Analysis Of Diary By Rodion Shchedrin

Throughout the story, The Absolutely True Diary of a Part Time Indian by Sherman Alexie, Junior goes through many ups and downs. This story is about how Junior, an indian from the Spokane reservation, decides to go to Rearden, the school for non-indians because of how run-down his school is and has trouble fitting in. Some of the ways Junior dealt with those downs include his uncanny sense of humor, his love for his friends, and the want to fit in and prove he’s just as good as everyone else at his new school.

3.2. – Explain the purpose of using diary systems to plan and co-ordinate activities and resources

Having correct information will mean all entries are up to date and it will avoid any double-bookings or clashes.

The point of keeping a notebook has never been, nor is it now to have an accurate factual record of what I have been doing or thinking. Author, Joan Didion, in her essay, “On Keeping a Notebook” explains how to keep a notebook and why. Didion’s purpose is to inform us on how she keeps a notebook and why notebooks are useful in helping us to remember events that happened in the past. She adopts a sentimental tone in order to emphasize how many memories are kept alive by keeping a notebook. Didion uses ethos, pathos, and different rhetorical devices in her essay to explain her point.

Composers since the early classical era have used sonata form to express through music ideas which are at once complex and unified. This form contains a variety of themes and permutations of these themes, but is brought together into a comprehensible whole when these excerpts reappear. Beethoven, in the first movement of his Piano Sonata Opus 2 Number 3 utilizes this form to its full potential, modifying the typical structure in his characteristic way.

Ann Marie Low’s diary opens in 1927 when she is a teenager living with her family on a stock farm in southeastern North Dakota. Low’s diary tells the story of her family's struggle to maintain a way of life, keeping their farm, and educate their children. She discusses her family and friends, descendants of homesteaders, through the next ten years, a time when entire communities lost their homes to mortgages and to government recovery programs. Low’s faces economic hardship, unfortunate family circumstances, and the restrictions that society had placed on women. Low's diary is about life in during the Dust Bowl, and Great Depression.

In the second entry of Anne Frank's diary, Margot got a call-up from the SS, which forced the Franks to go into hiding in fear of their future. After Otto Frank came home, "Margot and I started packing our most important belongings into a schoolbag" (Frank para. 15). Margot and Anne went packing after their Father told them they were going into hiding. This was the same day that Margot got called-up.

Holding tightly onto the wooden flower woven box you gave me , I’m in california. The trip was long and hard. I almost froze to death in a snow storm but brave strong John found shelter and warmed me up. We almost made it when indians attacked! I fought them of but a deep bloody cut scarred my arm. But again brave strong John bandaged my wound.

The performance program was chosen to stretch the soloist in ways unfamiliar and uncomfortable while still showing abilities previously acquired. The program is as follows: The Osborne Rhapsody for Bassoon by, Sonatine by Alexander Tansman, Concertino by Paulo Mignone, Bassoon Sonata by Gustav Schreck, and Hungarian Fantasy by Carl von Weber.

Looking at the suite from a German perspective, it seems as if the French suite is less cohesive and refined as compared to the fixed structure of dances found in the German suite. The French suite is described as a ‘loose form’ as it is sometimes seen as a sequence of contrasting dances and other times as a series of dances in the same key. In early French suites it can be said that the influence of other cultural aspects in society is vast on the music. Trends noted in society pertaining to aesthetics and values can be found represented in the music. One of the earliest significant publications of a keyboard suite was “Pieces de clavicin” by Jacques Champion Chambonnieres, who was seen as a big figure in the development of suite. Another significant manuscript, known as the Bauyn MS , features dances by both Chambonnieres and his student, Louis Couperin. The arrangement of early suites in France differs, but it is noted that these manuscripts are arranged by composer, key and genre. The dances were arranged by key in ascending order. In these early examples the Courantes always appeared before the Sarabandes and Gigue. Some evidence does exist that some consideration was taken by the composers to specify the order in which pieces should be played. Notes were usually made on the top of manuscripts for example written on a Gigue from D’anglebert’s

Deriving from Haydn’s examples, Beethoven’s early piano sonatas have structures ranging from the quite free forms, found in Op. 2 No. 2, to the clarity of form of Op. 22. The moods of the sonatas also vary from aggressiveness of the two C minor sonatas toe the playfulness of Op. 10 No. 2. Moreover, many of these sonatas have four movements, with the third generally termed “minuet” (slow) but occasionally “scherzo” (lively).

A romantic drama film is a genre that explores the difficult aspects that come with love. The plot usually includes two people that are in love that can’t be together the way they want to be due to obstacles. The obstacles in a romantic drama film can include a family 's disapproval, to forbidden love, to one 's own psychological restrictions. The Notebook is a movie based on a best-selling novel that was written by author Nicholas Sparks. This is a love story that is composed of a series of obstacles between two young people that are madly in love with each other. It perfectly fits and displays the criteria for a successful romantic drama film because it includes the complexity of love, and elicits emotions.

The early piano sonatas of Beethoven deserve special mention. Although his first published examples of concertos and trios and the first two symphonies are beneath the masterpieces of Mozart and Haydn, the piano sonatas bear an unmistakably Beethovian stamp: grandiose in scope and length, and innovative in their range of expression. The sonatas were able to move expression from terrible rage to peals of laughter to deep depression so suddenly. Capturing this unpredictable style in his music, a new freedom of expression which broke the bounds of Classical ideals, was to position Beethoven as a disturbed man in the minds of some of his contemporaries. Furthermore, he was to be seen as the father of Romanticism and the single most important innovator of music in the minds of those after him. (Bookspan 27).

Lu Xun was one of the first prominent writers of modern china. He uses an ironic technique in the preface by writing in classical Chinese language to suggest a false, friendly world made exclusively by social appearances. The traditional Chinese text is typically seen as superior, and as per the Chinese traditions the modern language is seen as an intruder. The author’s use of the style was a way of making a point. “Diary of a Madman” is a short story written by Lu Xun and was published in the new youth magazine in 1918 (231). The story demonstrates his discontent with traditional Chinese culture, not only by the fact that it clearly addresses the horror of cannibalism that is believed to have occurred but he is also trying to point out the oppressive nature of Confucian principles. In the short novel, the madman has the ability to recognize the cruel elements of Chinese Confucian culture that serves to mock established but out-dated traditional scholarship.

Chopin’s third sonata is a masterwork filled with pianistic elements, daring harmonies, experimental form, and a wealth of expressivity. In this four-movement work, references to other Chopin compositions and influences from fellow composers are found. At the same time, there is a progressive element; it looks forward to the heights which would be achieved by Chopin and later composers.