes, stereotypical views, and human values through the eyes of a young Alabama girl. Scout, the narrator who throughout the story will grow from age six to nine, and Jem, her brother, witness the subtle ugliness of society. The children live with their father Atticus who helps them navigate their way through Maycomb’s- the town in which they live-discrimination and harsh criticism of those who dwell in the minority.

Most people view conflict as a bad thing, but authors love to use it to benefit their writing. Conflict is common in writing as it is essential to plot and often many other aspects. In Louisa May Alcott's novel, Little Women, the main characters experience types of conflict. In this book, conflict is used to develop the characters and show their growth. The four main characters, sisters Amy, Beth, Jo, and Meg, experience Person vs. Self, Person vs. Person, and Person vs. Society conflict which leads them to who they've become at the end of the novel.