Analysis Of ' Daffodils ' By William Wordsworth

William Wordsworth existed in a time when society and its functions were beginning to rapidly pick up. The poem that he 'Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye', gave him a chance to reflect upon his quick paced life by taking a moment to slow down and absorb the beauty of nature that allows one to 'see into the life of things'; (line 49). Wordsworth's 'Tintern Abbey'; takes you on a series of emotional states by trying to sway 'readers and himself, that the loss of innocence and intensity over time is compensated by an accumulation of knowledge and insight.'; Wordsworth accomplishes to prove that although time was lost along with his innocence, he

Writing about the beauty of nature and the simple life was how romantic artists rebelled against the industrial

Romanticism has a strong connection with nature and the people of Romanticism take lessons from it and learn from nature. “Pearl gathered the violets, and anemones, and columbines, and some twigs of the

Lastly, the Romantic Era blended human emotions with nature. The interfacing of emotion and nature was emblematic of Romantic poetry, whether it engrossed the idea of bequeathing human emotions to an innate article like a river or connecting the scenery to the temperament of the writer. (James, 491) This kind of beauty that is

William Wordsworth conveys an unique joy through verse. It is a delight which includes information and good truths, which would illuminate and lift up the peruser's sentiments. Verse ought to try to bring about a significant improvement, smarter and more content. The capacity of verse is to spread the message of co-relationship and affection. Wordsworth is exceptionally viewed as a writer of Nature. Nature is a wellspring of knowledge and he is an extraordinary supporter of this hypothesis. For him a child living in the lap of Nature will become in good stature. Wordsworth is the consecrated cleric of Nature and the verse of Nature thinks that its most grand representation in his work. It was left to Wordsworth to uncover the inward soul of

Romanticism was developed in the late 18th century and supported a shift from faith in reason to faith in the senses, feelings and imagination. It emerged as a reaction against “The Age of Enlightenment”, which had emphasized reason and logic. Many Romantic poets and writers sought solace and peace in nature, and they also recognized the power of nature and its effect on men. Therefore, the glory and beauty of nature and the power of the natural world was accentuated commonly. The topic “nature” has been developed in many important novels and poems including Mary Shelley’s “Frankenstein” and Samuel Taylor Coleridge’s “Kubla Khan”.

By contrast, Wordsworth takes a completely different approach to poetry where he relief heavily on his senses. Wordsworth relied on his senses to produce images that he could then use to produce his poetry. Wordsworth describes, "I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility" (303). He continues, "Now, if nature be thus cautious in preserving in a state of enjoyment a being thus employed, the poet ought to profit by the lesson thus held forth to him" (303). These lines indicate the chief mission Wordsworth find himself on when writing poetry. Thus, because nature can produce such feelings in the poet, the poet must therefore rely heavily on what he sees. In order for him to have "powerful feelings" to recollect on he must first have a visual aid to send him into this "spontaneous overflow." This is one of the core differences between Blake and

The poem is set in the Lake District of Wordsworth’s youth, and embodies the ideals of the Romantic Era; that nature and human intuition have a kind of knowledge not found in books and formal education. When confronted as to why he spends his time at the lake, musing and contemplating, Wordsworth replies with what was to become a memorable moment in english literature; nature nurtures the mind in a unique way, with it’s own wisdom, one which cannot be found in the pages of scholarly books. To stimulate his senses entirely, a man must just sit in the presence of nature. This was an idea found in the works of many romantic poets, who were thought to have a distrust in mankind, but found peace and knowledge in closeness with nature. Romantic poetry allowed us to see their world directly and "much of romantic poetry invited the reader to identify the protagonists with the poets themselves.”(Abrams)

for him. He believed that every man could attain this image which he so fully possessed and his whole life’s work took a form of minute and careful analysis of the process of feeling in his own nature. It is noticeable that idea of William Wordsworth is to go beyond the beauty of nature and view in it a mystic and living substance that heals the mind as well as the body. He is sure that everyone can share with him the same image. This leads to the logical conclusion that the mystic forces of nature mean nothing to William Wordsworth if nature is not enriched with uninhibited. (capacitiesKangah 2014:

In the document entitled “Preface to Lyrical Ballads (1800)”, William Wordsworth a poet from the turn of the seventeenth century discusses his poems and the life of a poet. Wordsworth is a poet who grew up around the time of the French Revolution and was one of the leaders of a new path in English poetry. The document is taken from the preface of a collection of poems written by Wordsworth and Samuel Taylor Coleridge, another poet of the day. Wordsworth was an Englishmen, and traveled to France inbetween1790 and 179, when the world seemed to be everchanging and moving forward at an unstoppable pace.

