The Red Convertible And Cathedral Comparison Essay

People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into

The Red Convertible by Louise Erdrich is more than an emotional story about the lives of two brothers who grew up together on an Indian reservation. She uses a writing style that allows the reader to understand the text, while providing the opportunity to read into the story. Erdrich uses metaphors, symbols, imagery to describe and define the brothers Henry and Lyman’s relationship.

In the short story “The Red Convertible” you will find some important elements that are integral to the support and development of the theme brotherhood. First, you will see how the road trip gives a lesson in the story. Second, you will discover how the war affected the relationship of Lyman and Henry. Finally, you will understand the symbolism of the red convertible and the link it has between both brothers. One important element that has a powerful lesson in the story is the road trip. While Lyman and Henry went on a drive one afternoon, they met a girl named Susy in the middle of the road. Susy had her hair in buns around her ears and was very short. They let her jump in the car and

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

“The Red Convertible” is a story of Henry, the American Indian man, about how he was suffering from the experiences at the Vietnam War. The story begins when he and his brother purchased a red convertible car. This story indicates that how cultural ties and the brother’s precious memories helped recover Henry. Actually it is more about the importance of family. By

He acts as a sort of catalyst in both stories to bring different reactions from the different narrators. In Gallagher’s story the narrator has a very powerful bond with the blind man- she is his helper. Through her account of the visit from her blind friend we can see the exceptionally spiritual and solacing exchange that they share. These prevailing feelings that Gallagher’s narrator has while she interacts with the blind man is the main focus of this story and even though it is compassionate, the theme in “Cathedral” makes for a more powerful message and can reach a greater audience. In Carver’s recounting of his experience the narrator manages to completely reverse his views of the blind man. He goes as far as to say, “It was like nothing else in my life up to now” (Carver pg. 30). The narrator who began the story seeing this blind man as more of a burden than someone he could learn something new from has an epiphany and realises the error of his ways. By working together with the blind man on something as simple as a drawing of a cathedral the narrator overcomes his prejudice and his eyes are opened. The blind man says, “You’ll see. I’ll follow along with you. It’ll be okay.” (pg. 29). The theme in Carver’s “Cathedral” is so prominent and important, the ability to overcome prejudice by working together, reaches many more people and carries such a stronger meaning then Gallagher’s “Rain Flooding you Campfire”.

The relationship of brothers usually lasts forever, but in Louise Erdrich’s short story “The Red Convertible”, the relationship of the main characters Lyman and Henry takes a turn. Erdrich takes her audience through the experiences these brothers face and how they must come to terms that their relationship has changed. Knowing that it will most likely never be the same both Lyman and Henry try to fix their relationship until eventually one falls because of the experiences he faced in life. While Lyman may think the red convertible will save his and Henry’s relationship, Erdrich makes it clear that it will not through the characterization of the brothers, the plot of the story, and the symbolism she uses to tell her story.

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

“The Red Convertible” shows the evolution of two brother’s relationship. Edrich cleverly uses the red convertible to symbolize the changes in the brother’s relationship, turning a seemingly simple short story into a complex ride of emotions. The car that is a “calm and gleaming” (437) token of close brotherly love turns into a painful reminder of change. Its descent into a raging river coincides with the end of a brother’s life and the conclusion of a

“The Red Convertible” is an interesting story due to its characters, plot, and the general background that the author was motivated by to write this story as well as many of her other works. “The Red Convertible” deals with the relationship between two brothers of the Chippewa Reservation. The story focuses on how their relationship changes over a period of time and discretely how the red convertible car they both bond over reflects those changes in their relationship throughout that period. Sadly, these changes are not good as they focus on the effects Henry Jr. has after he serves in the Vietnam War. Lyman, his younger brother, is also affected and tries many things to help his brother go back to his “regular old-self” but in the end he

Emotional connections between two people can be fortified with an object in which both people can care for and share with one another. In the story “The Red Convertible” by Louise Erdrich, Lyman and Henry have a special bond. This bond is emphasized in the red convertible because it symbolizes the connection that both brothers have with one another. After Henry goes off to war Lyman takes care of the car. Lyman cares for the car as if he were trying to preserve the bond that he and Henry had. Furthermore, Lyman knows to some extent that the bond between his brother and him is fragile because Henry has been gone away to war. The color of the car which is red has a double meaning which includes emotions such as the love that exists between the brothers, but also disaster like war. The war separated them both emotionally and physically, but despite this, at the end, they were able to relive the old days when their bond was at its strongest.

Other stories, perceived as unrealistic, often are posited so because they contain elements we do not see in the real world; metaphoric fantasy, symbolism, abstractness. These concepts are all based on our own filters of perception – we discern what is historically accurate and what is legend, or myth, based on our position in culture and the lenses which we view ourselves. In “The Red Convertible”, we can see these concepts at play – Lyman, narrating the story of the relationship with his brother Henry, tells a story that flows very effortlessly. Things that happen around him seem to brush off of him, as if they are no big deal.

The short story “Cathedral”, by Raymond Carver, is a thought provoking piece that focuses on the transition a man goes through to see the world with his soul. The story gives hope that people can change if given the chance to be better people. Over the course of the story, Carver uses both diction and description to explore themes in religion and morality.

Sydney Carton, the alcoholic aid of an attorney is able to break out of his depressing shell and fulfill his promise to Lucie Manette by the end of A Tale of Two Cities. He shows himself as the true hero of the novel and shines over all the other characters that were “recalled to life” (7). The ultimate sacrifice, to give up one’s life, should be rewarded as the most heroic action in any situation out of good

c. Before Pozdnischeff tells his story, the group on the train discusses the major themes of the novel. Each character seems to have varrying opinions on love,