Analysis Of Doll 's House As A Feminist Play

Nora’s refusal to stay in the marriage, however, does not give us a sense of a liberated woman. By the end of the play we are concerned for Nora as she leaves the warmth of the family home for the cold outside as a single woman since we have seen Christine so desperate to get into the ‘warmth’. This ‘warmth’ can be defined as being a person being accepted for fulfilling the gender roles which society constructs for both men and women. Women appear to be reliant on the existence of a husband in their life in order to have a respected status within society and therefore feel fulfilled. Christine feels unfulfilled without anybody in her life: ‘I only feel my life unspeakably empty. No one to live for anymore’ (9). Christine is an independent woman but we can see that she is unhappy at the fact that she has not met the social stereotype for her gender. She functions to show how difficult it is for a woman to survive on her own. Christine realises she will be far more comfortable and regarded better by society with a husband and we believe that she feels that any husband will satisfy the expectations of her gender better than being single. This explains why she settles for a dubious moral character. Faced with only two possible decisions Christine settles for the lesser of two evils.

In Henrik Ibsen’s A Doll’s House, Nora Helmer is a traditional “angel in the house” she is a human being, but first and foremost a wife and a mother who is devoted to the care of her children, and the happiness of her husband. The play is influenced by the Victorian time period when the division of men and women was evident, and each gender had their own role to conform to. Ibsen’s views on these entrenched values is what lead to the A Doll’s House becoming so controversial as the main overarching theme of A Doll’s House is the fight for independence in an otherwise patriarchal society. This theme draws attention to how women are capable in their own rights, yet do not govern their own lives due to the lack of legal entitlement and

When the door slams at the end of “A Doll’s House” by Henry Ibsen, No one would not believe the woman walking out of her house is the same one who appeared at the beginning of the play. The main character in this play is Nora. Nora goes through a complete transformation, changing from a child like and dependant woman to a self strong woman pushing to become independent. Ibsen portrays the roles of society in the Victorian times in this play. Throughout her whole life, Nora’s husband and father have always controlled her; she has never been able to be independent, and the treatment she receives is not equal to the males around her, and the people around her belittle and patronize her to no end. Finally it goes too far and Nora realizes

Ibsen’s character Nora in A Doll’s House, shows gradual development throughout the play to support his theme that above all else, you are human; even in marriage both parties should be given the equal opportunities, rights and respect. While Nora may at first seem happy with her life inside her “doll house”, she begins to recognize that she must find herself, and stop being a toy in the lives of men.

As far as Ibsen is concerned, writing is a means to expose many of the discrepancies in the society. All his plays reflect the multidimensional aspects of the contemporary society. A Dollhouse is not an exception. It is remarkable for its thematic and stylistic excellence. At the same time, it is certain social issues, which are of utmost importance of the play.

Nora plays the part of a slave in her subservience to her husband, for she is supposed to

   In his play, A Doll's House, Henrik Ibsen depicts a female protagonist, Nora Helmer, who dares to defy her husband and forsake her "duty" as a wife and mother to seek out her individuality. A Doll's House challenges the patriarchal view held by most people at the time that a woman's place was in the home. Many women could relate to Nora's situation. Like Nora, they felt trapped by their husbands and their fathers; however, they believed that the rules of society prevented them from stepping out of the shadows of men. Through this play, Ibsen stresses the importance of women's individuality. A Doll's House combines realistic characters, fascinating imagery, explicit stage directions, and

n A Doll’s House, Henrik Ibsen examines conventional roles of men and women in the nineteenth century. In the play, Nora exemplifies the conventional feminine standard of the period. She seems to be powerless and confines herself through patriarchal expectations, which signify a woman’s social role at that tome, that is, of a wife and mother. In turn, masculine perspective measures feminine conduct during that period. Finally, Nora makes a decision to break up with her family in order to become independent. She does this aslo in order to gain and assert her personality through social identity. However, her deed is rather a manifestation of her selfishness than her rebellious spirit. It means that none of the gender parties in this play can be considered as completely just or unjust. So, the paper considers various manifestations of justice and injustice in the relationships between the main characters and considers the social background of their decisions and deeds.

To begin with, the plot starts when Nora saying that her and her husband have never had a serious conversation. They have never solved any problems they were having previously in their marriage. Torvard her husband, is confused and doesn’t understand what she is saying. She goes on about how he doesn’t understand her and why she feels like she’s been treated unfairly. Like the treatment that her dad would give her when she was younger. Nora never had her own thoughts or opinions and was taught to only think one way, the way that her father wanted her to think. Feeling like she is property that was passed down from her father to her husband. Torvard asked her if she is unhappy and she admits to never being happy even though he treated her nicely. Explaining to him how she wants to find herself and put herself first. The husband begs

The themes of “objecthood” and “feminine liberation” in Henrik Ibsen’s A Doll’s House as conveyed through the characterization of Torvald and Nora, diction, stage directions and structure in two integral scenes.

Nora’s decision to leave her perfect life as a doll behind definitely confused audiences. Despite the fact that Ibsen intended for his play to address humanistic issues, the play definitely tends to be interpreted as a pro-feminism work. Most modern readers like to refer to A Doll House as a feminist play due to many reasons. Mainly because it deals with the desire of a woman to establish her identity in society. Regardless of how the individual may interpret the play, it is clear that Ibsen managed to address critical social issues that resonate even with today’s

In today’s global world, there are no differences between gender roles. Women have become more independent in their lives. Writer Henrik Ibsen’s “A Doll House” gives an overview about the beginning of feminism in the 19th century. “Nora” who is the main character of the play whose role transcends from a doll house to a free woman at the end of the play. It shows the trend of independence in a woman’s life.

Through out, A Doll House, Nora is required to meet the expectations set forth for her by the patriarchal society she has been born into and until the end she is indulgent when it comes to playing the role of perfect housewife. Nora is the ideal depiction of time era appropriate femininity with her well maintained appearance. She is subservient to the majority of her husband’s wishes by doing as she is told and hiding what she must. She represses her internal conflict and passionate desires for the sake of her husband’s happiness because it is what society expects from her even if it leaves her feeling unfulfilled (Ibsen 1488 - 1535).

Her first instinct is to feel pity for Mrs. Linde’s lack of children or husband, classifying her “utterly alone” state as “terribly sad” and inferior to the life she has with Torvald (Ibsen 8). This all changes, however, once Nora agrees to help Mrs. Linde. By binding herself to a woman instead of a man for the first time, she reaches a further state of awareness. When Mrs. Linde mentions Nora’s “lack of trouble and hardship” and calls her a child, Nora becomes defensive, alluding to her displeasure with her position in society (Ibsen 12). “You’re just like the rest of them,” she claims, “you all think I’m useless when it comes to anything really serious...” (Ibsen 12). The “them” and “you all” in Nora’s pivotal statement refers to the men who have bound Nora to the state of a useless doll in a dollhouse: dependent, incapable, and unenlightened—merely nice to play with and pretty to look at.

The stereotyped role for a woman in that day was a limit to Nora’s dreams. She challenged her husband’s and society’s expectations by leaving her familiar lifestyle and pursuing something else. Through Nora’s actions, Ibsen is calling us to contemplate the role of women in society. As the reader, we get to decide if Nora’s decision to leave her family set her free or was her biggest mistake. The way that Nora’s character is developed, it appears that this decision set her free to challenge the belief that women are inferior and cannot be independent and allowed her to prove the world