Analysis Of Consider The Lobster

In his essay Consider the Lobster, it’s apparent what David Foster Wallace is trying to tell his audience: we should really think about the lobster’s point of view before cooking and eating it. Wallace uses multiple rhetorical strategies to get his point across, including pathos and ethos. His essay is very good in how it gets its point across, and how it forces even the largest lobster consumers to truly contemplate how the lobster might react being boiled alive. It brings up many controversial topics of animal rights that many people tend to avoid, especially people who are major carnivores. Wallace’s use of rhetorical strategies really gets the reader thinking, and thoroughly captures the argument of many vegetarians against the consumption of animals. Wallace captures the use of pathos in his essay and uses it in a way that is incredibly convincing to the reader. For example, he compares the Maine Lobster Festival to how a Nebraska Beef Festival could be, stating, “at which part of the festivities is watching trucks pull up and the live cattle get driven down the ramp and slaughtered right there…” (Wallace 700). Playing off of people’s natural tendency to feel bad for the cattle, he shows that the killing of lobster is, in reality, no different than the killing of cattle, but we treat it much differently. We tend to think that lobsters are different because they are less human than cows are, and, maybe to make us feel better about our senseless killing of an animal,

Bourdain uses descriptive language to describe his experiences with food in order to give the audience a sensation of what he experienced. Later on he appeals to the audience emotionally by comparing the experience of his first oyster like losing his virginity (396). He later describes the same event as, “that unforgettably sweet moment in my personal history, that one moment still more alive for me than so many other ‘firsts’ which followed- first pussy, first joint, first day in high school, first published book, or any other thing” in order to not only give readers a point of reference for his feelings, but a vivid description of

In Consider The Lobster, David Foster Wallace raises an ethical question: “Is it right to boil a sentient creature alive just for our gustatory pleasure?” However, this essay is not to provide a definite answer to this question but lets the readers come up with their own answers. Wallace uses rhetorical strategies such as comparison, imagery, and questions to make the audiences think deep about the moral lens of consuming lobsters.

In his article “Consider the Lobster”, David Foster Wallace uses the Maine Lobster Festival as a medium for his argument regarding the ethics of eating lobster. Wallace frames his article as a conversation just to get people thinking, but a deeper look at his rhetoric shows that he is arguing against the inhumanities of eating lobster, while doing everything he can to avoid sounding like he is taking a stance.

Everyone has an opinion when it comes to animals being killed and eaten. If a person agrees or not is completely their own opinion and will not be the focus of the essay. David Wallace’s essay “ Consider the Lobster,” is used to address perspectives of varying opinions while trying to persuade the reader. The author accomplishes this throughout the essay through the excellent use of multiple rhetorical techniques. Rhetorical devices such as ethos, lothos and pathos are all used in the essay to convey the author's opinion and try to convince the reader to choose a side.

Wallace establishes a humorous tone in the first section to convey his argument. “There are these two young fish swimming along, and they happen to meet an older fish swimming the other way, who nods at them and says, ‘Morning, boys, how's the water?’ And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes, ‘What the hell is water?’” (233) This anecdote introduces the fact the many people don’t understand what is going on around them and why Wallace believes it is important to be conscious of what is happening around you. “This is not a matter of virtue- it's a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default-setting, which is to be deeply and literally self-centered, and to see and interpret everything through this lens of self.” (233) Wallace argues that it is hard to get into a state of awareness because humans have their “hard-wired default-setting”. People need to get out of their own self-centered habits and see things in a different point of view. By using a humorous tone, Wallace can effectively get people on his side of the argument.

This is after he just gets done about talking about his own thoughts on the lobsters and how it is alright if people keep eating it. Now if he is fine with people eating lobsters and wants to keep eating animals on his own time why does he spend time writing this entire essay? This essay is filled with so many sensory details that the reader can feel such as the noise of the scuttling against the boiling pot with the lobster in it. He does this on purpose to bring to light something you may not think about or brush off as nothing is actually going against your morals.

