Analysis Of Charlie Chaplin 's City Lights

To see Chaplin’s commentary on society, one must first look at how he uses sound to spread his message. Right from the first scene, Chaplin infuses his views on society with sound as he plays the kazoo to represent the high class men speaking when they are unveiling a new statue. During this speech, the view can see the tramp (Charlie Chaplin) behind them sleeping on top of the statue. With this scene, Chaplin is saying

Edmond Burke once said: "Those who don't know history are doomed to repeat it". After what can only be described as an endless year of torture and living hell, Elie, the novel's protagonist, is liberated from his misery and is free to return to a world that will never be the same. Elie disembarks this horrible journey of blood and flesh and sets about a new one, where he must find himself in a new world. Night is a memoir written by Elie Wiesel in 1956. Wiesel's use of imagery in the novel helps visualize the vivid horrors of the war and the nightmarish atmosphere in which the people were subjected to.

I can only tell by body language that they want to spread heroism between men and women. The use of marble links the sculpture to the glow and smoothness of the male skin. In this sculpture, it appears to be characterized by imagery aimed at the sense of the marble statue. The standing sculpture appears to be relaxed, while the median line makes an angle. While standing upright, the figure’s feet are place in a certain way that brings a shifting effect or movement and a stable poise.

Charlie Chaplin’s (1931) City Lights, is one of the last silent films to be released in America, that was successful, as the age of the ‘talkie’ was beginning. He was one of the few great silent film stars to successfully continue his career. Chaplin uses a lot of symbolism of life in this film, using flowers, blindness, money and of course the Tramp.

1893. World’s Columbian Exposition. 27,500,000 attendees. Over 250 people killed. 27 confessed murders. In his best-selling novel, The Devil in the White City, Erik Larson writes about these details that illustrate two significant events that forever changed Chicago, Illinois in the late 19th century. Larson uses detailed imagery to describe the Chicago World Fair and its’ extravagance, an ominous tone to describe Dr. H.H. Holmes, his murders, and their darkness, and loaded language when describing both to make the reader more aware of the evil that could be lurking in the midst of something beautiful.

The statue has so many little yet powerful symbols that truly make it a unique and one-of-a-kind piece. The torch for example is a symbol that is used to represent enlightenment, liberty, and freedom. The illumination from this torch

The statue Itself functions as a synecdoche for the story that yields another point of Davis’s understanding between her relationship and subject matter with the audience. Hugh’s statue when rightly viewed, exemplified by Mitchell speaks the truth of workers’ existence that neither Hugh (whose speech becomes hesitant and sub literate when asked about the statue) nor the narrator seem capable of doing. As Mitchell reads the statue, lashing out against May’s understanding of it “asks questions of God” (Davis) just as the narrator hopes he or she will reveal the very lives of workers asking the “terrible dumb question” she or he cannot fully

Charlie Chaplin’s iconic Tramp character is often someone to laugh with, or laugh at, but not necessarily someone you learn from. The Tramp character is impulsive and reckless, hardly the standard for model behavior. Despite this characterization, the Tramp’s role differs significantly in Easy Street. He is the hero that the titular street desperately needs, a place where the depraved and deprived struggle to survive. The use of social issues in Easy Street is not merely to use them for the jokes, but to lighten the burden surrounding the subjects, and in doing so providing a more hopeful perspective: one where these issues are not overwhelming and the solutions don’t seem Herculean, but instead are presented as being within the audience’s begging grasp. The film provides relief by portraying issues a general public can be dealing with, and not treating them as these daunting things to be intimidated by, but to laugh at, since they can be solved, as the Tramp demonstrates, through religion and labor.

Charlie Chaplin did not use sound to communicate to the audience in his movies. Despite the fact that there was no spoken language, his movies were sensational and the audiences loved them. Chaplin was thought of as cinema’s first genius and has been called the single most-influential artist in the history of motion pictures. I am researching Charlie Chaplin to learn how he became a sensational comedian and one of the best actors of all time.

The style of edit for this sequence and entire film is continuity editing which produces a logical and straightforward narrative. The sequence begins with an establishing shot of the city road setting, orienting the viewer. The editing follows real-time human experiences, for example, the Tramp enters the paddy wagon then it cuts to him sitting down on the benches with the rest of the convicted, minimizing the perception of breaks between cuts (invisible editing).

In the other hand a cleaning duster. If the viewer is standing right in front of the sculpture, her gaze seems to be straightforward. Staring right at the observer. There’s also a sense of motion, as if she is going to step right to you. She might have something to say, her voice might want to be heard. She has a hopeless and overworked look on he face. It’s evident that she has been working hard because of the sweat on her body. Her mouth isn’t open while she works she is silent. The sculpture embodies the working class, the people who endure manual labor to serve the wealthy. It’s a social commentary of how the working class is not heard. These people are the 1%. They are what we call “the other”. These people are usually the victims of marginalization. The sculpture represents the American dream. How you can achieve your goals if you work hard enough. But that isn’t always true. Its part of the system. Generally you are born into the

Initially, when I walked up to this sculpture my thoughts were the name of the piece pretty much sums it up. Approaching the statues, they seem to just be large bronze masses on the corner of McCaul street but, as any art should be looked at, I decided to dig deeper than the superficial. The location is odd to me, mainly because the bronze forms are not alone in the corner of the building, but are not really impacted by its surroundings. The trees behind the statue are dead giving a desolate atmosphere invoking a sense of loneliness. Moreover, almost the entire area surrounding the piece is solid concrete, giving a very penitential outlook. I’m not sure if the sculpture’s initial approach is supposed to invoke miserable emotions but if so it does its job

No matter who a person thinks invented the motion picture camera, whether it was Louis Lumiere or Thomas Edison, I'm sure they had no idea what it would become at the turn of the century. Motion pictures, has become an entertainment medium like no other. From Fred Ott's Sneeze to Psycho to Being John Malkovich, the evolution from moving pictures to a pure art form has been quite amazing. Different steps in filming techniques define eras in one of the most amazing ideas that was ever composed. Silent to Sound. Short to long. Black and white to color. Analog to Digital. All were important marks in the History of Motion Pictures. "It's different than other arts. It had to be invented"

Susan Sontag said photographs sends across the harmlessness and helplessness of the human life steering into their own ruin. Furthermore the bond connecting photography with departure from life tortures the human race. (Sontag 1977:64)

rejoices at Charlie not having to starve ever in his life again. On the day of the factory tour,