Analysis Of ' Dante Alihieri 's Purgatorio By Dante Is Climbing Up The Mount Of Purgatory

Who is Dante? He was a man that had a desire to find the truths of heaven and earth even from a very young age; his goal was to understand the three worlds in his mind of hell, purgatory and paradise so that he could find the true everlasting happiness. In Dante’s age there was not really a separation between church and state. “Dante 's philosophical view was also a political view. In Dante 's time, there were two major political factions, the Guelphs and the Ghibellines. Originally, the Ghibellines represented the medieval aristocracy, which wished to retain the power of the Holy Roman Emperor in Italy, as well as in other parts of Europe. The Ghibellines fought hard in this struggle for the nobility to retain its feudal powers over the land and the people in contrast, the Guelphs, of which Dante was a member, were mainly supported by the rising middle class, represented by rich merchants, bankers, and new landowners. The enemy was politically, philosophically, and theologically wrong — and thus a Heretic” He was a supporter of the papacy which was a direct opposition to the Holy Roman Emperor, therefore putting himself in danger of his beliefs.

In Dante’s Inferno, the author Dante Alighieri described the journey of his fictionalized self going through Hell. Dante describes all nine circles as grisly and grave. Gustave Doré’s paintings relate the most to Dante’s descriptions. Doré’s paintings of the Inferno are dark and mysterious, which is how Dante explains Hell in his story. Doré does not use color in his paintings; all of his painting of the Inferno are black, white, and in some shade of grey. His paintings reflect the mood that Dante was trying to interpret in his story. This is why Dante would choose Gustave Doré to illustrate Inferno.

The small his at daybreak was the Mount of Joy, it was a representation of hope. The light from daybreak is symbolizing rebirth and in order to reach that point, you have to climb the Mount of Joy which should give the climber hope for reverting back to the Godly lifestyle. While he was on his way of climbing up, he encounters the leopard (fraud), the lion (violence), and the she-wolf (ambition). The three creatures were a representation of the different parts to a worldly lifestyle. Incontinence is a feeling of addiction towards all the pleasures in life. The she-wolf really lacks control of herself and incontinence is a perfect representation. Virgil is the one who guides Dante through the different levels of hell which eventually allows him to reach heaven which is why he is a great symbol of human reasoning. Beatrice is simply a representation for love. She eventually falls in love with Dante, which directly go with

Virgil- Beatrice sends Virgil to Earth to retrieve Dante and act as his guide through Hell and Purgatory.  Since the poet Virgil lived before Christianity, he dwells in Limbo (Ante-Inferno) with other righteous non-Christians.  As author, Dante chooses the character Virgil to act as his guide because he admired Virgil's work above all other poets and because Virgil had written of a similar journey through the underworld.  Thus, Virgil's character knows the way through Hell and can act as Dante's knowledgeable guide while he struggles alongside Dante

Domenico di Michelino (1417-1491), an Italian painter and medieval poet was known best for his epic poem, The Divine Comedy, which includes sections representing the three tiers of the Christian afterlife: Purgatory (Purgatorio), Hell (Inferno), and Paradise (Paradiso). This poem was a great work of medieval literature and was considered the greatest work of literature composed in Italian. The Divine Comedy was a Christian vision of mankind’s eternal fate. When The Divine Comedy was written, Dante made a cathedral painting that represents his poem called Dante and His Poem. In the painting, the Dante shows the 3 tiers related to the Christian afterlife. Dante was standing in a red robed colossus, revealing his poem to the city of Florence. The painting was full of great meaning, inspiring so many artists from Rodin to Robert Rauschenberg.

For The Divine Comedy, women act as both the initial force of inspiration and the final goal of the epic adventure — seen in Dante’s celebration of both Beatrice and the Virgin Mary (Paolucci, 140). The book opens with Dante pilgrim in a state of confusion, only to be instructed on the right path by Beatrice Portinari, Dante Alighieri’s love interest who has now come to life in The Inferno to act as motivator for his journey. It can

Journeys can be taken many ways. Some people take the path less traveled and some people take the easy way out. Dante happens to be on journey that is less traveled, by exploring the depths of Hell in the Inferno. The epic poem’s story is about self-realization and transformation. It sees Dante over coming many things to realize he is a completely different person from the start of the Inferno journey. Dante sees many things that help him gain courage in order to prove to himself and the reader that accepting change and gaining courage can help one to grow as a person and realize their full potential. After seeing people going through certain punishment Dante realizes that he must not seek pity on himself and others in order to fully realize his true potential.

As Dante makes his ascent through hell and purgatory, he is guided by two figures. The first is Virgil, who saves him from peril and accompanies him, as a friend, through the layers of both afterlifes. The second is Beatrice, who inspired Dante’s journey of salvation in the first place, and who he longs to be reunited with. Yet although these guides are leading him towards God, Dante mistakes their guiding as the end itself. He makes a God of Beatrice, sees her as the ultimate good towards which one strives, and makes a Jesus of Virgil, the man through whom this ultimate good is reached. In this way, Dante creates his own trinity, much to the detriment of his ascent to the True God.

