Frida Kahlo Y Calderon

Both of these paintings show the love and desire to hold on to ones heritage and family traditions which is extremely important in Hispanic families. Both with vivid colors and images. In Kahlo’s “Self Portrait on the Border Line Between Mexico and the United States”, even though she is a Mexican woman living in a non-Mexican country, she is able to accept both sides and hold on to her own Mexican heritage and culture which it seems she preferred. In Garza’s “Camas Para Sueños”(Beds for Dreams), Garza is showing the love and closeness she had with her sister and how her mother allowed them to dream and reach after those dreams as they kept

The monkey in the Mexican mythology, it is a symbol of lust and pervasion, but she didn’t use it like that. Instead, she used it to symbolize protection and tenderness. When she was merely eleven she was diagnosed with polio, resulting in the crippling of her right leg leaving it a bit shorter and thinner than the left leg. Considering she was a survivor of polio she originally wanted to attend pre-med school, becoming an artist was nothing she ever planned to do. Frida simply became an artist by default when she was 18 due to a freak accident that left her immobilized for long periods of time. Unfortunately many surgeries followed and she began painting more and more to keep herself busy while she couldn’t move around much. At the age of 18 Frida had already experienced a great deal of pain in life and challenging health issues. Frida is known for painting an abundance of self-portraits which wasn’t the norm at that time. Frida was before her time in many ways making her exceptionally different from other women, she enjoyed telling dirty jokes, smoking, and slamming down tequila. This was intriguing to many and she was often questioned as to why she did this. Frida was so comfortable in doing so because she spent so much time alone, in

Frida Kahlo de Rivera born Magdalena Carmen Frida Kahlo y Calderon July 6th, 1907 was a Mexican Painter who mainly focused on painting self-portraits. Born to a German father and mestiza mother, she spent most of her childhood and adult life in her family home in Coyoacan. She died July 13, 1954 at age 47. Her death was due to Pulmonary Embolism.

Also, it seems that the monkey on Frida’s shoulder is trying to dismantle this thorn necklace, so even with these other guardians or friends that Frida has transcended from her mind to the canvas she still exists in some from of anguish. To extrapolate one step further, Frida feels that no one can help her in this world of suffering, even if they desire to, and she is ultimately isolated in her own sense of reality.

Frida's artwork has always interested me in many ways. Her paintings are so much more than self-portraits and surrealism. She illustrates her life and the struggles she goes through, even if most would like to ignore the darker aspects of life. The theme of suffering permeates Frida’s self-portraits and often explicitly comprises their subject matter. She visually depicts physical and psychological struggles through the distortions of her body, which is fragmented, doubled, turned inside-out, and merged with non-human elements. She shows me that I can be strong through life even when I'm hurting physically and emotionally. Frida challenged herself and her

Frida Kahlo was a half-mexican, half-hungarian painter of the 20th century born Magdalena Carmen Frida Kahlo y Calderón in Coyoacán, Mexico City on July 6, 1907. During her short lived life, she had many accomplishments. She was a surrealist artist whos paintings reflected her thoughts and feelings. Her creative style was always amazing but confusing. Unfortunately, she lived most of her artistic life in the shadow of her husband, Diego Rivera, and her work was not truly recognized until after her death.

Frida Khalo was born in Mexico City, has a young woman she was in a bus accident causing her to have life long injuries and pain. The time spent bedridden recovering, allowed her to develop her painting skill. Khalo had deep connection to her culture and heritage using symbols within her work. In 1928 Khalo married Diego Rivera a fellow artist their relationship was turbulent. Diego cheated on her with many other women that effect Khalo and her Art. Due to her injuries, Khalo could never carry a child to full term, this was

Her self-portraits have been described as being surreal, but Frida answered such comments with, "They thought I was a Surrealist, but I wasn’t. I never painted dreams. I painted my own reality.”

The painting shows two different personalities, one in traditional Tehuana dress with a broken heart who is sitting next to the other, a modern European dressed Frida Kahlo. According to Amy Stechler, a director from PBS, she describes the artwork as a, “modern dressed Frida, blood drips onto her crisp white dress, a possible reminder of her abortions, miscarriages and many surgeries, as well as the physical pain felt at the loss of Rivera”(Stechler). During her previous years, Kahlo was not able bear a child due to the accident leaving her infertile. In her traditional Mexican formal wear, Kahlo carries an egg shaped locket of Rivera’s picture on her lap along with a long red vein that resembles an umbilical cord.

