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Charlotte Perkins Gilman’s “The Yellow Wallpaper” has received wide praise for its accurate depiction of madness and the symptoms attributed to mental breakdowns (Shumaker 1985).   While these symptoms may seem obvious from today’s psychological perspective, Gilman was writing at the close of the 19th century when the discipline of psychology was still emerging out of a rudimentary psychiatric approach to treating the mentally ill. Though doctors have attempted to write about the treatment of insanity since ancient Greece, the history of madness has most often been characterized by a series of popular images, images that may have stunted the

Real life is described in the book as “that inarticulate sense for actuality which is our ultimate safeguard against the aberrations of mere logic” (Letter 1). Reality can be used by the demons to distract their “patient” with material or tangible goods. So with this approach, when the patient begins to think about God or religion, then

This essay will explore how Lucius’s insatiable curiosity and thirst for forbidden knowledge causes him to become a victim of magic, and how religion delivers him from its dangerous realms. Finally, this essay will comment on the contested approaches to interpreting the final book of the novel.

Readers can perceive that the narrator feels kidnapped and tormented by her husband’s lack of interest towards her mental illness, and these hallucinations are the reaction of it, or maybe she is just trying to get her husband’s attention more often. The narrator comments that “John is away all day, and even

She adheres to not only those of religious values but to those of just knowing right from wrong. For instance, she pronounces that “secular progressives, despite their reaction to my article, have their own list of books they think young people shouldn’t’ read” (Gurdon 3). Although some children have gone through turmoil, it doesn’t need to be the core of what they read. The audience is guilt tripped into supporting her view that if the “majority of 12-to-18-year-olds aren’t living in hell” and that “as for those who are, does it really serve them to give them more torment” (Gurdon 6). While appealing to the audience in an ethical way, she allows herself to reach the secular opposing view and the biblically based simultaneously. The quantity of damage is hard to measure, she states, but “it is more a thing to be felt- a coarseness, an emptiness, a sorrow” (Gurdon 6). In other words, she reminds them that these books don’t need to callous the readers to the danger of the world. Finally, Gurdon latches the attention of those who hold a biblical value by reminding them of the words Saint Paul the Apostle wrote in Philippians 4:8. Tugging on the heart strings of her audience, Gurdon was able to effectively make her

In the short fiction “The Reverend Rebecca Esther”, Steven Allaback is weaving in a criticism of the treatment of people with mental illness as well as elitism in religion. Allaback uses secondary characters such as the owner of the restaurant Peter took Mrs. Esther to, and the Christian college students Mrs. Esther encountered in that same restaurant, further proving the notion that fiction can be a mask for social critique, and Allaback builds that critique on the way society treats Mrs. Esther.

The late seventeenth century, when the enlightenment began, was a period of great turmoil, which persisted at intervals throughout the succeeding century. Reason had led many thinkers to the conclusions that kings and queens were ordinary mortals, and that conclusion implied new kinds of uncertainty. Society in this period worked by the means of well-defined codes of behavior. Religion during this period was still very important to many people. Moliere’s “Tartuffe” is a great illustration on how religion affected people at that time. Moliere was very brave to write this story based on how the Catholic Church was influencing and blinding people. Women also played a huge part of the enlightenment period and society during this time. Women of the upper classes occupied an important place in the Enlightenment society, presiding over “Salons,” gatherings whose participants engaged in intellectual as well as frivolous conversation (Puchner 7). In the literature that we have read, society overlook women capabilities and their logic thinking. The story that was a great example of this is “Tartuffe “and “The Love Suicides At Amijima”. Throughout these two text you can easily point out the difference between a man and a woman role in society. In this essay, I will dive into how society played a factor in “Tartuffe” and “The Love Suicides at Amijima”.

