Analysis Of Edgar Allan Poe 's The Tell Tale Heart

own chamber. In Edgar Allan Poe’s Tell Tale Heart, the story of this murder is told from the point of view of the killer. The narrator tells of the man’s vulture-like eye, which causes him to murder the man to rid himself forever of the villainy the eye possessed. After the murder, the narrator is haunted by the sound of the man’s beating heart to the point that he has to admit to his felony. In this ghastly tale, the narrator is guilty of premeditated murder because he had a reason to kill the man, knew right from wrong throughout the story, and had a plan to kill the old man in advance.

It's certain that Fortunato has no idea of Montresor's anger, and this makes the story even more tragic and frightening as the story goes on. The seemingly happy jangling of the bells on the top of Fortunato's cap become more and more sad the deeper the two venture into the catacombs. ” Edgar Allan Poe uses irony to develop his theme of a man who seeks salvation through repression. In “The Cask of Amontillado” by Edgar Allan Poe, Montresor is out for revenge. Montresor's only concern appears to be exacting revenge with impunity.

While confessing his crime, Montresor seems as not having any feeling of guilty due to the peaceful way that he started to narrate at the beginning of the story. But, as soon Montresor started to talk about his feelings of jealousy and hate towards Fortunato, the reader can change the way its reading the story and the point of view towards Montresor. The “Cask of Amontillado” gives an open clue in the beginning of the story of why Montresor killed Fortunato and the motive of madness that he got along the story while confessing his crime. Montresor didn’t start to narrate the story angry or tense but calmly, accepting what he did and how he planned. The “Cask of Amontillado” took place

Freud proposed the psychological structure of personality to include three systems called the id, the ego, and the superego. At birth, the id is the original system of personality and is ruled by the pleasure principle. It is driven towards satisfying instinctual needs. The ego can be described as a mediator between ones instincts and their surrounding environment. The ego is ruled by the reality principle, using realistic and logical thinking to formulate action plans for satisfying needs. The superego includes a person’s moral code and strives for perfection, not pleasure. Psychic energy is distributed between these three systems creating dynamics of personality. This psychic energy is what determines behavior (Day, 2008).

Edgar Allan Poe’s “The Tell-Tale Heart”, a short story about internal conflict and obsession, showcases the tortured soul due to a guilty conscience. The story opens with an unnamed narrator describing a man deranged and plagued with a guilty conscience for a murderous act. This man, the narrator, suffers from paranoia, and the reason for his crime is solely in his disturbed mind. He becomes fixated on the victim’s (the old man’s) eye, and his conscience forces him to demonize the eye. Finally, the reader is taken on a journey through the planning and execution of a murder at the hands of the narrator. Ultimately, the narrator’s obsession causes an unjust death which culminates into internal conflict due to his guilty conscience. The

“Revenge is often like biting a dog because the dog bit you.” This quote means that people act in such a devious way as the person who hurt them which does not make them any better. In the short story, The Cask of Amontillado, Montresor wants to seek revenge from Fortunato’s iniquity. Montresor feels that he has been insulted by his acquaintance. In Montresor’s mind, retaliating the same way Fortunato did toward him is the right thing to do. He decided to get Fortunato boozed up on wine since he knew that was his fondness. By this time Fortunato is very gullible and will do anything Montresor insist on him doing. Montresor planned out everything in detail what he cinched to do to Fortunato whether it was right or wrong. He just wanted to seek revenge, but conceal every detail so that it is not obvious. Montresor is a sociopathic character who did everything in his mite and power to show that revenge is a successful ending.

