Analysis Of 'Disgust Of Vulgar Superstition'

The similarities between the poems lie in their abilities to utilize imagery as a means to enhance the concept of the fleeting nature that life ultimately has and to also help further elaborate the speaker’s opinion towards their own situation. In Keats’ poem, dark and imaginative images are used to help match with the speaker’s belief that both love and death arise from fate itself. Here, Keats describes the beauty and mystery of love with images of “shadows” and “huge cloudy symbols of a high romance” to illustrate his belief that love comes from fate, and that he is sad to miss out on such an opportunity when it comes time for his own death.

The last sentence of the poem, ““There is still murder in your heart” (14), is a powerful claim that suggests that a routine consisting of prayer, communion, or hymn singing will not dissolve the sin of the heart. However, seeing this claim from a different standpoint, this can also suggest that this dull routine is convenient when it comes to preserving an appearance of purity and grace. There is an image in the middle of the poem, “light swords” (7), that possibly represents sharp members of the congregation trying to deceive the church authorities and God. Their comfort to the routine is remarkable because it does not really make a difference at the end; the only thing that truly matters is the masked life they are trying to keep hidden. Readers may consider the arguments presented in this poem as the truth reaching out to the contemporary church and its followers to improve their relationship with

    The last three lines of the poem, "And all their eyes still fixed, hoping to find once more, /Being by Calvary’s turbulence unsatisfied, / The uncontrollable mystery on the bestial floor," are the strongest. Yeats is saying that, although they are unhappy with their lives, they have not given up hope. They still feel that they can find perfect happiness. They realize that this happiness cannot be found in the lives they are currently living. Yeats often used the image of the cross or of Christ’s crucifixion to symbolize things such as "discord, incompleteness, opposition, mortality, temporality" (Ellmann and O'Clair, 135). With this line, he is saying that these people have given up hope that they will ever be happy in their hectic, strife-filled, material worlds. They are now turning to God in order to find some sense of peace and fulfillment in their lives. The

Nevertheless, what Keats is trying to get at here is that autumn has finished all her work, and there is nothing to do but wait for winter, so she is going to be lazy and enjoy what all her hard work has brought her as she watches the “last oozings” (l. 22) of the

Clashes over religion were a never-ending battle with England. The church was being used for corruption and power, and citizens had the Catholicism religion forced upon them. They had no choice but to accept this religion because going against the church meant going against the king. So many people dealt with the situation and conformed to Catholicism. However, there was a vast majority that didn’t. These rebels would start something that would forever be a major part of history. It may seem as though these non-conformists did good, but they actually did not. Puritans did not set a good example for England to learn from, the Quakers did.

Whether a person is religious or not, everyone has a different viewpoint on religion. Some people see religion as a helping hand, something that is meant to do good. Others see it as a negative force used for “evil” and to cause harm. A lot of people have no opinion on the matter whatsoever. One of the main themes in James Agee’s novel is religion and the causes of it. In A Death in the Family, the characters are very set in stone with their beliefs. While one character turns to their religion for comfort after a tragedy, another uses a person’s lack of beliefs as a reason not to perform an act for their family. Throughout Agee’s novel, religion is used as a constructive force for some characters and destructive for other characters.

Throughout Southern literature, the authors of Southern text use religion to convey emotion through grotesque-life changing events and concepts. An article titled “Flannery O’Connor’s Rage of Vision”, by Claire Katz discusses how O’Connor’s literature feature religion and Christianity to throughout the literature. The author states, “Since O’Connor had identified her theme as Christian, it is no surprise to find critics discussing this prototypical pattern in religious terms; the protagonist is humiliated in order to recognize his state of sin, and is thus open to grace and redemption.”(55) Therefore, this essay will examine and explain the abstract Christian components illustrated among multiple texts written by Flannery O’Connor and provide textual evidence to support the abstract findings from within the texts.

It is remarkably paradoxical that initially labeling African Americans as contraband – the epitome of dehumanization – paved the way to a future free from bondage. This curious circumstance demonstrates how emancipation was not the Union's ambition when the war began. In spite of this fact, the experiences of Harry Jarvis throughout the Civil War are symbolic of the conflict's changing nature. Jarvis was an escaped slave taken as contraband at Fort Monroe, where he requested to serve with the Union forces. General Butler rejected his appeal, as he believed that the conflict was not a “black man's war” – Jarvis, for his part, responded that it would be soon enough. Indeed, Jarvis was correct, as the Emancipation Proclamation plainly affirmed

One could argue that Winesburg, Ohio is a Modernist text because it is anti-romantic. Though friendships and affectionate relationships are depicted in the text, characters seem to be more focused on sex than romantic interactions. Examples of this lust include Reverend Hartman drooling over Kate Swift from afar in “The Strength of God.” It is also anti-romantic in the literary sense, as the novel focuses more on the citizens of Winesburg rather than the nature in the setting. The story is also separating itself from the past in a real-world context because the characters are anything but conventional. They act in ways that would have been deemed absolutely unacceptable in the recent past from when it was written.

John Keats’s poem begins with “when I have fears that I may cease to be”, bluntly asking what would happened if he died today. He asks himself

Both Gerald Manley Hopkins and William Blake explore the conflicts between one’s opinions and the faith which they devoutly believe. The poems The Garden of Love and Hopkins’ Thou Art Indeed Just, Lord each show the persona doubting the philosophical qualms of life surrounding Catholicism and whether spending “life upon thy cause,” is meaningful. As a child, Blake read the Bible to enhance his reading skills, however developed views correlating to the Swedenborgian church which holds the Catholic church’s views without the institutionalised feeling which Blake despised of in Catholicism. The Garden of Love intertwines his beliefs into the poetry, as depicted with the strong imagery between the vibrant childhood memory of the surroundings in comparison to the older man’s views. However,

becoming any worse in the future since “a thing of beauty is a joy for

The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens

Unlike the Enlightenment era, the Romantic period had no order and turned away from given religions, like Christianity. Romantic expressivism is the creation of the poet’s, or expressivists, own meaning of truth and order, since they are turning away from all known religion. Similarly, they fill these holes by writing about non-religious ideas and making them religious instead. For example Early Wasserman in “Sources of the Self” says that “within itself the modern poem must both formulate its own cosmic [order] and shape the autonomous poetic reality that the cosmic [order] permits” (Wasserman and Taylor 31). Instead of having the uniformness he also explains that, “the Romantic poet has to articulate an original vision of the cosmos” (Wasserman and Taylor 31). This created the opportunities for Romantic expressivist, like William Wordsworth and John Keats, to start from a blank slate with everything that they turned away from, including religion. Wasserman’s emphasis on how the Romantic expressivist was placed with, not a burden, but a responsibility to create their own order and incorporate theoretical spirits or presence into their poems.

pain is being inflicted. His early images of purgatory, show Keats in a bind of