Analysis Of Dagoberto Gilb 's ' Love

The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.

In Ruth Gomberg-Muñoz’s book, Labor and Legality: An Ethnography of a Mexican Immigrant Network, she allows us to enter the everyday lives of ten undocumented Mexican workers all living in the Chicago area. Ruth Gomberg-Muñoz refers to Chuy, Alejandro, Leonardo, Luis, Manuel, Omar, Rene, Roberto, Lalo, and Albert the ten undocumented Mexicans as the “Lions”. This book shares the Lions many stories from, their daily struggle of living as an undocumented immigrant in America, to some of them telling their stories about crossing the border and the effects of living in a different country than their family, and many other struggles and experiences they have encountered. Ruth Gomberg-Muñoz’s book delves into

"Love in L.A.," written by Dagoberto Gilb, is a story full of irony and multiple themes. The story is set in Hollywood during the summer time. Written in third person objective, "Love in L.A." guides the reader along through the story as opposed to an omniscient point of view.

During the 1960’s, the Civil Rights Movement wasn’t the only one occurring. Struggling to assimilate into American culture, and suppressed by social injustices convicted by their Anglo counterparts, the Chicano movement was born. In the epic poem “I am Joaquin” written by Rodolfo Gonzales in 1969, we dive into what it means to be a Chicano. Through this poem, we see the struggles of the Chicano people portrayed by the narrator, in an attempt to grasp the American’s attention during the time of these movements. Hoping to shed light on the issues and struggles the Chicano population faced, Gonzales writes this epic in an attempt to strengthen the movement taking place, and to give Chicanos a sense of belonging and solidarity in this now

“His nation chewed him up and spat him out like a pinon shell, and when he emerged from an airplane one late afternoon, I knew I would one day make love with him” (Martinez, 3). And so it starts, the story of a nineteen year old Mexican- American girl named Mary (Maria; as he only chooses to call her), who helps out and eventually falls in love with Jose Luis Alegria, a Salvadoran refugee. Martínez's story of María is told against the backdrop of the 12-year civil war in El Salvador. Maria and Jose Luis develop a friendship that slowly turns into a typical novella love affair. Through their relationship, both characters are forced to confront the violence of their

In my analysis of this novel, The Adventure of Don Chipote or, When Parrots Breast-Feed by Daniel Venegas, I kept in mind that Nicolás Kanellos put great effort into getting this novel circulated in Spanish and in English. Kanellos argues that Spanish-language immigrant novels more accurately present the “evils” of American society such as oppression of the immigrant workers and deconstructs the myth of the American Dream, which permeates in English-language ethnic autobiographies. I believe Kanellos felt so passionately about circulating this particular novel was due to the fact that in Venegas’ novel we see clear representations of the three U.S. Hispanic cultures that Kanellos presents which are the native, the immigrant, and the exile cultures.

     The author of Mexican Lives, Judith Adler Hellman, grapples with the United States’ economic relationship with their neighbors to the south, Mexico. It also considers, through many interviews, the affairs of one nation. It is a work held to high esteem by many critics, who view this work as an essential part in truly understanding and capturing Mexico’s history. In Mexican Lives, Hellman presents us with a cast from all walks of life. This enables a reader to get more than one perspective, which tends to be bias. It also gives a more inclusive view of the nation of Mexico as a whole. Dealing with rebel activity, free trade, assassinations and their transition into the modern age, it justly

In her book, Labor and Legality: An Ethnography of a Mexican Immigrant Network, Ruth Gomberg-Muñoz describes the lives of ten busboys, she referrs to as the Lions, living and working in the Chicago area. Gomberg-Muñoz provides an insight into the lives of these undocumented Mexican workers. They share their stories of crossing the border, the affects of their absence on family back in Mexico, and the daily struggles of living in a country without the benefits of citizenship. The Lions, as well as other undocumented Mexicans, have to face Americans stereotypes every day. Probably the biggest stereotype the Lions contend with is the belief that all Mexicans are hard workers.

