Analysis Of Bell Hooks Seeing And Making Culture: Representing The Poor

The purpose of this essay is to inform the reader of a real problem, media misrepresentation, and to try to have the reader change the way the think, feel, and perceive the poor. She gives examples of encounters she has had that are a result of the damaging depiction and conveys to the reader why those thoughts are wrong by using her own personal experiences. She mentions that before entering college she never thought about social class. However, the comments from both other students and her professors about poverty were alarming to her. Other people viewed the poor as, “shiftless, mindless, lazy, dishonest, and unworthy” indigents. Hook opposes that stereotypical image of the poor, referring back to being taught in a “culture of poverty,” the values to be intelligent, honest, and hard-working. She uses these personal experiences to her advantage by showing she has had an inside look at poverty.

In the article, “What’s So Bad about Being Poor” by Charles Murray, Murray states that “One of the great barriers to a discussion of poverty and social policy in the 1980s is that so few people who talk about poverty have ever been poor”. He discusses how, contrary to present day, in America up until the 1950s those in positions of influence and power included a sizable amount of people who had been raised “dirt-poor”. Murray states that, because of this, many Americans with their lack of exposure to such people, they develop a skewed perspective of what poverty is. On account of this, Murray challenges the reader with several thought experiments which he uses to help the reader come to certain conclusions that convey his message.

Linda Tirado, author of Hand to Mouth Living in Bootstrap America, tells her story of what it’s like to be working poor in America, as well as what poverty is truly like on many levels. With a thought-provoking voice, Tirado discusses her journey from lower class, to sometimes middle class, to poor, and everything in between. Throughout the read, Tirado goes on to reveal why poor people make the decisions they do in a very powerful way.

In Bell Hooks, Seeing and Making Culture: Representing the Poor, Hooks writes about what she considers to be hazardous in dispositions towards neediness in the United States, and in proposing arrangements. Hooks starts the essay off by saying, “Americans today rarely talk about the poor” (Bell Hooks). She explains that Americans acknowledge the existence of four groups: the poor, the working class, those who worked and have extra money, and the rich.

Ethos, pathos, and logos are all devices that Barbara Ehrenreich effectively uses throughout her novel Nickel and Dimed to prove that America needs to address the commonly overlooked issue of poverty within every community. It is important that she uses all three devices because they help support her argument by increasing her credibility, connecting to the readers’ emotions, and appealing to their sense of logic. The combination of these devices puts a sense of urgency on the problem Ehrenreich is addressing and therefore creates an effective argument.

In Diana Georges “Changing the Face of Poverty”, she uses various examples of ads, brands, and organizations  to show that the way poverty is portrayed has corrupted the understanding Americans have on poverty and what it really is. I agree with Diana George’s statement that the impression of poverty through visual imagery is distorted. Her essay examines many aspects of the misrepresentation of poverty. Society believes that they are doing more than what is actually being accomplished. The effect of her explanation allows for the audience to alter their opinion on the true image of poverty. Her use of real organizations within the community strengthens her approach.

In the article, Hooks focuses on the issue involving lower and higher class and comparing them in poverty by giving her own personal experiences to illustrate her argument. While addressing the assumptions made about the poor and the view in America culture in the U.S. usually portrays the poor in ways that radiate negative stereotypes according to Hooks. The way that the poor are being represented on television. Hooks clarifies that the misinterpretations of those in poverty can affect their daily lives. Popular culture in the U.S. usually portrays the poor in ways that radiate

Go to Chicago, New York, Paris or Madrid, on every street corner you see a person less advantaged, poor, and desperate. Then go in a store, see others carrying expensive bags, swiping their credit card left and right. We live in a world of extreme poverty, balance seems nonexistent. Poverty can result in broken homes and in turn, broken lives. In the book Just Mercy by Bryan Stevenson, Walter Mcmillian’s adult life, Trina Garnett’s childhood and Antonio Nuñez’s domestic life show that poverty was the cause of their incarceration and determined the success of their lives.

bell hooks, renowned black feminist and cultural critic criticizes the lack of racial awareness in her essay, Representing Whiteness in the Black Imagination (1992). ‘bell hooks’ is written in lower case to convey that the substance of her work reigns more important than the writer. From a marginalized perspective, hooks argues that sites of dominance, not otherness is problematic and critiques the lack of attention that white scholars pay to the representation of whiteness in the black imagination. Critical feminist scholars Peggy McIntosh and Ruth Frankenberg identify their own whiteness as a dominant discourse, but share a critical departure from hooks with the notion of whiteness as terror. hooks aim is not to reverse racism, but discuss her position to authentically inform readers about how she experiences racism. Furthermore, systems of oppression are manufactured by human thought and thus the site of the Other is always produced as a site of difference. Gender, race, sex, class, disability, and geography are situated differently in social structure, but dominant groups assume they share the same reality though they cannot experience it. In consequence, the Other cannot hold a singularized identity of their own and the binary structure succeeds in containing racialized bodies in place. What happens to those bodies when they cross boundaries of the binary? hooks recounts being routinely disciplined back into place when crossing the border; however, dominant white

