Analysis Of Bury Me In A Free Land

Douglass uses vivid imagery to depict the gruesome and ungodly nature of slavery. For example, in chapter six, Douglass describes the death of his grandmother “…She stands-she sits-she staggers-she falls-she groans-she dies-and there are none of her children or grandchildren present, to wipe from her wrinkled brow the cold sweat of death…” (59) This quote helps the reader imagine the grandmothers death and how helpless she felt. The fact that the slaveholders made it impossible for her children to be there when she died, contributes to the inhumane image Douglass has already been painting throughout the

During the mid-19th century, the issue of slavery divided the nation between two firmly rooted camps, the southern slave owners and the northern abolitionists. As authors and activists attempted to shed light on the issue of slavery, they appealed to the millions of citizens who were in between camps, whether due to a lack of knowledge or lack of importance in their daily lives. The Narrative of the Life of Frederick Douglass is one such literary work that helped inform American citizens on the horrors of slavery, offering a first-hand account as Douglass rose from a slave to an educated free man. Within his narrative, Douglass describes his life as a slave and transition into American society with newfound freedom, highlighting the dehumanizing results of slavery. Furthermore, Douglass appeals to the three Aristotelian appeals throughout his novel, synthesizing the argument that slavery should be abolished. Specifically, Douglass makes use of vivid imagery that appeals to readers’ pathos, inciting horror in his audience at the sight of atrocities committed by slave owners. Moreover, Douglass references a number of prominent literary works when forming analogies between slavery and history, appealing to readers’ ethos by illustrating his education and increasing the credibility of his argument. Finally, Douglass utilizes a parallel sentence structure to appeal to readers’ logos by presenting his

In the extract “Learning to Read and Write,” Frederick Douglass tells the intended audience about his experiences as a slave living in his master’s house and how he went through many trials to learn to read and write. In this excerpt, Frederick Douglass uses imagery, contrast, pathos, ethos, logos, an empathic tone, certain verb choice, and metaphors to inform African Americans of how crucial it is to learn how to read and write and to inform an audience of caucasian Americans of the wrongdoings that slavery has brought about. Frederick Douglass is often persuasive using pathos to get across to the intended audiences.

Frances Ellen Walker Harper published a wealth of short stories, poetry, essays, and novels in the middle to late 1800s. She was born into a politically active, free black family, attended her uncle’s school, and became the first female teacher at the Union Seminary. Harper’s unusually comfortable class-status and extensive education allowed her to become a skilled writer on topics that interested her, such as politics, civil rights, feminism, and religion. Harper used her skill and passion to become economically and emotionally independent. In fact, much of her work echoes her identity as a middle class woman of color who supported herself through writing. However, this nature of independence was unusual for a woman in the 1800s, especially a black woman. Though Harper’s portrayal of strong, independent womanhood is a much needed depiction of women, Harper is unqualified to establish expectations for black women in the 1800s.

Harper can be compared to all of the writers that we have read on the topic of slavery, but Harper gave us the imagery of slavery through her rhyme scheme of poetry. Harper was more descriptive in how she portrayed the reality of slavery than the other writers we discussed because the other writers focused on the history of slavery and were straight forward, and Harper made you feel as if you were actually there to witness what she was playing out in her poems through her usage of figurative language. Harper mainly discussed freedom of slaves and what women had to endure in slavery. Jacobs and Stowe did the same in discussing what women slave went through by using the examples of the factor of losing freedom for their children, and Harper did the same but in a particular way. Also, Douglass discussed the freedom of having an

The phrase “art imitates life” can be used to describe many works of literature. Authors and the stories they write are often influenced by the changing world around them along with the evolution of new perspectives and ways of thinking regarding a subject. While this may sound simply like a common literary trope, it is of great importance and significance in many genres of literature. None has this been more apparent than in both the anti-slavery and women’s empowerment movement of the early to mid-1800s. Two major influence authors in their respective subjects, Frederick Douglass and Fanny Fern, were heavily influenced by the changing societal trends of the time of which they expressed through their writing. Douglass’s speech in particular “What to a Slave is the 4th of July?” was heavily influenced by Douglass’s own personal experience as a slave as well as the rising prominence of the abolitionist movement in the United States. By referencing the contradictory nature of the Constitution relegating personal freedoms exclusively to white, property owning males, Douglass bluntly references the systematic inequalities faced by people of color in the United States. Never would the works of an African American author, especially one challenging the established institution of slavery, gain so much attention if not for the anti-slavery movement and shifting perspectives surrounding it.

Harriet Jacobs and Frederick Douglass both wrote narratives that detailed their lives as slaves in the antebellum era. Both of these former slaves managed to escape to the North and wanted to expose slavery for the evil thing it was. The accounts tell equally of depravity and ugliness though they are different views of the same rotten institution. Like most who managed to escape the shackles of slavery, these two authors share a common bond of tenacity and authenticity. Their voices are different—one is timid, quiet, and almost apologetic while the other one is loud, strong, and confident—but they are both authentic. They both also through out the course of their narratives explain their desires to be free from the horrible practice of slavery.

