Analysis Of Crossing The Swamp By Mary Oliver

In the poem crossing the swamp the relationship between the speaker and the swamp is that the swamp is what the author puts in as her problem. She’s trying to compare the swamp to her problem, “here is the endless wet think cosmos” both of the speaker and the swamp share fear “I feel not wet as much as paintable and glittered.”

Lee’s essay “Magical Dinners” and Slater’s “Tripp Lake” are two stories that allows you to see different situations that involve a parent and a child. They both struggle with different things one being with dramatic life changes that come with being a foreigner moving to the united states and one being a childhood camp experience and the mothers maternal fear of the daughter.In Magical Dinners it showcases the story of the authors mother and the frustrations of living in a place with unfamiliar food,language and faces. In Tripp Lake the author is the narrator and you see the mothers feelings convey through her daughter being able to do things she wasn 't when she was younger. In these two stories we will look at the impact both mothers had on there child 's lives and trying to please them through the events , actions and motions involved.Based on reading the two stories Magical dinners and Tripp lake i found that they have similarities that produce two different results.

In Round-Trip to America: The Immigrants Return to Europe 1880-1930, Mark Wyman argues that many new immigrants that migrated to America from 1880-1930 never intended to make America a permanent residence and many of them returned home to their native countries. He claims that this phenomena is important to the history of American Immigration and is important to the histories of the home land in which the immigrants returned to. In his book, Wyman explores some key ideas such as the reason immigrants decided to voyage to a new land, across the ocean, to what was known as the “land of milk and honey” only to return to their small, and a lot of the time rural village. He also discusses American labor movement and what impact that had on

The speaker also chooses her diction precisely, so that there is clear contribution to the overall idea that the poem is indeed about the quest for change and longing from escape from the swamp. Two very different forms of description are used to represent this source of dread: once by the simple name, swamp, and

Oliver starts off by using imagery to describe the struggle with the swamp as a sense of hardship, and challenge. Her descriptions utilizes dark diction such as “endless,” “wet,” “dark,” “pale,” “black,” “slack,” “pathless,” “seamless,” and ‘peerless”, which gives the reader a sense of hopelessness and despair. Oliver also uses enjambment to emphasize the swamp as a never ending trail and symbolize

Immediately, the author uses figurative language to label the swamp as "the center/of everything" (3-4). This metaphor introduces the audience to our first epiphany; the swamp is the foundation of life, and is therefore interconnected with all life, including the speaker. Additionally, Oliver endows the swamp with humanistic traits, such as "struggle, closure" (10-11). These characteristics embed personification within the swamp, and further connect the swamp to realistic emotions experienced by the narrator. This humanistic struggle represents our many struggles in life and how we attempt to overcome obstacles that we encounter. We are consistently "trying/for foothold, fingerhold,/mindhold over such slick crossings" (15-18).

In Mary Oliver’s “Crossing the Swamp”, the speaker compares a swamp to the struggles and hardships in life that fight against her. The speaker repeatedly contrasts herself to the swamp to emphasize the vastness of the swamp, conveying how the speaker understands the hardships that come with life.

The book The Ugly American clearly demonstrates several of the established Special Operations Force (SOF) imperatives outlined in ADRP 6-22. As a Special Forces soldier I can relate these imperatives to stories illustrated in the book and apply them to real life situations that I have experienced in the field. The Ugly American is a goldmine of wisdom and a handbook for special warfare. All Special Operations soldiers should read it.

There is hardly anyone that hasn’t had to grow up. Growth is central to every character in a story, but “Through the Tunnel” and To Kill a Mockingbird amplify this; the loss of innocence and coming of age is central to the entire story. Both “Through the Tunnel” and To Kill a Mockingbird’s main conflict test the characters (Jem in To Kill a Mockingbird and Jerry in “Through the Tunnel”) as they grow up in the face of adversity.

The thoughts and emotions that occur in connection with water are triggered by the lake, and they help Ruth choose transience over any other form of existence. When water floods Fingerbone, the boundaries are overrun, exposing the impermanence of the physical world, and the world’s own natural push towards transience. Water shifts the margins, warning us that the visible world only shows us part of the whole--or perhaps even a mere reflection of a false reality. After the fantastic train wreck in which Ruth’s grandfather perished, the lake sealed itself over in ice, changing boundaries again, while it concealed, like a secret, the last traces of the victims with the illusion of its calm surface. The lake, a source of beauty and darkness, life and death, is “the accumulated past, which vanishes but does not vanish, which perishes and remains” (172). Water carries the symbolic possibility for rebirth– the flood causes the graves in the town cemetery to sink, “so that they looked a little like…empty bellies," suggesting that the dead were born into the receding waters (62). As water and death are so pre-eminent in Sylvie’s consciousness, in dream, she teaches Ruth to dance underwater, to live a life of transience to be

Mysticism in Cloudstreet becomes one of the key forces that drive each character’s search for meaning and self-acceptance. It is a beacon of hope represented through Fish’s awestruck perception of the water and the way this moulds his relationship with Quick. Fish’s constant repetition of ‘the water, the water,’ emphasises the importance of meeting the water once again to resolve his metaphorical ‘stuckness...Not the way all the living are stuck in time and space...but in another stuckness altogether.’

In conjunction with the symbolic representation of Elisa’s life, the dramatic description of the environment can also be seen as a unique representation of the relationship conflict between husband and wife. Steinbeck’s foggy description demonstrates conflict through the following statement, "a time of quiet and waiting." This description is interesting because the fields are personified as waiting for rain, however, “rain and fog do not go together” therein lies the conflict just as Elisa waits for a positive change in how her husband treats her (Palmerino, Gregory J). Gregory P. further points out that, “The natural elements of the foothills ranch seem as unwilling to confront each other as the characters that inhabit its environs. Hence, fog and rain can be seen as the female and male equivalents to Elisa and Henry.” This only further solidifies the deep rooted troubles within Elisa and her relationship with her husband. The setting of the story is personified to act as a symbolic representation of the couple’s relationship (Steinbeck, John 337-338).

This excerpt of Swamplandia, a novel by Karen Russell focuses on Hilola Bigtree, a performer who races alligators as she is watched by an audience and her family. It is in the point of view of the performer’s daughter, who has seen her mother perform before and is newly captivated each time. Since it is in her point of view, she is able to create an atmosphere where she can elevate her mother as an exquisite being. She has an admiration for her mother, both as a performer and in general, that is extremely clear. The tense narrative in the excerpt contributes to Hilola’s portrayal as indestructible. Russell portrays the narrator’s exaltation of her mother through the combination of generated and real tension by use of dark imagery and the contrast between her and the audience through sublime diction.

The theatrical backdrop depicts a lonely swamp filled with trees. The image of the swamp is framed by an arching tree branch covered with moss. The center of the panel features murky waters and thin, white trees that prevent the viewer from seeing what lies beyond this section of the forest. Despite the seeming isolation of the swamp, one can still see bright light coming from behind the curtain of trees.

Lynn Nottage is one of the most talented contemporary playwrights in the Untied States. Her focus indeed is on the African American lifestyle and through her work she manages to touch topics and share ideas that are usually quite controversial. In addition, her approach towards each of her plays is different, in the best expectable way. Nottage’s intention is to present the world of the play in the most unique and memorable. Crumbs from the Table of Joy and Mud, River, Stone are two plays written by Lyn Notagge that reveal her magnificent playwright skills. Both of the plays are unique in their own way and represents stories that are different, but also connected in a way.