Analysis Of Countee Cullen's Yet Do I Marvel

The well known poet Langston Hughes was an inspiring character during the Harlem Renaissance to provide a push for the black communities to fight for the rights they deserved. Hughes wrote his poetry to deliver important messages and provide support to the movements. When he was at a young age a teacher introduced him to poets Carl Sandburg and Walt Whitman, and they inspired him to start his own. Being a “darker brother,” as he called blacks, he experienced and wanted his rights, and that inspired him. Although literary critics felt that Langston Hughes portrayed an unattractive view of black life, the poems demonstrate reality. Hughes used the Blues and Jazz to add effect to his work as well as his extravagant word use and literary

Langston Hughes was one of the great writers of his time. He was named the “most renowned African American poet of the 20th century” (McLaren). Through his writing he made many contributions to following generations by writing about African American issues in creative ways including the use of blues and jazz. Langston Hughes captured the scene of Harlem life in the early 20th century significantly influencing American Literature. He once explained that his writing was an attempt to “explain and illuminate the Negro condition in America” (Daniel 760). To fulfill this task, he wrote 15 volumes of poetry, six novels, three books, 11 plays, and a variety of non-fiction work (Daniel 760). He also edited over 50 books in his time (McKay).

One of the things that make Cullen an important poet of this time period was the fact that he not only promoted his own works but those of other black renaissance poets. His own poetry slowed down for a while and he had one book, One Way to Heaven which was comedic in nature. (Brown, 2012) It was his only novel and revolved a lower-class black family and the classes of New York City. He stayed in New York his whole life and taught English, French and creative writing at a Frederick Douglass Junior High School. (Brown, 2012). He published two books of poetry aimed at young blacks during this time.

Langston Hughes was known for his poems of black activity in America since the 1920’s to the 1960’s, which was the time of the Harlem Renaissance. “My writing has been largely concerned with the depicting of Negro life in America.” Throughout Langston’s life he has seen and experienced racism. He used these experiences to give him ideas of things he could write about. Back then white people were the majority in Harlem, but then once the blacks started to come they dispersed. “We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.” Langston knew that blacks should express themselves no matter what color they are and not be ashamed of it. Some white people may like that they are expressing themselves, on the other hand, some white people may not accept that the

The Harlem Renaissance was a time of revival and awakening in which the African American community produced a new form of cultural identity. After years of oppression and slavery, African Americans struggled to discover their own distinctive culture. It was through the literature and artistry of the Harlem Renaissance that the African American community began to express the suffering and resentment they truly experienced. In addition, the movement allowed them to find a way to escape their hardships. James Baldwin’s “Sonny’s Blues” and Langston Hughes’ “The Weary Blues” address the addiction, poverty, and violence that surrounded African Americans and the triumph of life that was captured in their attempt to escape the suffering.

The Harlem Renaissance was a period that started in the early 1920’s in which the concept of “the Negro” was intended to be changed (History.com). This period witnessed the thrive of African American art. White stereotypes had influenced not only the way African Americans were perceived in society but also their relationship between themselves and others. Participants like Gwendolyn Bennett, Langston Hughes, Paul Lawrence Dunbar and W.E.B. Du Bois were some of many authors of creative pieces that reflected their points of views. Like George Hutchinson writes in his article, The Harlem Renaissance brought many African Americans from South to North which helped the rise of literacy and the creation of organizations dedicated to promoting African American civil rights that resulted in the uplift of the race and the availability of socioeconomic opportunities (1). The distinctive expression through things like poetry and music during the Harlem Renaissance reflected the reality and experiences black people were going through. This essay is going to focus on the relationship between poetry, politics and representation while relying on the poem “We Wear the Mark” by Paul Lawrence Dunbar. At the same time, this paper will be supported with works from Langston Hughes, Alain Locke and W.E.B. Dubois.

