Analysis Of Bingo : The Winning Musical

Throughout the play two actors role played multiple characters. Each actor morphed into another character. They had impressive versatility of their characters and played each role with emotion. The facial expressions they exercised appeared to contribute to the

Deborah Reber a famous poet once stated, “Letting go doesn't mean that you don't care about someone anymore. It's just realizing that the only person you really have control over is yourself.” Letting go of a loved one is never an easy decision to make because in reality, decisions will not keep the loved one alive. By allowing a loved one to be at peace, a person gives allows himself the opportunity to be at peace with whatever trial he faces. In “King of the Bingo Game” author Ralph Ellison includes the bingo wheel, the beam of light, and bingo button to act as symbolism, to show the trials he was facing in life.

In Ralph Ellison's "King of the Bingo Game", the African American narrator, whose name is unknown, finds himself in a position where he has the power to control his own destiny for once, or so he thinks. The reader learns that he is from the South, but has come up North, and is taking his shot at a bingo game. He is broke, hungry, his wife is dying, and he hopes to win the cash prize of $36.90 to help her. He eventually is called up to spin the wheel for a chance at the prize, but he freezes, and doesn't let go of the button. This is despite the fact that he explained how a short, quick press can land a winning double zero. He calls himself the "king of the bingo game" and keeps holding down the button until two officers drag him off

Constantin Stankislavski and Uta Hagan are considered to be two greats in the art of acting. After reading the excerpts from the packet, and the chapters in the book it is really understandable as to why they are so respected in this art. When taking a look into their work there are some similarities about their craft and technique, however there are also some differences, as Utah Hagen branched out as did many others. In this paper, I’ll be taking a look at where these pioneers of their craft share similar methods, and where they differentiate in the use of their technique.

Creativity of this production is the reason for the success. Their expertise in the field proves that they were qualified for this wonderful production. The theater environment of this play was thrust structure, which allows them to innovation stunning method to display all of scenes.

The audience then became lost and frightened as there were no signs leading them to their next destination, once again forcing them to partake in the performance. This physicalisation not only successfully involved the contemporary audience, but demonstrated the necessity of physical composition to give audiences that real experience. This use of physical composition provided immediate reaction and emotional expression through action and contrast. These elements ultimately enhanced the mood and symbolism of the performance, allowing audiences to not only partake in the production on an intimate level but also on an emotional level. Another way in which mood and symbol can be created is through the use of complicité.

The entertainers gave their characters genuine life through their gestures, attitude and charm. Even the way the voices led one to believe that the characters were actually presenting their own thoughts and ideas, not those of fictional characters. During the play, the voices of the performers were quite audible, excepting certain musical presentations when the lyrics of the songs were at points nearly indiscernible. Even with consideration given to this technical glitch, the sound quality was quite agreeable and the songs enjoyable. The voices of the performers were strong

Performance features of the performances were directed straight to the people. The amount of credit the audience gave the actors, determined the energy of the charcters. For example, if a crowd cheered Arlecchinos antics on, he would play this up by continuing it for a longer period of time. Such was the improvising nature of commedia conventions.

There are three characters in the story. The protagonist and his wife are struggling with their life and emphasize the theme of hopelessness. The protagonist is a nameless African American who comes from the southern U.S. At the beginning of the story, he is watching a movie of a woman tied down to a bed. He tries to enjoy the movie, but Laura comes to his mind. Laura is the protagonist’s wife, as well as the incentive for the man to win the bingo game. The man is powerless and hopeless in the society, “he gets no birth certificate to get a job and Laura ‘bout to die’ cause they have no money for a doctor” (242). Thus, winning the bingo game is the only way he can pay a doctor to treat his sick wife. He must win the game because it is his only chance to save her. After he finds he gets all the bingo numbers correct, standing on the stage to spin the wheel to win the prize. He feels compelled to press the button because there is a voice in his mind: “who held the prize who was the king of bingo (246).” The man wants to be the king and overcomes all the difficulties in order to control his own life. He hopes to keep the bingo wheel whirling forever, only in this way Laura will be safe and he has the imagery that “if she is not safe, the wheel will cease

One of the main magic’s of the theatre is for the audience to go into it unaware of what they will see, and exit with a whole new view in mind. This is still possible in jukebox musicals even if the audience member is familiar with some of the songs. Songs, text, and all literature can be interpreted in different ways based on the individual. Theatre is meant for all different people to enjoy. Some may like going to a show featuring songs that their favorite artists wrote or that speak to a memorable time of their life. It becomes a discussion about how the audience can relate to the characters.

I was particularly struck by the acting of Gracie Sartin. Her fearless approach to so many elements of the play – whether it was being hit on the head with an ironing board, hitting another costar with the ironing board, or giving one of her characters (Villian) an accent - was incredibly interesting to watch. Despite the fact that she portrayed six different people, she embodied them so well that I did not see Gracie in them. I saw only the characters she was portraying. The other actors were also successful in that ability. I think that achievement, combined with the success of the way the time constraints were embraced, added greatly to the success of the play.

"The Lottery" by Shirley Jackson has many themes or message throughout its short story. It deals with blind faith, customs and traditions, the idea of scapegoat, the cruelty of human nature, crowd psychology, and even classic gender roles in many societies.

I could feel myself being happy and laughing. The time was running but I was too focused to care about it. The stage was full because it had a variety of characters. There was minimal use of props. The big circular shaped giant seemed real which was beautifully designed. The catchy thing about the show was a girl saying Chicken licken many times which was noticeable and I think it caught the audience attention. The costumes were also beautifully chosen. As I'm a girl, I liked the dresses that were used by the princess. There was also a sound of the sky falling and there was a bright lighting of the stage. The play was beautifully played. I was not distracted by the show even though it had many characters and ideas going on. The favorite casting of the play was Robert Willian as he was full of life and I could feel his love and dedication towards the show. He was funny and good at it. The play had a lot of stories going on which had suspense as well. This might have created kid hard to

In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.

The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than