Within his narrative, Douglass describes his past experiences with intense imagery, invoking the emotion of disgust from readers, appealing to pathos and urging society to abolish slavery. For instance, Douglass recounts when his own Aunt was savagely beaten and whipped by Captain Anthony, Douglass’ first master. Specifically, Douglass writes: “I have often awaked at the dawn of the day by the most heart-rending shrieks of an own aunt of mine, whom he used to tie up to a joist, and whip upon her naked back till she was literally covered with blood”(Douglass 15). In his description, Douglass uses phrases such as “heart-rending shrieks”, “naked back”, and “covered with blood” to synthesize a gruesome image of slavery,

As Douglass began to acquire a greater understanding of his condition through reading, he felt as if “the silver trump of freedom had roused [his] soul to eternal wakefulness.”20 Douglass’s use of the word silver helps express the precious nature of freedom, as well as the idea that it’s beckoning the enslaved with its gleam. Through the contrast between the purity of freedom and the corruption of slavery, Douglass’s choice of words humanizes himself because it demonstrates his attention to detail as he constructed this narrative. Likewise, he expresses that “[the slaves selected to go to the Great House Farm] would make [woods] reverberate with their wild songs, revealing at once the highest joys and the deepest sadness.”21 Douglass's usage of juxtaposition to draw attention to the vastness of emotion expressed by these songs demonstrates his own humanity, for this selection highlights Douglass's talent to capture the emotional peaks and troughs that are endured by

In the narrative excerpt “Learning to Read and Write” (1845), which originally came from the autobiography Narrative of the Life of Frederick Douglass, Frederick Douglass recapitulates his journey into the coming of literacy that shifts his point to how slavery really is. Douglass develops and supports his main idea by providing a flashback of his own experience as a slave learning to read and write and through dialogue with rhetorical appeals, such as ethos, pathos, and logos. Douglass’ apparent purpose is to retell his story of the obstacles he faced to finally become a free man to guide and prompt other fellow slaves to finally take action for their freedom; he also wants to establish a foundation in which people of higher power, such as abolitionists, are more aware of the slavery situation. The intended audience for this excerpt is the general public of the time consisting of fellow slaves, slave owners, and abolitionists; the relationship Douglass establishes with the audience is equivalent to a news reporter and the people receiving the message—he exposes the truth to them.

Harriet Jacobs, a black woman who escapes slavery, illustrates in her biography Incidents in the Life of a Slave Girl (1861) that death is preferable to life as a slave due to the unbearable degradation of being regarded as property, the inevitable destruction of slave children’s innocence, and the emotional and physical pain inflicted by slave masters. Through numerous rhetorical strategies such as allusion, comparison, tone, irony, and paradoxical expression, she recounts her personal tragedies with brutal honesty. Jacobs’s purpose is to combat the deceptive positive portrayals of slavery spread by southern slave holders through revealing the true magnitude of its horrors. Her intended audience is uninvolved northerners, especially women, and she develops a personal and emotionally charged relationship with them.

Authors of fiction often write about the human condition as a way to connect with a broad range of readers. Unlike factual textbooks, fiction gives characters feeling and emotion, allowing us to see the story behind the basic details. In many cases, readers gain a new perspective on a period of time by examining a fiction novel. In Kindred, by Octavia Butler, the near death experiences of Rufus Weylin transports a 20th century African American woman named Dana to the ante bellum South to experience exactly what it’s like to be a slave. Through her day-to-day life on the Weylin plantation, the reader begins to understand just how complex slavery is and how it affects both the slaves and the plantation owners; thus, giving new

The introductory line of Harriet Jacob’s preface to Incidents in the Life of a Slave Girl, “Reader, be assured this narrative is no fiction”, is short yet serving (Jacobs 224). Although brief in its nature, this statement manages to encompass two major aspects that characterize African-American literature: audience and truth. In all writing, understanding the target audience and how to arrange an argument or essay to appeal to that specific crowd is paramount. However, it is especially important for African-American authors, who typically need to expose injustices or call for social change in their works. In particular, two African-American authors who understood their audience and how to manipulate that understanding were Charles W. Chesnutt and Marcus Garvey. Although they were born only twenty-nine years apart, Chesnutt and Garvey technically wrote for different time periods. While Chesnutt’s work is associated with “Literature of the Reconstruction”, Garvey was grouped with authors and activists from the Harlem Renaissance (Gates and Smith 580 ). The separation of their literary epochs drove Chesnutt and Garvey to write for contradistinctive audiences that demanded unique written techniques and rhetorical strategies, but that both asked for utmost honesty.

Frederick Douglass, a former american slave born in Maryland, begins his narrative with a reflective tone which forces the reader to think about the grim reality of the situation. “I have no accurate knowledge of my age,” such a common ability is usually not thought about as a great privilege. The “Narrative of the Life of Frederick Douglass” gives an insightful view on the dehumanization of slaves. Frederick Douglass makes an effective argument against the slavery through his use of various and descriptive anecdotes, expressive colorful imagery, and emotional appeals to pathos in order to connect with his readers by rhetorical appeals and devices.

Slavery has always been the most dreadful phenomena of our world. Slavery, by itself looks so unusual and provokes mixed feelings from the heart of each person. In other words, slavery change a human being into a “thing” or even some type of consumer item. However, a fugitive slave, Frederick Douglass writes the novel called “The Narrative of the life of Frederick Douglass” to reveal how the slavery system works. Douglass’ narrative resembles not so much an autobiography as a memoir. If we read this novel closely, women often appear not in a primary plot, but in a short passage and as a vivid images; specifically, an image of abused bodies. Douglass associates women with suffering. Also, he gives an understanding