Analysis Of Diego Rivera's Man At The Crossroads

I think what I like the most the murals that he painted I liked how he

Diego Rivera was known for a muralist of the Mexican Social Realism. This movement was the brutality of WWI. It attacked capitalist. Rivera was a communist, he believed in the common ownership in social, political, and economic ideology that strived to maintain social order. One example of this

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

“Art is not what you see, but what you make others see (Edgar Degas).” Art can range from paintings, photos, metal working, abstracts and much more. It can take you places where you’re not and it allows you to interpret things differently from other people. There are many pieces of art that are placed throughout Iowa State campus, from the art inside of the many halls to the sculptures and even the buildings that fill campus. These are all just a few pieces of art that have their own meaning and interpretation. The sculpture Border Crossing, located near MacKay Hall, is just one of many located throughout campus. This sculpture represents pushing towards a goal and not giving up no matter the obstacles and that overcoming an obstacle is possible, it also shows the acceptance of culture. Each piece of art has its own emotions attached to it, the sculpture Border Crossing is just one of many that helps support the students of Iowa State.

Don’t Eat the Bear: A Spanish adventurer named Gaspar De Portola in 1769 passed through a region what is now Santa Barbara. In the near by sand dunes he found a lake where he crossed passed with an “oso flaco”, a skinny bear. They were dying of hunger and ate the skinny bear not knowing it was poisoned.

The following two paintings were found in the Portland Art Museum. These both art works by Diego Rivera and Joseph Stella portray their own life experiences. A main theme found in both paintings is the representation of identity oneself and the identity of one’s culture.

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

The Liberation of Peon, by artist Diego Rivera is portrayed through a Fresco media with dimensions of 73'' x 94 ¼ ". It was painted in 1931 and is on display in the Philadelphia Museum of Art. Looking at this artwork brings a mood of sadness. Five men, four horses, burning villages, and sandy hills occupy the scene. The focal point of the painting appears to be a slave being cut down and freed form a wooden post. The directions of the staring men’s eyes all point me to the direction of the slave being freed. Looking at this artwork I feel that even though the scene seems hostile and dangerous there is positivity because

The film Gringos at the Gate is a documentary about the interesting and dynamic relationship between the United States and Mexico. It uses the sport of soccer, futbol, to highlight the patriotism each country has for their respective country. The director also highlights the issue of identity for Mexican Americans. Many are conflicted with the idea of not knowing who they are supposed to (or in some cases allowed to) support. In this class we spoke about how through history Latin America has struggled with identity. As seen in Jake Silverstein’s article, “Grand Opening Ronald McDonald conquers New Spain”, and Gringos at the Gate, the interaction between two countries in Latin America can lead conflict in deciding one’s

     Public art conquers so much more than the simple task of making the street a little easier to look at. It involves those who created it, those who supplied the means to create it, and those whose lives it continues to impact. Wall paintings in particular take an important role in working for a greater good. Judith F. Baca, a Hispanic-American woman and artist- activist has contributed an unaccountable amount to the mural movement in Los Angeles. She has accomplished this by giving individuals the chance to create art and develop a sense of pride, she has taught younger generations a respect for their ethnic identity, and from the many walks of life that continue to view her

Benidalys Rivera is one of seven women to give birth while in the Western Massachusetts Regional Women’s Correctional Center in 2013. In 2013, Benidalys was convicted to serve two and a half years in Chicopee jail for trafficking cocaine. She started to have contractions in her cell, late in the evening. One of the male correctional officers immediately put shackles on her hands, and he left the shackles on her in the hospital labor room. He told Benidalys that he would take the off the shackles on her ankles when she reaches active labor. However, she never entered active labor and the shackles never were taken off. The doctors had to perform a caesarean section (Berg). Benidalys walked around the hospital “she felt embarrassed as nurses and other patients looked on” (Berg) while having only her assigned nurse for comfort. Benidalys took care of her infant for only two days before they had to separate. The infant, named E.J. taken with the biological father’s family, and Benidalys taken back to the institution. Growing up for two and a half years without visiting his mother because the father’s family lived far away from the prison (Berg). The Department of Corrections of each state needs to consider the well-being of incarcerated women and their children in order to prevent the poor upbringing of the children, to prevent repeat offenders, and to create laws protecting

On Sundays after Mass- every single Sunday, Latinos gathered on parks to play soccer and have carne asada something that is very traditional in Mexican families my family could be an example of that. These parks were built with the money taken from the Japanese which speaking of now a day’s use these complexes too and this is where the two cultures met.

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

Although prostitution may be one of the world’s oldest professions to this day it is seen as a degrading and disrespectful career especially when regarding female prostitutes. In Chronicle of a Death Foretold, the town is very critical and strict about chastity and premarital sex. Maria Alejandrina Cervantes is the town madam which by society’s standards makes her to most marginalized, but ironically she is not brought down by her society’s rules. Gabriel Garcia Marquez uses characterization and irony to demonstrate Maria Alejandrina Cervantes’s contradictory role and to develop the theme of going against society in Chronicle of a Death Foretold.

Marisol was written by Jose Rivera, premiering in 1992. He and other Latin American writers are known for creating works under magical realism. This genera of art traditionally depicts down and out suffering. He highlights topics about class, race and gender by skewing the reality the audience knows with allegory and symbolism. After the clash between the senile God and the Angels ensue, the New York becomes an unsettling dystopia. In this world, all foods are salt, it rains acid, and men can give birth. Throughout this desecrated world, the characters search for a way to keep on living. The actors portray these characters with honest intentions and clear acting choices, which allowed me to believe and empathize with their characters. After seeing this play, I understand that one cannot grow by dwelling in the past.