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

The book Fresh Fruit, Broken Bodies: Migrant Farmworkers in the United States illustrates the fieldwork of the author Seth M. Holmes by explaining the myriad aspects of migrant workers’ lives in the U.S.—from the politics to the social environments to the physical body. By not only studying, but living, the lives of these migrant workers, Holmes brings the reader a view unseen by the vast majority and provides the opportunity for greater understanding through the intense details of his work. The voices of vastly different characters—real people—are captured and expounded on without judgment but with deep consideration for all factors that contribute to each person’s life, opinions, and knowledge. Ultimately, a picture of intersectionality is painted in the colors of migrants, mothers, fathers, children, doctors, soldiers, executives, the poor, the rich, and more.

The book ‘Labor and Legality: An Ethnography of a Mexican Immigrant Network’ by Ruth Gomberg-Munoz explains the hardships that surround the Mexican immigrant network. Over the years the ‘undocumented’ workers coming to America from Mexico has increased which has gained the attention of the American government and the media, as it is ‘illegal behavior’. Gomberg-Munoz attempts to create an understanding of the lives of these workers by telling individual’s personal stories. The author reports the workers undocumented lives rather than reviewing their status as this is already covered in society. The author’s main topic revolves around the principle that undocumented workers strive to improve their quality of life by finding employment in the United States (Gomberg-Munoz 9). Gomberg Munoz also presents the daily struggles the works face daily, and how these struggles “deprives them of meaningful choice and agency” which effects their opportunity and futures (Gomberg-Munoz 9). This ethnography shows their social identities through work, the reasons why their position is illegal and how they live their everyday lives under the circumstances.

The novel Across a Hundred Mountains by Reyna Grande is a story about two young girls and their struggling journey to find happiness between two conflicting and distinct worlds: the United States and Mexico. Juana on one side wants to get to the United States, or “el otro lado” as mentioned in the novel, to find her father who abandoned her and her mother after leaving to find work in the US. On the other hand Adelina escapes from her house in California to follow her lover to Mexico. The girls form a bond in the most unexpected of places, a Tijuana jail, and quickly form a friendship that will connect them for the rest of their lives.

Dagoberto Gilb’s short story “Love in L.A.” presents the idea of freedom and the challenges Jake overcomes to keep his freedom. At the beginning, Jake encounters traffic while daydreaming which leads to an accident with an attractive woman. Jake’s encounter with Mariana forces him to choose his freedom over getting the girl, and Jake decided to lie about his job, insurance, and stay in contact with Mariana after the accident. Throughout this short story, Gilb emphasizes Jake’s desire to have a carefree life, without any restrictions, not even have a valid license plate. Gilb uses traffic to describe how everyone cannot freely travel on the road, no different from the restrictions of traveling in life with a steady job, girlfriend, and responsibilities.

Award winning professor Carlos Nicolas Flores has put a new perspective in a life of a Mexican-American. The El Paso native has had a successful career as a professor and author, he’s well known for Our House on Hueco, but he’s been recently getting more attention with his lascivious novel: Sex as a Political Condition: A Border Novel. This said novel has placed him in the spotlight as he acquires more interviews and reviews about the book he further discloses information about himself. The interviews and reviews expose essential parts of his life as well as mixed reactions for Sex as a Political Condition: A Border Novel. Author Joseph Green’s put it best: “It is revolutionary in spirit and inelegant in ethos, equal parts hilarious,

Eighteen of the twenty-seven short stories and vignettes in … And the Earth Did Not Devour Him by Tomás Rivera includes characters that are young Latinx people, who are subject to some form of suffering. Exactly two-thirds of the entire collection deal with this subject matter and in many stories, these young people are made vulnerable to the adult reality of death. At face value, the content of Rivera’s collection may be seen as veering towards dewy-eyed sentimentality. In The Art of Fiction: Notes on Craft for Young Writers, John Gardner identifies sentimentality as, “emotion or feeling that rings false, usually because achieved by cheating or exaggeration” (Gardner, 115).