Analysis Of Beloved By Toni Morrison

 In the novel Beloved, the author, Toni Morrison, attempts to promote a variety of different themes and ideas by symbolizing them in minor events and situations.  This symbolism is evident throughout the entire novel and is very crucial to the understanding and analyzing of the text.  A good example of this is the ice skating scene.  Morrison uses this scene to represent the slow, but consistent, deterioration of the family living in 124 and to foreshadow the ultimate demise of the family unit.  Morrison writes repeatedly, “Nobody saw them falling,” yet in all reality they were falling, and falling fast (Morrison 174).  There are a number of details, including the setting, Sethe’s emotions, the choice of

In Sethe’s perspective when it came to whether or not she should kill her kids or have herself and her children all go back to Sweet Home, she rather kill them before they have the chance to become slaves based off of the past experiences she had as a slave. In Sethe’s view, “I told Mrs. Garner on em. She had that lump and couldn’t speak but her eyes rolled out tears. Them boys found out I told on em. Schoolteacher made one open up my back, and when it closed it made a tree. It grows there still” (17). This means that not only was Sethe violated by boys but she was also whipped hard enough on her back to cause scarring that resembles a tree. In the novel the word “tree” symbolizes her unpleasant past. For example the tree-shaped scar on her back and back at Sweet Home there would be dead slaves hanging on trees. Another example of Sethe’s past experiences was her getting violated being a sex slave. According to Sethe, “After I left you, those boys came in there and took my milk. That’s what they came in there for.” Morrison’s point is that slaves are not seen as human. This is important because slaves were seen as property like animals. For instance, the boys take Sethe’s breastfeeding milk as if she were a cow. In Sethe’s words, “Where I was before I came here, that place is real. It’s never going away. Even if the whole farm--every tree and grass blade of it dies. The picture is still there and what's

Yet another example of Sethe’s dependence on her own strength is the account of Sethe’s own escape from “the grips of slavery in order to protect her children from what Morrison describes as School teacher’s brutal empire”.(196) Sethe is married by fourteen and is a mother by fifteen; but she is older and pregnant with her last child before she has to become superior protector of her children. Twenty-eight days after being a free woman, Sethe is forced to make the ultimate sacrifice as a mother. Although she is jailed as a murderer, her attempt to kill her four children is done so that her children would never know the life of a slave, so they would never be acquainted with “what Baby Suggs died of, what Ella knew, what Stamp saw and what

The author tries to show us the reader that even back then, at a time where racism was a huge problem that it is a problem that it is still seen today. Toni Morrison tries to open our eyes and let us know that there is a big problem that still needs to be fixed. If something is still not being done when is the change going to happen? I as the reader feel that in most passages there is always a point of view of how a women must be characterized. It is important to realize that women are being underestimated and racism is still

Sethe’s relationship is in a balance at the beginning. She has the two poles of attraction, Paul’s desire to settle down and start a family, and Beloved’s desire to draw Sethe back into the past. Throughout the novel, acts of cruelty wind into her life and alter the outcome of her days. Cruelty in Beloved affects both the perpetrator and victim in that the perpetrator becomes consumed by such acts, and the victim simply devolves to be more and more vulnerable to such acts. In Toni Morrison’s Beloved, Beloved’s acts of cruelty reveal how one’s inner desires can overcome the perpetrator, and dehumanize victim in the long term.

Trees and plants represent life in the novel which ties into the overarching theme of the dehumanization that comes from slavery. Many of the characters in Beloved have been subjected to awful events causing them to feel as if they were worse than animals. Because of this, many characters look to the beauty of nature and trees in particular, to help them heal from their time in slavery. For example, Baby Suggs decided to preach in a place called The Clearing, which is surrounded by tall trees. "In the Clearing, Sethe found Baby's old preaching rock and remembered the smell of leaves simmering in the sun, thunderous feet and the shouts that ripped pods off the limbs of chestnuts. With Baby Suggs' heart in charge, the people let go." (Morrison 94) Another example of trees bringing healing to the characters in the novel is the arrival of Beloved. “A fully dressed woman walked out of the water. She barely gained the dry bank of the stream before she sat down and leaned against a mulberry tree.”(Morrison 60) This tree represents a chance at a new life for Beloved and also offers Sethe a chance to heal. Ever since killing her child, Sethe has been haunted over her decision and she is finally able to confront her past with the appearance of

Love is said to be one of the most desired things in life. People long for it, search for it, and crave it. It can come in the form of partners, friends, or just simply family. To some, love is something of a necessity in life, where some would rather turn a cold shoulder to it. Love can be the mixture of passion, need, lust, loyalty, and blood. Love can be extraordinary and breathtaking. Love being held so high can also be dangerous. Love can drive people to numerous mad things with it dangerously so full of craze and passion.