1783-1830 was the period of the literary movement of Romanticism which was originated in Europe and aroused as a reaction from the Industrial Revolution (“Romanticism”, 2010). Romanticism appeared as a movement which aimed to reject many subjects such as spirits, souls, and instincts from the previous Enlightenment movement and discuss subjects associated with liberalism, radicalism, and nationalism (Nichols, A., 2005). This movement emphasizes on the sources of aesthetic experience, emotions, beauty and sublimity of nature. One of the most obvious principles in this literary movement is the freedom of the poets to express themselves and their feelings. It was considered that in order for poets to express their true feelings, they have

Wordsworth and Keats have a lot in common when it came to construct their poems. They both wrote with their feelings, imagination and nature played a large role in poetry. In Keats letter, Authenticity of the Imagination it states, “I am certain of nothing but of nothing but of the holiness of the Heart’s affections and the truth of imagination--- What the imagination seizes as Beauty must be truth” (Keats 965). In that stanza, truth and holiness are to represent one’s heart

ABC - In 1798, two poets, William Wordsworth and Samuel Coleridge, compiled a collection of poems entitled “Lyrical Ballads”, which emphasized individuality, imagination, and childhood and its respective innocence and purity. These poems were inspired by the social upheaval of the Industrial Revolution in England, which led to a heightened sense of humanitarianism, and a desire to counter the ugliness of England’s developing cities. This assemblage was the starting point for the entirety of the Romantic Movement, which lasted up until the mid-19th century and encouraged a rejection of the classical techniques and views on art. Along with Wordsworth and Coleridge, other Romantic poets began to emphasize many new tenants, primarily focusing on the importance of imagination in everyday life; the value of the individual; and an appreciation for the beauty of childhood and its innocence. While the Romantic movement began over 200 years ago, its tenants have not been abandoned. In today’s society, man still predominately adheres to the values of the Romantics and continues to place importance on the value of the individual, the assets of imagination, and the beauty of childhood innocence and naiveté.

These Romantics favored zestful passion and boldness as opposed to the Neoclassical restraint. People believed mundane, quotidian objects should be presented in a new light and that these things were superior to the exotic (381). Romanticism craved for this transcendence, being beyond the physical realm (Rueck). An example of this principle is Whitman’s constant references of ubiquitous objects in the natural realm as being divine and holy in his “Song of Myself” (Tsipis 379). Instead of studying science, Romantics looked inside of themselves for all of the answers and trusted their instincts (Rueck).

While some may argue that this may just be a coincidence purely due to the style in which these two authors write, looking back on Wordsworth’s writing after observing that of Eliot provides a sharper contrast of views and ideas of how literature specifically works. In Lines Composed a Few Miles Above Tintern Abbey, Wordsworth uses the sublime power of nature to converse with the reader about the emotion one can experience when humbling themselves and observing the forces of nature. First Wordsworth shows his romantic perspective when he states “Do I behold these steep and lofty cliffs / That on a wild secluded scene impress / Thoughts of more deep seclusion; and connect / The landscape with the quiet of the sky (Tintern Abby, 5-8). Again this is Wordsworth’s famed ability to bring out the sublime feelings brought about through the simple observation of nature. This is more than typical of a romantic writer, yet if you observed the emotional distance that is apparent in Eliot’s writing it would not be incorrect to assume the modernist writer would have little interest in nature or the sublime and the emotions which Wordsworth claims it elicits. Rather Eliot would argue the decay of modern society has made him numb to such a simple romantic ideal.