In professor and editor Diana George’s article, “Changing the Face of Poverty: Nonprofits and the Problem of Representation,” published in the printed book Popular Literacy: Studies in Cultural Practices and Poetics, in 2001, she insists that representations of poverty in the media, only reveal of a small percentile of everyone impoverished, which makes them counterproductive. Opening with a brief anecdote about donation appeals made by nonprofit organizations, George directs her article towards the organizations themselves offering a suggestion to maximize the impact of their work. That suggestion is that representing poverty in a wider light, helping to display the more complex ways individuals are considered to be in poverty. The examples that George provides, become a pillar for her thesis that these current representations of poverty, while emotionally capturing, work against themselves.

Words provoke preconceived ideas and images in the mind, when it comes to a situation like poverty these preconceived notions can have undesirable and unintended consequences. Diana George examines the semantics and the imagery of the word poverty in her article titled “Changing the Face of Poverty; Nonprofits and the Problem of Representation. While also addressing the issue of the perception poverty and what someone in poverty truly looks like (676). Prof. George is arguing that organizations like Habitat for Humanity, which are created to help people in poverty actually perpetuate the wrong image of what someone in poverty looks like (678). Most organizations created to help those in need, especially those in the US tend to portray poverty as what is seen and thought of as living conditions in Third World countries (683). In reality, poverty is all around each and every one of us in this country on a daily basis, and people might not always recognize it for what it is (681,682). Furthermore, the majority of people living in poverty in the United States do not live like or look like someone living in a Third World country. But in reality they are still living in poverty nonetheless (682,683). Organizations that portray people living in poverty here in the US as totally devastated and completely impoverished are doing a disservice to the people they are attempting to help. Consequently, by doing this they are giving a limiting idea of what someone living in poverty

What is your perception of the poor and less fortunate in society? Would you say that you have a low perception of them or do you regard them in the highest? Would you do your social duty to reach out to the poor and impoverished to assist them, or help assist, in establishing programs that would aid in leading them to a brighter future? These are the questions that I ask of myself as I read, “Seeing and Making Culture: Representing the Poor,” by bell hooks. My paper examines the perception that pop culture, society, and media have of the poor, as well as, the expectations and responsibilities of society to ensure a response to

In Bell Hooks’, “Seeing and Making Culture: Representing the Poor”, Hooks introduces the reader to the state of poverty of many individuals that have to suffer because they are unable to live a normal life due to them being extremely poor and uneducated. She stresses about comparing the higher class people to the poor and how different their lives are in terms of survival rates and healthiness. The higher class people tend to be way healthier and survive longer due to them having many ways of treating their problems, while the poor have absolutely no way of paying their medical bills due to their low income. She makes many valid points referring back and forth to different stereotypes of people (mainly black people) and how each of those

I liked bell hook’s essay “Seeing and Making Culture: Representing the Poor”. Bell assesses the light in which higher class people view the poor or lower class. Bell hooks, also known as Gloria Watkins grew up in a small Kentucky town where her father worked as a janitor for the local post office. As one of seven children she was taught that money and material possessions did not make her a better person but hard-work honesty and selflessness determined character. Her hard work landed her acceptance into Stanford University. Although she received various scholarships and loans, her parents worried that she would not have enough for books and supplies or emergency funds. Regardless of this, belle went on to earn a Ph.D. Her experiences and education earned her a very good reputation and even an authority writing critiques on popular culture and diversity (hooks 431-432). She uses ideas in her essay “Seeing and Making Culture: Representing the Poor”, that stem from her own personal experiences with poverty to add credibility to her writing, as well as examples from pop culture and mass media to demonstrate how these representations portray the lower class in ways that radiate negative stereotypes. She wrote the essay because she saw how the poor had many assumptions made about them. It wasn’t until college thought that she made that discovery. She discovered how unjustly they were represented due to the

Hooks first argument stems from the false assumptions that she has encountered about the poor. She takes us years back to her college days where students and professors were labeled as ‘mindless, unworthy, shiftless, dishonest, and lazy (paragraph5). To her, those experiences were a culture shock because having being brought up in poverty, she had always been taught that there is no correlation between poverty and personal integrity. Furthermore, a person could be a hard worker and still be poor. The values of a human being can’t and should not be based on material possessions. She states that it is horrifying to think that the poor have no values. According to Bell Hooks, had it not been for the upbringing in a poor household, she would neither be the prolific writer that she is nor have good values. All the aforementioned assumptions indicate how lowly the United States contemporary society regards the poor. The poor are never portrayed as who they really are.