Analysis Of Bless Me, Ultima By Rudolfo Anaya

His mother treats him like a slave, giving him daily chores and unbelievably ruthless punishments. He has become inhuman to her as she refers to him as “It.” The only hope of survival relies on his dad, in God, or in a miracle. His story promotes the courageous human spirit and the determinate to survive.

Parenting played a big role in shaping the two boys lives. Having a parental mentor is important because they assist and guide children to take the right decisions about their lives. The author had his two parents at the beginning of his life. Also, the author’s parents, especially his mother, tried to raise him in an effective way wanting him to know the right from wrong at an early age. “No mommy loves you, like I love you, she just wants you to do the right thing” (Moore 11). This quote was a live example of the author’s life with his parents. It reflected the different ways his parents used to teach him “the right thing.” Though his mother was upset from his action toward his sister, his father

In the novel, Bless me, Ultima by Rudolfo Anaya, a boy goes through many more experiences than any child in the hot summer days in Santa Rosa, New Mexico. He witnesses the deaths of his close friends and family. This boy expresses his emotions and grief through his dreams, only to wake up with fear and confusion in his mind. Antonio’s life is filled with dreams that foreshadow future incidents, as well as influences Antonio’s beliefs of religion and ideas of innocence.

The final source of understanding for Antonio is God. He is expected to understand God, because his mother dreams for him to become a priest. He is also expected to believe in God because his mother is Catholic and that is what is expected of Antonio. "I hoped that in a few years the taking of the first holy communion would bring me understand"(77). Antonio is basically going through the motions that are expected of him. He is not genuinely excited to be taking his communion; it is just something that he feels he needs to do. He thinks that if he takes his first communion maybe he will have some answers for why there is good and evil going on around him. He says, "I want to know. I want to know the mysteries of

Antonio’s introduction to the golden carp presents a problem for him because of the Catholic view of pagan gods, yet Antonio feels a strong connection to it. When he first witnesses the golden carp he is overcome by “a sudden illumination of beauty and understanding” he had “expected God to do at [his] first holy communion” (Anaya 114). When Antonio’s questions to God are not answered during his first communion, he believes God has abandoned him. However, with continued pressure from his mother to become a priest and from Cico to choose between Catholicism and the golden carp, he struggles to decide what he believes. As Antonio’s doubt deepens, he questions God’s definition of good and evil and His plan concerning who receives forgiveness and who receives condemnation. In a dream, God speaks to Antonio saying, “You would have a God that forgives all, but when it comes to your personal whims you seek punishment for your vengeance” (173). For example, Antonio believes Florence should be forgiven, regardless of his disbelief in God, but Tenorio should receive punishment. When the Church cannot answer his questions, Antonio turns to the Golden Carp, and even considers that the Virgin should be a god. Antonio is lost in his faith identity,

Despite the fact that Antonio is only a newborn, the two sides of the family have already predetermined his path in life. His mother, Maria, wants Antonio to become a priest while his father, Gabriel, would rather him be free and follow in his example. Both parents want to instill their own aspirations upon him and partake in a mentalgame of tug of war with Antonio, the youngest and last son of the family, the final chance to make one of his parent’s dreams a reality. At a young age, Antonio is forced to come to a consensus of which parent will he please and which one will he forsake. This fact lingers over him and often resurfaces within his dreams. Though he doesn’t yet have to reach a decision, this dream acts as a cautionary reminder that he will have to soon in the future as it slowly approaches.

    Humans have come to a conclusion that all lives are different, but all go through many hardships and tragedies. The impact from a slight difference can vary to be very vast to very small, such a slight difference, however, can change a person’s life as a whole. In the book, The Other Wes Moore: One Name, Two Fates by Wes Moore there is a difference that can be identified between the author’s life and that of the other Wes. This difference, though can be very critical and is ultimately able to lead to a path of triumph or failure for an individual. The lack of involvement a mother has for their child can fundamentally deprive them from succeeding, and parent involvement has the opportunity to

In an additional transformation, his friends are essential in turning Antonio into a more self-sufficient person. The first time Antonio goes to school, he is scared of his peers and is not capable of thinking for himself. As he goes through school, he starts developing a strong friendship with Samuel and Florence, who help him gain more independence by assisting him to not be dependable on his mother. He gains this confidence which assists him in making large decisions by himself. The ordinary procedure of distinctive growth begins for Antonio.

Another example of Antonio's sense of development in good and evil is his home. It is means a lot to Antonio, because the people living in it makes him feel protected and provide warmth to him. When Tenorio and his men came to his house to take Ultima away, Antonio’s father "You walk on my land! That is my business" (Anaya 130). This make Antonio feel that he would be protected by the presence of his father., Gabriel. However, Antonio's mother made home very fond and ardent for him. She had always been affectionate towards him and would show him care. Most importantly, Ultima was the one who contributed to the goodness of Antonio's home. She made Antonio feel as though her presence filled the home with love and safety. It was Ultima who calmed Antonio down after he had seen Lupito die. Whenever he had a nightmare, Ultima would always be right beside to comfort Antonio and " could sleep again" (Anaya 34). Ultima's fearlessness against Tenorio and his three daughters made Antonio feel that he would be safe wherever Ultima was. Overall, the

Even though Antonio has cultural conflicts, his relationship with his brothers, parents, and uncles, are very close, which is extremely significant through the novel. Antonio comes from a very close family circle and he feels as if a big weight of pressure is coming from every side of his family when it relates to determining his future. While his mother and his Luna uncles want him to become a farmer priest like their side of the family, his father and Marez uncles want him to become a vaquero like them. “Gabriel, they shouted, you have a fine son! He will make a fine Vaquero!” (5). Antonio feels an obligation to answer

Few relationships are as deep as those between child and parent. While circumstance and biology can shape the exact nature of the bond, a child’s caretaker is the first to introduce them to the world. And as they grow and begin to branch out, children look to their parents as a model for how to interact with the various new situations. Through allusion, potent imagery, and nostalgic diction, Natasha Trethewey constructs an idolized image of a father guiding their child through life’s challenges only to convey the speaker’s despair when they are faced with their father’s mortality in “Mythmaker.”

A “Bildungsroman” is defined as a piece of literature that focuses on the mental, moral, and psychological growth of a protagonist in transition from childhood to adulthood. Ideologies adopted into a Bildungsroman are ones that shows the coming of age like the shortcoming of loved ones, meet with challenges that the adult world presents to the younger generation, and having mentors or guides who teach the ways of life through valuable lessons. In Rudolfo Anaya’s coming of age novel, “Bless Me, Ultima”, the Bildungsroman concepts and ideas about maturity from childhood blossom as the novel's protagonist, Antonio Marez, lives his Hispanic, Catholic life at the age of eight, through countless experiences that molds his coming of age. Elements that substantially influences Antonio's coming of age includes confrontations with death, disappointment in realizing soul crushing realities, and encounters with emotions and despair that would be met in the adult world. Antonio, through, these structural elements, shapes his shift from a child to a man by emphasizing why certain events occur in his life.

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

One thing all human beings, have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and family expectations were major obstacles as they struggled to establish their identity.

One thing all human beings have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and familial expectations were major obstacles as they struggled to establish their identity.