Analysis Of Crossing Boundaries By Achebe

Alexandra Fuller describes everything in great detail allowing the reader to feel as if the reader is with her while she goes through Africa. One example

Prior to Chinua Achebe’s novel Things Fall Apart, Africa had been viewed as a one dimensional entity, opposed to the amount of diversity it contains. Africa is the second largest continent behind Asia. This massive size, and varying terrain must encompass people as diverse as the landscape. These people can not be deduced to a stereotyped term of being “African”, because each African does not fit the preconceived image of what an african is. It is not a country it is a land mass with people, animals, and vegetation, that differ by all the many regions. This outline that has been constructed of what makes up an African is due to underrepresentation in the media. Achebe demolished this notion for his readers, by creating a world the reader can

Unfortunately, Rachel Price’s narrow-minded attitude remains stagnant into late adulthood. The Equatorial where Rachel’s “proudest achievement[s]” lie alludes to the imaginary line that divides up the world, establishing how Rachel’s accomplishments lie on a unjust foundation (462). Fittingly, her “own little world” (462) is upheld by her “standards of white supremacy” (28).The word “world” suggests to the reader the illustration of a European explorer charting the globe for unknown lands to redeem as his own. It frames the painting of colonialism and segregation to the reader, as Rachel “can run [her world] exactly however [she] please”, further alluding to the image of a white colonist dictating and exploiting the lives of “local boys” and “punish [them] with a firm hand” (462). Rachel’s self-appointed responsibility of policing her African staff with violence only gives more weight to her internalized ignorance, prolonged by her stay in the Congo and unwavered by the years. Unlike her siblings’ change of heart over the years, Rachel’s exposure to Africa only reiterates her initial belief of how “these people here can’t decide anything for themselves” (480), suggesting how she sees them as lesser than her, as a docile child who remains incapable of assertion. All in all, Rachel’s unfazed ignorance

In Basil Davidson’s video “Different but Equal,” he outlines the European perception of Africa upon their discovery of the continent. Claims that the Europeans were making about African culture, however, were far fetched and did not depict Africa in a positive manner. History according to pre-European Africa was rich and diverse, but once Europeans saw for themselves how different their continent was from Africa, they began to make up their own version of African history.

For many Africans, dreaming is a way of life. In Fatou Diome’s novel “The Belly of the Atlantic” she delivers a clear message that things aren’t always what you expect them to be, proving that people's dreams could easily turn into their nightmares. ‘Diome points out the flaws in both France and Senegal, but her main concern is with the people of her home-country, both their false expectations regarding France and Europe as lands of easy opportunity as well as their domestic failures’. This novel is persuasive and successful at bringing awareness to its readers because of the real life examples regarding racism, discrimination, and immigration. This piece will discuss the efforts of African immigrants as well as the similarities and differences between Fatou Diome’s “The Belly of the Atlantic” and Chinua Achebe’s “Things Fall Apart” characters.

Joseph Conrad’s Heart of Darkness has allowed me to view the world through a multitude of new lenses. In seeing Kurtz and Marlow’s disintegration when removed from society’s watchful eye, I began to understand that all people have a streak of darkness in them under the right circumstances. While the narrator, and many readers at the time of this novella’s publication, believed that the African natives being colonized were “savages”, this book sheds light on the true brutes in this scenario: the thoughtless Europeans. The other complexity that I never truly understood until reading this book, is the idea that there is a single story told about Africans in Western literature. Africa is portrayed as weak, primitive, and impoverished in most books

European’s have had a dismissive attitude towards African’s accomplishments and activities. They 1) generally refused to allow the study of any knowledge that they do not control (Asante). 2) A number of white scholars tend to be limited in their interest to subjects that are valuable to the European project of self-glorification and triumphalism (Asante). Finally, to view Africa as a subject in history or as the starting place for an examination of anything is anathema to those who have always ignored the role of Africa (Asante). The Afrocentric school of thought has fought to combat these boundaries by giving the permission to investigate all aspects of Africa’s presence and involvement in the world.