In the painting of “The Two Fridas” you automatically notice two women sitting down in a bench, holding hands with hearts connected with each other. The background looks as if she was outside since it looks like clouds and the floor is light brown. The first Kahlo has her hair up, has light makeup on, (she is whiter than than second woman, her mustache is shaved, and she put some lipstick.), the dress is white and has two different designs on top (her chest is more vintage while the arms are layer of laces). The middle portion of her dress has blood stains dripping downwards. Then at the very bottom there seems to be flowers like roses and little birds, and the heart she has seems to be damaged with white and black inside. The second Kahlo also has her hair up, now she doesn’t seem to have any type of makeup (she is a bit tanner than the first woman and she actually has mustache) she has a more natural look, the dress she is wearing has color to it, the top of the dress is blue with some yellow around the neck, arms, and in the lower stomach area then on the bottom of the dress it is brown but the very bottom is simple with no flowers, it is white with frills, and the heart she has looks more of a realistic. For the first Kahlo the blood vessels are going around her arm, up her shoulder, and around her neck going towards the second Frida heart. Once the blood vessels reaches

Frida Kahlo's influence still lingers around the world. Even with Frida dead for almost two decades, she is still celebrated and thought of as an idol. Frida Kahlo was an artist in many different ways. Besides Frida's incredible talent to paint surrealist thoughts and emotions on canvas, she also was and artist in her mind and body. Frida's attire of traditional Mexican clothing, which consisted of long, colorful dresses and exotic jewelry, and her thick connection eyebrows, became her trademark. To the public, Frida Kahlo appeared to be full of spirit and joy. She walked through life happily, with a smile glued to her face. However, her feelings of anguish, anger, unhappiness of her painful miscarriages, and

Later on, she took a job to lift the financial burdens of her family and was the paid apprentice of Fernando Fernandez who employed her to copy prints and drawings. He was surprised by her innate talent in art and praised Kahlo's work under him. Despite this, she felt no need to be a professional artist and saw art as a mere hobby (Souter 19). On September 17 1925, there was a collision between a bus and a streetcar. This accident left Frida Kahlo bed-ridden for several months because of her many fractures and dislocated legs. To end her boredom she started painting, borrowing oil paint from her father and asking for an easel from her mother (Kettenmann 17 and 18). Her paintings like Self-portrait in a Velvet Dress and Portait of My Sister Cristina were mainly influenced by European art unlike her later works (Kettenmann 21). This was because of the art books she studied mainly focused on the Italian Renaissance. Her friends even nicknamed her early works as her 'Boticelli' because of its similarities to Boticelli's females (Bauer

During this time, women had very specific gender roles throughout society. They had two options as they emerge into adulthood, join the commune or marry a man who was well-off that could support her. However, Frida didn’t aspire to do either, she aspired to have a career as an artist. Due to Frida’s dream, she set out to find a local yet famous artist Diego Riviera to seek approval of her artwork.

Since Frida spent most of her time in hospital beds, she used that time to create paintings that documented the major events in her life. In 1937, Kahlo created My Nurse and I, in this painting, a nurse with a mask covering her face has in arms a baby with an adult face of Frida. The backstory of this painting is that Frida’s mother due to complications couldn’t breastfeed her. Her family hired a nurse to breastfeed her. This eventually affected their relationship because she never felt a bond with her mother. There are no connections between her and the wet nurse, you can tell the distance between them, there is no love in this painting. It implies Frida’s feelings of loss and separation form her own mother. In 1940, Frida painted Self Portrait with Thorn

The painting is of two versions of Frida Kahlo, closely gripping hands and sharing one heart between them. They are dressed in contrary clothing, with the Frida on the left dressed in modern European garb, while the other to the right is in traditional Mexican clothing. When viewing the painting, we are immediately attracted to the left Frida, who has nearly all of the light in the painting shining down on her. Her European clothing, popular in Mexico at the time, feels very constricting for both the subject and the viewer,specifically the collar grasping her neck so very tightly. Her upright and fragile stance and her almost limp grasp of the second Frida’s is understandable as we see the gaping hole where her heart should be. The pulsating anatomy of her wound bleeds into the room, while her face is completely indifferent. A single vein connects the hole in left Frida to the heart of right Frida. In left Frida’s unclenched hand, a delicate pair of scissors, indicating that she had wretched the heart out of her own bosom. It is this connection that guides us to the Frida to the right, but not before we notice the background behind them. A gray and cloudy backdrop that seems to embody Kahlo’s emotional state at the time, it is hard to distinguish the right Frida from its murky depths. A shadow presiding all around her, the right Frida is dressed in a traditional Mexican dress, with a posture and facial expression completely identical to the other Frida’s. The most eye-catching feature of hers, however, is the pulsating heart that the left Frida is lacking beating out of her chest. This gruesome and oblivious picture is made only more extraordinary when we make out the object right Frida is