Analysis Of Carmelo By Sandra Cisneros

The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.

In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.

The book “House on Mango Street” talk about many stories including topics about racism and preudice.In the book “The House on Mango Street” the most important topic that Sandra Cisneros discusses is racism.In the book “House on Mango Street”, their acts of racism in them for example in “Geraldo no last name” while in the ER they treat his wounds poorly and to make it even worse they put an intern all alone,this just goes to show that his country treats its undocumented poorly and unfair.Next,In another vignette by Cisneros “No Speak English” there was a lady call mamacita who never left her house because she didn’t know how to speak english,but people in the community said that she wouldn’t come out of her house because she’s fat or big.When

Sandra Cisneros explores gender preference within her Mexican-American heritage with strong usage of imagery and the variation of her tone. First, the imagery found in “Only Daughter” helps portray the sacrifices Cisneros father made for his children. For instance, Cisneros writes how ecstatic their father was that his children would use their smarts instead of their hands like he once had to. Cisneros describes her father's hands saying, “Even now my father's hands are thick and yellow, stubbed by a history of hammer and nails and twine and coils and springs” (Cisneros 99). Cisneros use of imagery creates a vivid picture of how her father has worked extensively to make sure his seven children do not have to work as hard as he did to live in

Able to emulate the voice of a young Chicano girl, Sandra Cisneros is another writer who published The House on Mango Street and Woman Hollering Creek and Other Stories after the

Caminero-Santangelo, Marta. 2007. On Latinidad: U.S. Latino Literature and the Construction of Ethnicity. Gainesville, FL: University Press of Florida.

  The novels The House on Mango Street (Cisneros 1984) and Woman Hollering Creek (Cisneros 1992) relate the new American through the eyes of Cisneros. The women in both novels are caught in the middle of their ethnic identity and their American identity, thus creating the "New American." Cisneros moved between Mexico and the United States often while growing up, thus making her feel "homeless and displaced" (Jones and Jorgenson 109).

In the book The House on Mango Street, author Sandra Cisneros presents a series of vignettes that involve a young girl, named Esperanza, growing up in the Latino section of Chicago. Esperanza Cordero is searching for a release from the low expectations and restrictions that Latino society often imposes on its young women. Cisneros draws on her own background to supply the reader with accurate views of Latino society today. In particular, Cisneros provides the chapters “Boys and Girls” and “Beautiful and Cruel” to portray Esperanza’s stages of growth from a questioning and curious girl to an independent woman. Altogether, “Boys and Girls” is not like “Beautiful and Cruel” because Cisneros reveals two different maturity levels in Esperanza;

The book The Prince of Los Cocuyos can relate to my transition into college. The first time Richard Blanco came to America and felt out of place. College is all about experinces and getting to know yourself and learning who you really are. It is hard leaving high school and having to transition to college. Being used to teachers reminding you about assingments to now going online and having to remind yourself. As I begin to start my college experience I thought college would be easier no one telling you what you can and cant do, but its really not easier it might honestly be harder. Having to do so many assignments all at once. I feel like college is all about self motivation and being able to push yourself to work hard. Which I actually am

Cisneros’ family bounced back and forth between Mexico and the United States for most of her youth, which led to firsthand experience in the difficulties of growing up as a multicultural person (Doyle. 54-55). As an adult, she settled in San Antonio, Texas, but that feeling of not belonging to either culture never left her. She drew on this feeling as inspiration for many works, including “Woman Hollering Creek,” a short story about a Mexican woman, named Cleofilas, brought to live in the United States by her new husband. She is excited to leave her lazy brothers and old-fashioned father behind, and dreams of the endless possibilities that

First of all, the setting of this novel contributes to the Rivera family’s overall perception of what it means to be an American. To start this off, the author chooses a small American city where groups of Latino immigrants with their own language and traditions, lived together in the same apartment building. All these immigrants experienced similar problems since they moved from their countries. For example, in the novel after every other chapter the author

“The House on Mango Street” by Sandra Cisneros is about a young Latina girl, Esperanza Cordero,

Currently Sandra Cisneros resides in San Antonio in a purple house and she describes herself as “nobody’s mother” and “nobody’s wife.” Both Frida Kahlo’s and Cynthia Y. Hernandez’s works convey the idea of having one’s culture limit one’s freedom and individuality. Cisneros and Esperanza are both victims of this idea and realize that the only way to live one’s life freely is to defy the roles and limitations created by one’s culture.

Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author, Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican-Americans, could show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of Latino/a markets. Not only did it express identity/gender roles of women and relationships, but using these relationships to combine the cultures of Mexican and American into a hybrid breed. This novel, should have been a view-point for the future to show that there is more to life than just gender and race.

Marisol was written by Jose Rivera, premiering in 1992. He and other Latin American writers are known for creating works under magical realism. This genera of art traditionally depicts down and out suffering. He highlights topics about class, race and gender by skewing the reality the audience knows with allegory and symbolism. After the clash between the senile God and the Angels ensue, the New York becomes an unsettling dystopia. In this world, all foods are salt, it rains acid, and men can give birth. Throughout this desecrated world, the characters search for a way to keep on living. The actors portray these characters with honest intentions and clear acting choices, which allowed me to believe and empathize with their characters. After seeing this play, I understand that one cannot grow by dwelling in the past.