Montresor’s actions lend to his vengeful and manipulative nature. He lures Fortunato into the catacombs of his home to carry out his plans to kill Fortunato. In the first step of his plan, he boosts Fortunato’s ego by saying that Luchesi was almost as worthy a judge of wine as he. Then Montresor tricks Fortunato into believing that there is an

In “The Cask of Amontillado,” Montresor tells the story of how he got revenge on Fortunato. There are differing opinions on why Montresor is telling the story: is it a confession or is it so he can relive the perfect crime he committed? After close examination of the story, it becomes evident that Montresor is bragging about committing the perfect crime. The story is not a confession because Montresor boasts about his cleverness at luring Fortunato down to the catacombs and taunts Fortunato multiple times without remorse.

Vengeance and murder infects the minds of Montresor and Fortunato upon an exchange of insult in Edgar Allan Poe’s "The Cask of Amontillado”. This is the story of pure revenge after Forturano disrespects Montresor. The story follows the characters meeting up at a carnival and eventually the disguised Montresor lures Fortunato into the catacombs of his home by convincing him that he acquired something that could pass for Amontillado, a light Spanish sherry. Fortunato grows eager to taste this wine and to determine for Montresor whether or not it is truly Amontillado. He leads him back to the catacombs of his home and carries out his plot to bury him alive. Edgar Allan Poe writes from a mysterious first person perspective, uses colorful symbolism and situational irony to present the man's inner self, in turn revealing that revenge is fundamentally infeasible.

Freud believed that the human personality consisted of three interworking parts: the id, the ego, and the superego. The id, the largest part of the mind, is related to desires and impulses and is the main source of basic biological needs. The ego is related to reasoning and is the conscious, rational part of the personality; it monitors behavior in order to satisfy basic desires without suffering negative consequences (Boundless.com). The superego, or conscience, develops through interactions with others (mainly parents) who want the child to conform to the norms of society (Boundless.com). Freud believed that our adult lives were shaped by childhood experiences, meaning that if children did not receive the proper nurturing, that the child would be stuck in that stage or behaviors

As for Montresor, he acts calmly from beginning to end. First, he wants to take revenge on Fortunato and plots it carefully in order to avoid the punishment. He knows his “enemy” very well, from Fortunato’s interests to his weakness, so he can easily kill Fortunato. During the process of murder, he is really calm and controlled. Step by step, he lures Fortunato to his gloomy cellar and kills Fortunato. He works in a place filled with bones and feels no terror. He even stops his “labour” just to hear Fortunato’s cry with “more satisfaction”. Though “for a brief moment [he] hesitated, [he] trembled”, he does not tremble for guilt but for the worry that Fortunato may escape. After Montresor take the revenge successfully, he feels satisfied and pleasant. The differences on their psychological changes create a terrified atmosphere which makes readers suffocate.

Superego: This is that part of our psyche that determines how we think we should react in a given situation. This is the development of morals, what is right and what is wrong. It is a further development of control over the id response.

The area consists of all the internalized norms, values, and feelings that are taught in the socialization process. The superego brings the social pressures of reality to push upon the id. The superego exhibits society’s restraint on the id. When the id is saying, "I want that," the superego is saying, "Wait, slow down, think about this for a little bit. Is this right?" The superego acts as the mind’s conscience and responds to the social rules.

The Scarlet Letter, a novel by Nathaniel Hawthorne, depicts a woman ostracized from her town in Puritan New England after her sin of adultery is revealed, although the father of the illegitimate child remains unknown to the town. In The Tell-Tale Heart, a short story by Edgar Allan Poe, the narrator murders an elderly man in the middle of the night and attempts to cover up his crime. Hawthorne and Poe use the psychological torment and suffering of Arthur Dimmesdale and the narrator in The Tell-Tale Heart to convey that hiding one’s sinful actions from society leads to the strong emotions of pain and guilt, demonstrating that one can only end their misery, leading to freedom, by accepting and exposing their mistakes to society.

Freud said that the Ego is the mediator between the Id and Superego and the outside world. For the Ego to do its job, it has to delay the desires of the Id until it is socially acceptable to give the Id the needs. So our conscious-driven Ego is a balance of the Id and Superego, evening out our primal needs