Dante’s Inferno begins in a dark forest, a place of confusion, because he lost his way on the “true path”. Seeking an escape, Dante finds a hill where the sun glares down on him. This light seen in Dante’s Inferno symbolizes clarity as the sun represents God. After encountering three beasts and turning back to the murky forest, Dante crosses paths with the great Roman Poet, Virgil. Virgil is an aid and guide to Dante to Heaven, the ultimate Paradise. He warns Dante he must pass through Hell and Purgatory in order to reach his salvation in heaven. Virgil is depicted as nature or human reason perfected by virtue. It is strongly emphasized that Virgil can only take Dante so far in his journey by guiding him to heaven. Much like St. Thomas Aquinas’ reasoning, nature or human reason can only bring you so far in the journey to God. As Virgil and Dante approach the mouth of Hell, Virgil preaches to Dante about a woman in Heaven who took pity upon Dante when he was lost in hell. The woman Virgil speaks of is Dante’s departed love Beatrice. After Dante hears that Beatrice is heaven he now sheds the fear of traveling through Hell and Purgatorio.

In the Divine Comedy, Dante Alighieri writes of his travels from Hell into Heaven, and through his travels he uses roles of women to convey important characters on his travels. During the time when Dante was writing this piece of literature women did not play an important role in society, so for Dante to weave in women was uncharacteristic for the time. The three main women characters to whom Dante refers to the most are Beatrice who is Dante’s lover, Virgin Mary who sent Beatrice to guide Dante and Virgil on their travels, and lastly, Saint Lucy or Lucia. Since Dante was a Christian, these three women play a role of portraying the trinity in reference to God, Jesus, and the Holy Spirit.

Dante is truly a great poet. When he describes a place, he goes truly deeply than what’s on the surface. In Purgatory, when Dante and Virgil are walking through the gateway, Dante describes each step when walking in. “Once there, Dante and Virgil have to climb three steps to ascend to the gate (Purg. IX, 76-77; Sayers 1955b) which is guarded by an angel. These three steps signify the confession of sin, contrition for sin and satisfaction for sin”. He first describes the first step by saying, “We came to the first step: white marble gleaming/ so polished and so smooth that in its mirror/ I saw my true reflection past all seeming” (IX 94-96). In these first stanzas to the entrance of Purgatory demonstrates the color white as hope and desire of improvement. This is very

Dante's `Divine Comedy', the account of his journey through hell, purgatory and heaven is one of the worlds great poems, and a prime example of a most splendidly realized integration of life with art. More than being merely great poetry, or a chronicle of contemporary events, which it also is, the `Comedy' is a study of human nature by a man quite experienced with it. The main argument I will make in this essay is that Dante's `Comedy' is chiefly a work of historical significance because in it lies the essence of human life across all boundaries of time and place. I feel that such a reading is justified, nay invited, by Dante himself when he says;

Virgil, human reason, does not only lead Dante physically through Purgatory, but he also leads him with his words as Lombardo does. Vigil tells Dante that he must “give [his] entire attention to [his] words”

The constant mention of Dante at the beginning, the viewpoint of Giovanni from his balcony looking down as into a pit, the poisonous vapors presumably rising from all of it, all suggests the ledge overlooking the deepest Hell where Dante and Vergil discussed the different degrees of sin, beginning with lust and ending with malice and betrayal. At the bottom of this pit, at its center, is not Lucifer, or even Rappaccini, but a fountain. There is no indication that the water flowing from the fountain is polluted. Beatrice’s innocent spirit is very similar to the fountain: many passionate and holy things gush out of her heart, when the pure fountain has been opened from its depths and made seen in its transparency to the mental eye; remembrance that, had Giovanni known how to estimate them, it would have assured that all of the ugly mystery was only an earthly allusion.

As it is known, the work is divided into three parts – Hell, Purgatory, and Heaven. Hell for the author does not represent an embodied place. It is rather a state of the soul of the man with sins who is tormented restlessly by repentance. The poet populated the circles of Hell, Purgatory, and Paradise guided by his antipathies and sympathies, perceptions and ideals. In my opinion, Heaven in The Divine Comedy personifies beauty and love. Readers meet Beatrice for the first time in this part. For me, this girl is a symbol of worship, eternal goodness, and divine love not attained by human wisdom. The author is greatly inspired by the height that he manages to reach and this feeling is transmitted to me. Dante, looking at Beatrice, rises from heaven to heaven. He does not feel the flight but only sees that his companion’s face has become even more beautiful. I have felt such a feeling of delight as well. It is possible to notice that in Hell and Purgatory Dante’s journey resembles earthly wanderings. However, in Heaven, he is travelling in a completely miraculous way and it is very inspiring.