Analysis Of Dickinson 's Poem ' The Bible '

In the first stanza she simply states that just because one can’t see or have never seen something doesn’t mean that it can’t or doesn’t exist. That being said, Dickinson then says that she has not ever “spoken with God” or visited heaven in the third pair of lines (Dickinson 1273). The final set of lines says that she is “certain of the spot” (Dickinson 1273). This second stanza clearly confirms that she is confident of her place in heaven. Dickinson believes in all of these things even though she hasn’t observed any of them. (Benfey 25) This particular poem shows of her assurance of God and heaven.

Anne Bradstreet and Edward Taylor are two poets who are puritans. They are able to use writing and language to portray their ideas on G-d and religion. Upon the Burning of Our House, July 10th, 1666 by Bradstreet and Huswifery by Taylor are similar in the sense that G-d is always a part of their poems, whether it’s direct or through the use of complex writing. Through the use of language and metaphors, Bradstreet conveys that a connection with G-d could be strengthened through destruction while Taylor reveals that a connection can be reinforced through creation.

Dickinson's bout with religious turmoil is quite evident in poem 1545; The Bible is an antique Volume-, in which she seems to be attacking the Puritan radicals such as Jonathan Edward. This poem gives almost a complete overview of the Bible, speaking of Eden, Satan, Judas, David, and also Sin. This poem lets us see why and also how this strict religious upbringing may have pushed her to become the `old spinster' as some may call her, or the woman with the disease of agoraphobia.

Emily Dickinson was an exceptional writer through the mid-late 1800’s. She never published any of her writings and it wasn’t until after her death that they were even discovered. The complexity of understanding her poems is made prevalent because of the fact that she, the author, cannot expound on what her writing meant. This causes others to have to speculate and decide for themselves the meaning of any of her poems. There are several ways that people can interpret Emily Dickinson’s poems; readers often give their opinion on which of her poems present human understanding as something boundless and unlimited or something small and limited, and people always speculate Dickinson’s view of the individual self.

Emily Dickinson is one of the most influential figures in American literature. Her unusual character and style has made her become one of America’s best and most original poets of all time. She composed almost 1800 poems, but fewer than a dozen were published in her lifetime. In her poems, she expresses her feelings about identity, religion, nature, love, and death. Her poems tell us a lot about her lifestyle, which was very private and reserved from society. In poems 260 and 409 it talks about the theme of identity. Although they consist of the same theme, there are differences in meaning, tone, and narration.

However, Dickinson’s poem is very different from Whitman’s in structure and language. In “324,” the speaker explains how they observe Sabbath, in nature rather than going to a service, when saying “With a Bobolink for a Chorister — / And an Orchard, for a Dome —” (lines 4-5). Dickinson, like Whitman, provides visual imagery; of a bird instead of the Church choir and an orchard instead of the “Dome,” which represents a church. In these lines, readers can envision the beautiful nature scene that the speaker treasures. Furthermore, as Whitman also did, Dickinson uses auditory imagery as the speaker explains further how the spend their Sabbath, “And instead of tolling the Bell, for Church, / Our little Sexton — sings” (lines 8-9). Here, the sounds of the Church’s bell is what the speaker traded for the charming bird’s song in their form of worship. Like Whitman, Dickinson uses imagery to illustrate to readers her preference for nature that connects her to God and religion, unlike for many others who choose to attend church. Moreover, in contrast to Whitman’s poem, Dickinson writes in an abcb rhyme scheme where the second and fourth lines rhyme and have a meter. To demonstrate, every even-numbered line rhymes; Home” and “Dome,” “Wings” and “sings,” “long” and “along.”

The narrator believes you do not have to attend church to be spiritual and that common practice can be done in a peaceful place such as the orchard in her yard. The last two lines of the poem state, “So instead of getting to Heaven, at last- / I’m going, all along” (Dickinson 639). I interpreted this as the long journey to heaven has become a huge part of her life. It is not just a look into the future, but a continuous look in the present. The symbols Dickinson uses in this poem are by far the highlight of this short piece of poetry. In the first stanza, a bobolink and orchard are used to replace things that modern churches value as sacred and holy. Those natural occurrences are used by Dickinson to show her love for nature. More examples of this are shown in the second stanza. The narrator uses her own “sexton” to call her holly time instead of a brass bell to call church service. This is important to analyze as yet another natural occurrence that highly defines the authors writing style.

