Analysis Of Double Indemnity Throughout The Course, And We Also Watched Essay

The movie “Falling Down”, released in 1993, depicts an unemployed defense worker who becomes frustrated with society and unleashes that frustration on the Los Angeles community. The movie follows William through is destruction as well as the impact his actions has on other characters in the movie. It becomes apparent that the events and characters in the movie are ideal illustrations of the criminological theories anomie and social control.

It is unsurprising that Wilder—in creating Sunset Boulevard— chose film noir to exhibit the cynicism and despair of those mistreated and thrown away by the film industry. In his essay “Notes on Film Noir”, author Paul

The Gangster film ‘Scarface’ (DePalma) is about the rise and eventual fall of Cuban immigrant, Tony Montana. Throughout the film the viewer witnesses how Tony Montana goes from a criminal in Cuba to a drug overlord in America. The average viewer cannot connect to the arc of Tony Montana. But, the average viewer can connect to what Tony Montana is working for, the American dream. Brain DePalma chooses purposefully to have a hyper-masculine, narcissistic, megalomaniac immigrant as the main character of a story of American dream. In ‘Scarface’, DePalma show the universality of the American dream. By utilizing various filming techniques, DePalma shows how the American dream is available for everyone.

James M. Cain’s Double Indemnity is a typically literary work of roman noir genre, adapted for a film later. The story itself is about a premeditated murder planned by the married femme fatale Phyllis Nirdlinger and her secret lover Walter Huff, specifically consistent with roman noir genre. Phyllis Nirdlinger is a typical femme fatale in this novel. She seduces the insurance agent Huff regardless of her own husband. For example, “She pulled me to her and kissed back” (Cain ch2), “I liked you all the time” (Cain ch2) and many other flirty words in the novel. What’s worse, in order to capture the money from her husband, she manages to kill him with Huff. Sex and money, as the main themes of roman noir genre, are the two main motifs of this novel as well. The story happens in Glendale of California (Cain ch1), which is explained in the very beginning of the novel. This kind of setting implies its specific roman noir genre convention. “A dark railroad track in the middle of the night... a dirty road...vacant lots” (Cain ch7). The description of the surrounding environment of the railroad track has the clarified mark of roman noir genre. The ending of Double Indemnity is a huge misery. Huff could not get rid of the nightmare after cruelly killing Mr. Nirdlinger, psychologically ill. In the same time, he has large divergence with his lover Mrs. Nirdlinger. Their intimate relationship breaks up. Finally Huff commits a suicide with his lover after his crime being discovered. The

Film noir, literally meaning ‘black film’, refers to 1940s style detective thriller films that are typically dark in both themes and visual style (Luhr 2004, pp. 93). Although Fargo explores gruesome crimes inspired by the “grim theme of desperation”, the film’s visual palette is oppressively white, both in terms of its bleak snow-covered landscape and its predominantly White-Christian, suburban Upper Midwestern setting (Luhr 2004, pp. 93). Moreover, Fargo challenges film noir conventions in its revelation of the crime’s culprits at the very beginning of a linear and straightforward plot (Bordwell

The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters are feeling at a specific moment. Through the use of freeze frames, we learn of significant moments that shape Henry into the man that he is. By means of first-person narration we are able to know exactly what is going through a particular character’s mind. Finally, wonderful editing made great use of point of view and multiple jump cuts, which added to the sensation that we are undergoing the same experiences as the characters on screen. I will go into further detail and specify scenes that convey these elements as the essay progresses. Altogether, Martin Scorsese’s Goodfellas effectively depicts paramount scenes and allows the audience to empathize with the characters by virtue of stylistic editing and cinematography.

Literature attempts to shape or reflect society, and oftentimes literature reveals truths and provides insight into the condition of that society. The American Dream is a dominant theme in American literature, and in Truman Capote’s In Cold Blood, the idealistic dream is critically evaluated. In this paper, I will explain the context of the work, and then I will compare and contrast Dick any Perry (the murderers) with the Clutter family (the murdered) in relation to the theme of the fragility of the American Dream.

Justin Bell, assistant operations manager at Rockwater Insurance (RI), faces a difficult situation and must act quickly in order to prove his competence as a leader to his colleagues.

What aspects of your specific audience (their activities and interests, any history they might have with this or other genres, generalizations you think fair or accurate about the way they think) make them likely to be affected in the way you desire?

Film Noir, a term coined by the French to describe a style of film characterized by dark themes, storylines, and visuals, has been influencing cinematic industries since the 1940’s. With roots in German expressionistic films and Italian postwar documentaries, film noir has made its way into American film as well, particularly identified in mob and crime pictures. However, such settings are not exclusive to American film noir. One noteworthy example is Billy Wilder’s film Sunset Boulevard, which follows the foreboding tale of Joe Gillis, the desperate-for-success protagonist, who finds himself in the fatal grips of the disillusioned femme fatale Norma Desmond. Not only does the storyline’s heavy subject matter and typical character

Truman Capote’s In Cold Blood was revolutionary on several accounts, one being that it created an entirely new genre that combined nonfiction with literature. Another groundbreaking aspect of the novel was how effectively Capote was able to establish his opinion on whether nature or nature had the greatest effect on the fate of an individual. In artful descriptions of the personalities and backgrounds of the characters Perry Smith and Dick Hickock, Capote expertly discloses his opinion that both nature and nurture can create criminals. Capote presents Dick as a young man with an average childhood and loving parents; Perry, on the other hand, emerged from a childhood of trauma, a life of abuse, and no authority figure to show him clear morals.

Film Noir was a result of it's time - The war had just ended and It was time where prohibition had influenced an abundance in crime and corruption. Film noir serves to highlight the darkest aspects of human beings. ‘Society is making the machinery of it's own destruction.

Film noir was originally the ideologies of Europeans throughout the 1920’s and 1930’s and this genre was based around how Non-American people perceived American culture. The graphic novel Blacksad is unique compared to other graphic novels because it utilizes film noir into it such as adding a melancholy tone to the illustrations and adding outside perspective. Film noir is used to portray to audience what the real story behind the patriotism of these American citizens proudly show because there is more than what meets the eye. It depicts to the audience “the truth” about American culture. One thing that film noir illustrated was the amount of crime being committed throughout the United States due to the major differences between the social classes. Throughout these times, the people who held the most power were rich, white families, and they also had the most influence over government too. The authors of Blacksad, Juan Diaz Canales and Juanjo Guarnido, decided that film noir would be the best way to portray their message.

According to Thomas Schatz, in most gangster films, the genre dictates that the gangster always gets killed or goes to jail. There is nothing different that will, or should happen, and Scarface closely follows Schatz’s model of Hollywood’s genres. Schatz’s model is concerned with the movie’s alignment with classical Hollywood setting and narrative.

In the next five years, increased interest rates and increased investment in new activities will promote the vehicle insurance industrial.