Africa, being the second largest continent on earth, has always enticed foreigners to exploit their land and way of life. The biggest offender of trying to diminish their way of life is the western presence, always attempting to alter their normality into their own because they see it as the best way to live, which is not always the case. Throughout history, Africa has been under the impression of the white man and their customs, which can be demonstrated in the novels The Posionwood Bible, by Barbra Kingsolver, and The Heart of Darkness, by Joseph Conrad. Both Conrad and Kingsolver display the futile efforts of the western presence to “civilize” Africans with their numerous points of view, clever symbolism, and conveying diction.

Many people interpret Africa to be a rundown third world country. When Ann Jones goes to Africa she gets to see the real beauty of the continent. Ann Jones drove through many countries and saw the many different ways each group of people interact with each other. Jones draws the conclusion that Africa has a caring community, people who will steal, and full of beautiful landscapes.

This chapter in Africans and Their History by Joseph Harris presents some of the roots of the stereotypes and myths about Africa in the past and for the most part are still held today. Harris discusses how the “greats” of history, geography, and literature starting a path of devaluation of Africans that writers after their time followed. Harris also denounced the language that these “greats” used to describe and talk about Africans. He asserts that this language inherently painted Africans as inferior and subhuman.

Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)

The desire to conquer land that was previously unexplored has existed throughout history. This desire forced many indigenous societies, who were usually dominated technologically, to adapt to the teachings and overall system of the ‘superior’ conqueror nation with destruction as the only alternative. This causes a major impact on how a certain society functions, even after seeking independence from the foreigners. The rise and fall of indigenous societies can be analyzed through various media. Chinua Achebe is a novelist specializing in African literature, and this essay deals with the themes regarding colonialism in one of his many novels. In

Elisabeth says then there will never be any solution to the problem of novel in Africa if the Africans wanted a ‘living voice’. The main problem faced by them was because the African writers unlike the French and the English were not acting as writers but were actually behaving like interpreters of their exotic cultures and that the root of their problem was ‘ Having to perform your Africanness at the same time as you write.’

Dominant media produces films using generalized, and distorted images of Africa to create the idea of a dark continent in need colonial help, due to native civilization’s inability to live in a functional society. Mountains of the Moon, follows Richard Burton and John Speke, two explorers in search of the Nile. Set in pre-colonial times, this movie constructs images of Africa, perpetuating African’s inability to live in developed societies, and shows their natural inclination to appease British explorers. The Kitchen Toto, tells the story of Mwangi, who becomes a British officer’s kitchen Toto after his father is killed for opposing the clandestine independence movement. This movie shapes inaccurate images of African independence movements, showing those who are not under colonial rule as threatening, malicious, problematic, and incompetent of leadership. A Good Man in Africa tells the story of a British Diplomat, Morgan Leafy, who lives in Kinjanja, a nation recently freed from British rule. This film portrays Africa’s dependence on neocolonial rule through the Kinjanja’s fait, which rests in the hands of Dr Alex Murray, the man who is in the way of Adekunle’s exploitive building project. These three films represent ho western cultures imagination has evoked stock narratives, creating artificial Africas, in dominant media and films, leading to falsified images expanding from pre-colonialism to twentieth century neocolonialism.

Chinua Achebe is considered as the man who redefined our way of reading Conrad’s Heart of Darkness. Indeed, while focusing on the description of Africa, the father of African literature criticized the novella for its racist stereotypes towards Africans and highlights the colonizer’s oppression on them. Even after thirty four years after his first delivered public lecture excoriating the book, “An image of Africa” he spoke again against it in an interview with Robert Siegel where he related that its author “was a seductive writer. He could pull his reader into the fray. And if it were not for what he said about me and my people, I would probably be thinking only of that seduction."