Dickinson’s poem unfolds truth to society’s power over a woman’s identity. The poem has an angry tone read from the first line, “I’m ceded- I’ve stopped being Their’s-” (1). A defiant and condemning voice aimed at an ambiguous, authoritative figure who is embodied by the capitalized, plural pronoun “Their.” Dickinson’s refusal to exactly specify who “Their” is, demonstrates the power and relationship “Their” has over the speaker. Dickinson interchanges this pronoun with “They” (2) as the poem progresses on, and this larger entity is associated as the church, family, society, etc. because of Dickinson’s references to “church” (3) and “childhood” (6) within the opening stanza. Dickinson’s narrator is tired of being put aside or controlled by others. This angry tone begins to grow louder as Dickinson beings conveying this message and while the poem moves through stanzas uncovering the narrator’s identity.

“I decided that it was not wisdom that enabled poets to write their poetry, but a kind of instinct or inspiration, such as you find in seers and prophets who deliver all their sublime messages without knowing in the least what they mean” (Socrates). What does it mean to be this type of poet? How can someone accomplish such success in poetry, the answer is just two words Emily Dickinson. Emily Dickinson spent a large portion of her life in isolation, not because she was forced to or because she was ill, Dickinson simply wanted to be alone and because of her isolation she became one of the greatest female poets of all time. Emily Dickinson set the bar high for other female poets and created some of the most renowned poems in the world. The two poems “The Soul Selects Her Own Society” and “Tell all the Truth but Tell it Slant” are drastically different poems that tell two different stories, but there are some aspects that cause them to be similar: Imagery, tone, and the statement that the two poems make.

The change begins in the next poem, “He touched me, so I live to know”. This “He”, presumably God, has the effect of calming Dickinson’s myriad small fears. She tells us, “I groped opon his breast--/It was a boundless place to me/And silenced, as the awful Sea/Puts minor streams to rest,” (2-5). At first it may seem that the “silenced” applies to Dickinson here—that this masculine God has taken away even more of her confidence in her own voice (4). When considered with the rest of the

In the piece Dickinson states that the Bible was written by "faded men," and causes little boys to feel "lost and lonesome" (Dickinson 2, 11-12). Dickinson presents that the Bible does not bring people together. Instead, she states that it tears believers from unbelievers and is written by those that do not understand the love of God, or God at all. Dickinson also argues that the bible is a condemning book that she cannot relate to nor does it allow for others to (Dickinson 15-16). "The Bible is an Antique Volume," does not necessarily convey a disbelief in God as it presents a disbelief in the bible. However, with the compellation of this along with Dickinson's other pieces authors have compiled these pieces of work to justify their belief in her

The subject of this poem is the speaker and his/her life in the hands of The Owner. The point that the author is trying to make is that life is like a loaded gun, in that it has great potential, but cannot accomplish anything without the help of a master’s hand. The poem is very descriptive as to what is accomplished when the master takes control. I like this poem because I can relate it to the life of a Christian in the hands of God. The metaphors that Dickinson uses can be interpreted in different ways according to one’s beliefs, but I can definitely see religious connotations within this text. For example, The Owner can be seen as God, and in the fourth stanza the speaker states,

In the poem 764 of The Norton Anthology which starts "My Life had stood - a Loaded Gun -" (line 1), Emily Dickinson takes on the role of a married woman of the nineteenth century whose husband owns and completely controls her. The woman, whose voice Dickinson wrote from, reflects on the importance of her husband 's life to hers and her dependency on him being there to direct her life. Dickinson never married and lived a secluded life in her family 's home, only ever leaving the house for one year before returning again. Though she did not marry, the traditional roles of women still restricted her to live in the home of her family and under the ruler ship of her father like the rest of the women in the house. Some of her close friends and

     Emily Dickinson is one of the most famous authors in American History, and a good amount of that can be attributed to her uniqueness in writing. In Emily Dickinson's poem 'Because I could not stop for Death,' she characterizes her overarching theme of Death differently than it is usually described through the poetic devices of irony, imagery, symbolism, and word choice.

And Dickinson herself knew the answer was to be found in the Bible, as she answered, "For Prose--Mr Ruskin--Sir Thomas Browne--and the Revelations" (L-261)2 when asked by Thomas W. Higginson what her favorite books were. Of course, there were many other prose writings which she could have mentioned, but she dared to select these three as the sources of her inspiration. Needless to say, the three were exclusively special for her. Therefore, by referring to the picture of heaven in the Book of Revelation, I will consider how Dickinson's poetry delineates one of the most important and sometimes enigmatic Christian doctrines, the idea of heaven.