Countee Cullen was a poet and editor who graduated from New York University in 1925. He published his first book of poetry “Colors” in this year and was greatly admired by many critics

Countee Cullen’s first journal of poetry, Color, was published the same year he graduated from New York University (1925). Color was written in a “careful, traditional style, the work celebrated black beauty and deplored the effects of racism.” The book featured some of his well known poems such as, ‘Heritage’ and ‘Incident’ along with his most famous poem, ‘Yet Do I Marvel.’ Following Cullen’s graduation from New York University Phi Beta Kappa he attended Harvard where he completed his master’s degree in 1926. He also worked as an assistant editor of the Opportunity Magazine where his column increased his reputation. While editing he also published his second journal of poetry, Copper Sun. Copper Sun was very controversial in the black community because they believed Cullen did not give the theme of racism the same attention that he did in Color. In 1928 Cullen won the Guggenheim Fellowship which allowed him to go abroad to study/write. This is where he met the love of his life, Nina Yolande Du Bois whom he married in 1928 but divorced in 1930. But in 1940 Countee Cullen found a true soul mate, Ida Mae Robertson whom he later married. In the late 1930’s Cullen taught English, French and creative writing at Frederick Douglass Junior High School in New York City. He taught at Frederick Douglass until he died in 1946. During this period he wrote two children’s books- The Lost Zoo, short stories and poems about animals who died in the flood and My Lives

Right after the World War I, the majority of African Americans moved from South to the North of the United States. New economic and artistic opportunities led them to create and identify themselves in their own culture and heritage. This movement is well-known as the Harlem renaissance. It was accompanied by new lifestyle, music styles, and plenty of talented writers. This paper discusses two poems from this period: Heritage, written by Countee Cullen, and The Weary Blues, written by Langston Hughes.

Countee Cullen and his poem “Yet Do I Marvel” talks about the relationship between God and man but the main point of the poem is his position in the world as a being black and being a black poet. His skin color is placed

The Harlem Renaissance was an evolutionary period in terms of African-American cultural expression; in fact, the movement changed the way that black musicians, poets, authors, and even ordinary people perceived themselves. One of the most influential poets of the time was Langston Hughes. Hughes’ works display a pride in being black that most African-Americans are too afraid to show, even today. Moreover, he adamantly refused to submit to the sentiment that he should be ashamed of his heritage, instead believing that “no great poet has ever been afraid of being himself.”(p1990 From the Negro Artist). In the article “‘Don’t Turn Back’: Langston Hughes, Barack Obama, and Martin Luther King, Jr.” by Jason Miller, Miller analyzes how Hughes’ poetry has been used by Martin Luther King, Jr. and Barack Obama and how the House of Un-american Activities Committee affected that use.

Langston Hughes is a famous poet known mostly for his contribution to the Harlem Renaissance. He wrote many inspirational poems that are still read and used for educational purposes. Many of his poems were inspired by his life and his story. One of his many poems entitled “Theme for English B” talks about how his teacher instructed him to write a page about himself and it will be true. In a “Theme for English B”, Hughes uses tone, and characterization to display a relationship between race and writing.

“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.

Mckay explains how African-Americans were oppressed and killed by white people during that time, but at the same time, he shows that the spirit of courage is still remained alive The next poem is Countee Cullen’s “Heritage”. This poem was published in 1925 by Countee Cullen who was another main figure in the Harlem Renaissance, and the poem is considered as the most representative work of the movement. Throughout the poem, Countee Cullen inquires about his heritage and tries to find his true identity and his place in the

In “The Negro Speaks of Rivers”,” I Too”, “Dream Boogie”, and “Harlem”, Hughes promotes a change in society, and shares his beliefs through his poems. The ideas of abolishing racism and treating minorities as equals are present throughout these poems. Hughes’ work ranges between the mid- twentieth century to the late twentieth century. Although slavery was abolished in 1865, it left behind a legacy of racism (America’s Historical Documents). African Americans were metaphorically chained by the daily racial discrimination and prejudice they faced.