Throughout Southern literature, the authors of Southern text use religion to convey emotion through grotesque-life changing events and concepts. An article titled “Flannery O’Connor’s Rage of Vision”, by Claire Katz discusses how O’Connor’s literature feature religion and Christianity to throughout the literature. The author states, “Since O’Connor had identified her theme as Christian, it is no surprise to find critics discussing this prototypical pattern in religious terms; the protagonist is humiliated in order to recognize his state of sin, and is thus open to grace and redemption.”(55) Therefore, this essay will examine and explain the abstract Christian components illustrated among multiple texts written by Flannery O’Connor and provide textual evidence to support the abstract findings from within the texts.

Throughout the first few chapters of the novel, she seems perfectly sane. She's an older Hispanic mother living in poverty trying to keep herself alive. She treated her niece, Dolly, as her own daughter and tried to protect her from her pimp who was also her boyfriend. She appears completely sane until she begins to see visions of people

She constantly tried to harm her brother and showed signs of dominance when she would abuse him and hurt his genitals. Since she was so engrossed on her body and discovering herself, she became stuck in this stage and as a result of not being able to move on she became aggressive, abusive, and wanting to harm others. Since she was so fixated on harming others, it led to this sadistic behavior and she had this conflict between the drives of the Id and the drives of the Ego. She had impulses to harm others as a result of her being harmed as a child. Being as though she wasn 't cared for and nurtured, she didn 't have loving relationships. She didn 't have the ability to trust others nor did she have the ability to be caring, towards anybody. Since she dealt with a lot of traumatic experiences, she’s been having the same recurring nightmares. She said she has this nightmare where “a man is falling on her and hurting her with a part of himself.” This was a familiar story that I 've once done but on Hysteria with a girl by the name of Bertha Pappenheim. She suffered from hysteria her symptoms are often the surface manifestations of deeply repressed conflicts. I later wrote about her in Studies in Hysteria” (1895). Bertha’s symptoms of this surface manifestation were due to her being sexually abused.

In Charlotte Gilman’s short story "The Yellow Wallpaper," Jane, the main character, is a good example of Sigmund Freud’s Studies In Hysteria. Jane suffers from symptoms such as story making and daydreaming. Jane has a nervous weakness throughout the story.

In 1901, a fifty one year old woman named Frau Auguste D. was admitted to a psychiatric hospital in Frankfurt, Germany. She had an unusual bunch of symptoms. While she had no history of prior psychiatric illness, her husband had noticed that Frau D. was becoming increasing paranoid, hallucinatory, agitated, disoriented, and having increasing difficulties with language functions and memory.

A role of Don Quixote’s delusions is to provide a glimpse into a situation where the chivalric code is implemented. Don Quixote is mad at first glance:

Arthur Machen and H.G. Wells were one of the most influential writers in the history of the English language. Through their works, both Machen and Wells illustrated the themes of sexuality and horror by exploring the idea of the supernatural. However, Machen’s gothic novella The Great God Pan (1894) and H.G. Wells’ sci-fi novel The Island of Dr. Moreau (1896) further exemplified the theme of humankind’s relationship to God. In the late Victorian period, the influence of religious mythology fell upon writers in England, and stories of the “unseen” became popular and abundant. This era was a time when the public started to seriously question their religious lives. Nevertheless, The Great God Pan was denounced by the public upon its publication for its focus on God as a powerful symbol for horror and sexuality. On the other hand, Wells’ The Island of Dr. Moreau was written as a satire, mocking Christianity and other forms of religion. In this short essay, I will expand on religious symbolism and point out the influence of Christianity using Arthur Machen’s The Great God Pan and H.G. Wells’ The Island of Dr. Moreau.

One of Freud’s first cases was about Dora, and eighteen year old girl, who went to see Freud due to her father urging her to. However, the case of Anna O marked a turning point for Freud, and it even went on to influence psychology as a whole. Both Dora and Anna O. suffered from hysteria, a condition in which the patient shows physical symptoms without an apparent physical cause. For example, paralysis, loss of speech, and convulsions. Her doctor Josef Breuer went on in treating Anna by helping her recall forgotten memories of traumatic events. During discussions with her, it became apparent that she had developed a fear of drinking when a dog she hated drank from her glass. As soon as she had the chance to make these unconscious thoughts conscious her paralysis