Analysis Of Carpe Diem In The Poem Sailing To Byzantium

Mccarthy creates a bleak post apocalyptic society through the use of imagery. He describes a world where there is no wildlife and all that’s left are the ashes. “The road was gullied eroded and barren. The bones of dead creatures sprawled in the washes. Middens of anonymous trash”(177). While the man and the boy travel the road, they rarely come across other living things. The boy even shows a lack of knowledge about animals, constantly asking his father questions about them. They always have to keep moving due to the constant threat of danger. Their nomadic lifestyle prevents them from becoming attached to anything. This gives the feeling of absolute isolation. Throughout the novel, the man often has dreams of life before. His dreams are described in vivid colors, "walking in a flowering wood where birds flew before them he and the child and the

Cormac McCarthy’s brain child “The Road” is a postapocalyptic novel that illustrates the harsh reality of the world. This story serves as a truth that humans, when stripped of their humanity will take desperate measures in order to survive. The reader learns; however even when it seems all hope is lost good can still be found in the world. The son character of this story illuminates this philosophy. He is a foil of his father and shows how even a person never accustomed to the luxury of a normal life can still see goodness.

“Carpathia”, a short story by the poet and memoirist Jesse Lee Kercheval. The short story was written for a segment in her book “Building Fiction”. The main plot is a fictional story about her parents in their honeymoon. The setting is in April 1912, when the titanic sank. Jesse Lee’s parents were on the Carpathia, a ship that picked up the Titanic survivors. It also focuses on the role of women in society.

Imagine someone dying from a sickness. They know that they are on their last leg. They can either fight to stay alive, or they can give up hope and pass away. People control their own fate. Controlling their own fate means that they decide when it is time for them to die, and don’t just lay down and accept death. This idea can be seen in in many pieces of text including the following poems. “Invictus” by William Ernest Henley and “Do not go gentle into that good night” by Dylan Thomas. Both authors express the theme of people control their own fate.

McCarthy’s The Road exemplifies the struggle to survive throughout the entire novel. In the most trying times, during the longest stretches without food, the father’s persistence and confidence

Throughout the novel, survival is a constant objective for the boy and his father. McCarthy’s gripping and frightening moments are most obviously interwoven with this theme. Soon after the death of his father the boy looks up and sees that “someone was coming. He started to turn and go back into the woods but he didnt. He just stood in the road and waited, the pistol in his hand” (McCarthy 281). With the approach of this new potential threat, the boy’s safety and survival are brought into question. As the strange man comes near, a tension builds while the boy tries to make a decision that could quite possibly affect the rest of his life. The tension dissipates when it is revealed that the man is not a threat, but a

In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the

One thing that remains constant in the ever-changing world of Cormac McCarthy’s dystopian novel The Road is the relationship between The Man and The Boy. The father and son’s bond is extremely close, especially due to the isolation they face on The Road, but it is filled with love and endearment, like someone would expect any relationship between a father and son to be.

“When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him”(McCarthy 3). What McCarthy really means is that The man’s and The boy’s actions are a reflection that comes from the effects on how the setting of The Road could have changed their psychological traits. Because the boy was born into this disastrous and scary world, The man felt that the boy was his responsibility. The man would do anything in order to make sure the boy will survive. Similarly, the boy, being only young in age feels sympathy for the man and shows that he is thankful for The Man’s comfort. The boy even shared the “last” coke with The Man, which was shown by McCarthy explaining “He looked at his father and then tilted the can and drank. He sat there thinking about it. It's really good, he said…Yes. It is…You have some, Papa”(23).

Hope in the face of adversity, hope in spite of the depression and mere survival they must endure, hope in the face of death and fear. One of the major themes that Cormac McCarthy emphasizes in The Road is hope: hope for a better world, hope that there are still good people out there. McCarthy uses the son as a symbol of hope throughout the novel to engage and grasp the attention of his readers. Hope is what progresses the novel, therefore without hope there is nothing.

I partially agree with Pangloss’s statement because we never know what the future holds for us and we can never predict our fate therefor what happens to you today (now) or what you have is the best you can get or have in your live. For example, considering

We often consider the world to be filled with core truths, such as how people should act or what constitutes a good or bad action. In The Road, McCarthy directly challenges those preconceptions by making us question the actions of the characters and injecting a healthy dose of uncertainty into the heroes’ situation. From the very beginning, the characters and their location remain ambiguous. This is done so that the characters are purposely anonymous, amorphously adopting all people. While on the road, the order of the day is unpredictability; whether they find a horde of road-savages or supplies necessary for his son’s survival is impossible to foretell. While traveling, the boy frequently asks “are we the good guy” and the father always replies with “yes” or “of course,” but as the story progresses this comes into question.

The encounters and interactions the man and boy had while on the road help develop McCarthy’s larger theme of humanity losing its selflessness when it’s in danger. For example, while the man and the boy are traveling to the coast they come across a burnt man, half-dead lying in the road. After some observation, the boy asks the man if they could “help him” but is continuously shot down by his father who repeatedly tells him to “stop it” (McCarthy 50). The Road’s setting is one of the strongest over the weak, those who can’t survive for themselves they simply won’t. This burnt man, who was struck by lightning, is an example of that as he is now in no condition to scavenge for food and medical supplies and will probably just die where he currently sits. The boy, realizing this, wanted to do something to give the man even a small chance at survival, but the man knew he was a lost cause and should be left to die. The boy and his overwhelming desire to help the dying man is representative of old society and its pressure to help those with lesser than you, ideals that were result of religious codes and churches. But in a world where none of that matters or is present, the man is what humanity has become, selfish being whom only care about

The boy asks the man, “Can I ask you something? Yes. Of course you can. What would you do if I died? If you died I would want to die too. So you could be with me? Yes. So I could be with you. Okay” (10-11). McCarthy points out that the man’s love for his son is what makes the man want to survive in the post-apocalyptic world. In the novel, before attempting suicide, the man’s wife criticizes him for using the boy as a reason to survive. The wife tells the man “The only thing I can tell you is that you wont survive for youself” (57). The quote explains that in the world, where landscapes devastated by fire, the weather conditions are getting harsh, the town and houses are abandoned, little food, no supplies, and no shelter left, no want to live there, but the man wants to continue living the life, so he can always be with his son.

Life without hope is a journey without a compass. In The Road by Cormac McCarthy there are numerous instances that occur in which all seems lost, but in those moments hope carries through and thrives. The dystopian novel narrates the tale of a man and a boy who are trying to survive in a world where moral and order have disappeared, driving humans to commit acts of cannibalism and murder. It also shows the strong bond between an unnamed father and his son. The man’s son and the appearance of colour is the light at the end of the tunnel that allows the man to continue moving and to hope for a better future. McCarthy utilizes the boy and colour to instill moments of hope in the man’s life, which inspire the man to persevere and fight to