Sethe understands that her history, filled with the pain of slavery, grief over losing her children, and guilt over Beloved's death, and tries to hide from all the anguish. However, she admits that the past seems to "always be there waiting," thereby emphasizing the idea that past horrors of life continue to haunt forever. It appears as though the power of her experience in slavery influences her so greatly that the memory triggers great pain, causing the horrifying incidents to "happen again." Even though Sethe understands that she cannot ever fully escape her history as it will come back to trouble her, she still tries to avoid them and thus attempts to shield her daughter from the horrors of history: "As for Denver, the job Sethe had of keeping her from the past that was still waiting for her was all that mattered" (45). It seems as though Sethe tries to deny the fact that history does not simply disappear. She still tries to protect Denver "from the past" even though history "waits," prepared to cause trouble and inflict the pain Sethe tries to repress. It appears as though Sethe continuously tries to fight against her memories and ignore her past in part one. For example, after she wakes, she begins "Working dough. Working, working dough. Nothing better than that to start the day's

In Beloved by Toni Morrison, she uses syntax, figurative language, and detail to portray Sethe’s worldview. Morrison’s use of syntax helps to expand the reader’s understanding of Sethe’s belief that she had protected her loved ones from the dangers of the world. The short, sometimes incomplete sentences help show that Sethe’s view is a simple one: there are bad things and she must protect her kids from them. For example, the text states, “And if she thought anything, it was No. No.

Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from

Toni Morrison’s classic novel, Beloved, can be briefly summarized as a story with woman who is living in both the horrible aftermath of slavery, as well as her action of murdering her baby child in an attempt to save her from slavery. This story is based on the true story of Margaret Garner, who killed her own child and attempted to kill her other children instead of willfully letting them all return to lives of slavery. While slavery is today clearly classified as wrong by the vast majority of civilized society, as is infanticide, the event that takes place in this book is not as black and white. These instances of a grayer side of morality represent a sort of moral ambiguity that runs rampant throughout the entire novel. The example that is of paramount importance is when Sethe, the protagonist of the story, murders her child in order to save the child from a life of slavery. While at first glance, this act may seem wrong to modern readers, there is actually some evidence that, when thought about, justifies Sethe’s actions.

Toni Morrison’s Pulitzer Prize winning book Beloved, is a historical novel that serves as a memorial for those who died during the perils of slavery. The novel serves as a voice that speaks for the silenced reality of slavery for both men and women. Morrison in this novel gives a voice to those who were denied one, in particular African American women. It is a novel that rediscovers the African American experience. The novel undermines the conventional idea of a story’s time scheme. Instead, Morrison combines the past and the present together. The book is set up as a circling of memories of the past, which continuously reoccur in the book. The past is embedded in the present, and the present has no

Morrison’s use of magical realism and a non-linear plot allowed for me and my peers in AP Literature to become engrossed in her reality. The climax of the novel came when Sethe, fearing that her children will have to return to slavery, stabs her three children, and succeeds in killing the youngest. Since the chapter was narrated through a dreamlike perspective, the confusion the style created combined with our inability to understand the horrifying act made Sethe’s world feel distant from our own, and our troubles irrelevant.

My independent reading book, Beloved by Toni Morrison, was so full of heavy emotion. I really admire Toni Morrison’s use of language. She gives so much detail that I feel like I am there experiencing everything that Sethe is experiencing. She creates an irie suspense that bad things have happened in Sethe’s past and reveals them one by one as Sethe remember and lives through these memories. Morrison beautifully conveys the message that the past cannot be forgotten, it is always to be with us no matter how much we say we have forgotten it. The horrid memories that we put to death will always hurt, because “anything dead coming back to life hurts.” (Morrison)

In the story, Sethe is continously making big descions. For instance, in the story Sethe says “No moving. No leaving. It’s alright the way it is” (9). This shows Sethe is straight foward and is confiedent in the choices shes makes for her and for the people around her. Another example showing that Sethe is brave enough to make descions is when Paul D is an a bit of a conflict with her then he says “Sethe, if I'm here with you, with Denver, you can go anywhere you want. Jump, if you want to, 'cause I'll catch you, girl. I'll catch you "fore you fall. Go as far inside as you need to, I'll hold your ankles. Make sure you get back out. I'm not saying this because I need a place to stay. That's the last thing I need. I told you, I'm a walking man, but I been heading in this direction for seven years.” (28). Sethe agree with that but she knew