According to Scruton, “Eating animals has become a test case for moral theory in Western societies,” and he believes that a moral life is set on three pillars: virtue, duty, value piety. Foer uses fishes and dogs, for example, in Eating Animals: people slam gaffs into fish, but no one in their right mind would do such a thing to a dog. Foer also mentions that fish are out there in the water doing what fish do, and dogs are with us. Dogs are our companions, and with that, we care about the things that are near and dear to us. In, “Consider the Lobster,” Wallace asks, “Is it all right to boil a sentient creature alive just for our gustatory pleasure?” Is it a personal choice to do so? PETA, of course, says no. Dick from the Maine Lobster Festival (MLF) argues that lobsters do not have the part of the brain that receives pain, which is a false statement anyhow. Goodrich (1969) says that a human’s life is worth so much more than an animal’s life. No matter how many animals there are, one human life is worth more.

Do you know that Maine is famous for lobsters because it harvests the majority of lobsters in the United States? The population reached to 1.336 million people living in the state of Maine. And the total area of Maine is 35,385 square miles, also known as the biggest state with the most land from the original 13 colonies.

The passage above by Foster Wallace uses detailed and graphic language to shape the image of afflicted lobsters boiling in water. “The lobster will sometimes try to cling to the container’s sides”. “You can usually hear the cover rattling and clanking as the lobster tries to push if off.” The “showing instead of telling” descriptions allow the readers to feel the pain of being boiled alive. I can imagine myself being trapped in a pot of boiling water, trying every possible way to escape the torment. The realistic descriptions allow the author to connect and imagine the situation. As a result, it serves as an exceptional pathos evidence to support Wallace’s overall argument of whether it is moral to eat lobsters, an aquatic arthropod, which

Wallace’s use of changing viewpoints adds to what he originally wants to do, which is to give the reader a chance to pick which side of the argument they want to be on. The author not only gives the reader different views, but he also changes his tone throughout the piece. By adding dynamic shifts in his writing, he includes the reader and gives a better feel for what this article is really about. This sentence stands out due to the fact that Wallace talks about the positive aspects of what occurs during the festival throughout the beginning of the article. This includes not only the amount of lobster that is being

The gluttonous lords of the land capture those who are unable to defend themselves, boil the captives alive, and then feast on their flesh. Could this be the plot of some new summer blockbuster? It could be, in fact, but for now we will focus on how this depiction of events compares to David Foster Wallace’s essay, “Consider the Lobster,” which starts as a review of the Maine Lobster Festival, but soon morphs into an indictment of not only the conventions of lobster preparation, but also the entire idea of having an animal killed for one’s own consumption. Wallace shows great skill in establishing ethos. In the essay, he succeeds in snaring a receptive audience by laying out a well-baited trap for an

​In conducting a rhetorical analysis of the two articles, "Joel Salatin: How to Eat Animals and Respect Them, Too" by Madeline Ostrander and "Humane Meat? No Such Thing" by Sunaura Taylor, both articles stand in stark contrast in terms of the viewpoints of meat that they present. In order to gain a better understanding of these viewpoints, it's important to understand the persuasive techniques that both authors use in the article for the reader. More specifically, the ethos, pathos, and logos that they employ, as well the way in which the evidence and support is presented will further elucidate upon the arguments that appear in both articles.

Many people at the Maine Lobster Festival find it easy to believe that lobsters feel no pain in order to continue to torture the animal before indulging it without empathy or regret. This ethical practice has been created in order to backup the thoughts of accepting the ideology that it 's "all right" to torture the animal before consumption. While Wallace is in a rental car he

The Boiling Crab is a very popular restaurant, especially in Garden Grove Brookhurst location. Moreover, Brookhurst is the original location; therefore, I use it to be the benchmark for the location analysis in order to find other two locations with the same type of households. The owner of The Boiling Crab plans to expand for the new locations soon. Rosemead and Duarte are the chosen ones for the two locations because they are the most match for the percentage of three types of household like, Urban Village, Pacific Height, and Downtown Melting