Analysis Of Edgar Allen Poe's The Cask Of Amontillado

Edgar Allen Poe's brings us a twisted tale of vengeance and horror in "The Cask of Amontillado." Poe's character, Montresor, acts as our guide and narrator through this story. He grabs a hold of the reader as he tells the story from his own apathetic and deceptive mind to gain vengeance from the weak and dismal Fortunato. Montresor's mentality is disturbing as he uses his clever, humor, ironic symbolism, and darkness to accomplish this.

“The Cask of Amontillado” composed by Edgar Allan Poe is one of the precise examples of Poe’s hypothesis of solidarity of the short story. Poe’s utilization of language helps the reader to understand the conflict between two men, Montresor and Fortunato. In the story, Montresor, cunningly, wants to take revenge from Fortunato. Although the two men are seen in an unexpected way, they both need a similar thing; to fulfill the desire for something that has long past due. Montresor is confessing his crime in front of someone. The story broadens Montresor character but limits Fortunato’s character. The theme of trickiness and revenge, is explained with the utilization of symbolism and irony, Montresor seeks peace

Revenge can bring out many people’s inner evil. In Edgar Allan Poe’s “Cask of Amontillado”, the main character, Montresor carefully plans revenge against Fortunato. Montresor is a man who vows vengeance against a professional wine taster named Fortunato. The wine taster insults Montresor, and he had enough of it. The insult sets him off and he plans a deadly and successful revenge. Throughout the story, Montresor attentively plans his revenge against Fortunato just like an expert.

Montresor’s actions lend to his vengeful and manipulative nature. He lures Fortunato into the catacombs of his home to carry out his plans to kill Fortunato. In the first step of his plan, he boosts Fortunato’s ego by saying that Luchesi was almost as worthy a judge of wine as he. Then Montresor tricks Fortunato into believing that there is an

<br>The way the narrator treats his enemy is one of the clearest examples for ironic elements. When the characters meet, Montresor realises that Fortunato is afflicted with a severe cold, nevertheless he makes a point of him looking "remarkably well". Montresor acts in the most natural and friendly way towards the man object of his revenge, and even praises his "friend's" knowledge in the subject of wines. Also upon their meeting, Montresor begins a psychological manipulation of Fortunato. He claims that he needs his knowledge to ascertain that the wine he has purchased is indeed Amontillado. Furthermore, he acknowledges that Fortunato is engaged in another business (i.e.: the celebration of carnival), so he would go to Luchresi, who, one is made to believe, is a competitor of Fortunato's. To these words, Fortunato is forced by his pride to accompany Montresor to the vaults (where the Amontillado is kept), dissipate his doubts and also to prove his higher status than Luchresi as a connoisseur of wine. In fact, during their way down under in the catacombs, the twisted mind of Montresor, dares to give Fortunato the chance to go back, due to the almost unbearable dampness and foulness rampant in the vaults and Fortunato's state of health. The narrator clearly knows about the stubborn nature of Fortunato, and is

Edgar Allen Poe's, &quot;The Cask Of Amontillado,&quot; is a between two enemies. It humorously portrays the foil of Fortunato, as he is led through the catacombs. Poe's humour is dark, sarcastic and very ironic, which quickly becomes a signpost of the tale. Poe sets himself apart from other authors in his works, based on how he depicts and encounters death. It accentuates the notion that at times, your worst enemy will appear as your best friend. Pride is the downfall of every man and the same can be said for witty and daring tale fortunato.

Edgar Allan Poe is an American author whose writing style, full of mysteries and macabre, has fascinated generations. However, his works are more than just thrillers and morbidities. The writings of this author often contain other themes such as companionship, family bonds, longing passion, and perhaps the strongest of these is revenge. “The Cask of Amontillado” and “Hop-Frog; or, The Eight Chained Ourang-Outangs” are two short stories that certainly demonstrate a recurring theme of revenge. Poe not only presents his signature pattern of cold fate in both works but also displays the struggle of a lower social class against the higher social class to the extent that it almost hints at a call for revolution.

The Cask of Amontillado is a short story written by famous poet and author Edgar Allan Poe. This story depicts the search for revenge of a nobleman, Montresor, during the festivities of Carnival. The audience is quickly informed of Montresor’s distaste for his fellow nobleman, Fortunato. While we are left guessing what actually happened between these two men, we do know that it is Montresor’s ego that takes the damage. He was thoroughly insulted by Fortunato.

After a couple of drinks Montresor warns Fortunato about the danger of consuming this wine because of the high levels of nitre that it has, foreshadowing for the audience, telling us the venom Fortunato is consuming. When Fortunato starts to feel bad Montresor offers him a drink to make him feel better, this is not an act of sympathy, it's just to keep Fortunato alive until his burial ground; and also to keep the audience waiting for the action to come.

Edgar Allan Poe’s The Cask of Amontillado is thought to be one of his most popular vengeful short novels. The two main characters, Montresor and Fortunato are re-acquainted friends who meet each other at The Carnival. Montresor has intentionally planned to lure Fortunato to his own death by deceiving him to believe that Fortunato is coming to Montresor's family catacombs to taste a fine wine “Amontillado”. After Montresor leads Fortunato into the crypts, Montresor eventually chains Fortunato up in a secluded section and mortars him behind a brick wall while he is still alive. The story ends with Montresor throwing a flaming torch into the small opening while he continues to put the last brick in place, essentially burning Fortunato alive. Edgar Allan Poe creates conflict between characters Montresor and Fortunato which primarily creates the major theme of revenge in this story. Edgar Allan Poe depicts setting in this novel by portraying death by illustrating human bones, within a cold and damp crypt to contribute to the eerie theme of revenge. Montresor's characterization is expressed through the betrayal of his friend, which adds another element to the theme of revenge in this story. In Edgar Allan Poe’s The Cask of Amontillado, Edgar Allan Poe utilizes conflict, setting, and characterization to create a theme of revenge.

“The Cask of Amontillado” by Edgar Allan Poe is a story full of irony. Irony is defined as a literary technique in which what appears differs radically from what is actually the case. In addition, irony can be divided into three groups: dramatic, verbal, and situational. Dramatic irony is when the readers notice something before the characters do. Verbal irony is when the characters say something that differs significantly from what they really mean. Situational irony is when the actual result is different from what was initially expected. In “The Cask of Amontillado,” Poe combines all of these ironies to tell the story and to construct the personalities of the characters in an entertaining way.

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Revenge can be sweet, but in this case it is just down right grotesque! In Edgar Allen Poe’s “The Cask of Amontillado” it talks about a gentlemen named Montressor and how he is angry at Fortunato for insulting him in the past. Montressor will not let this go unpunished, so he thinks up a clever scheme to get back at him. This plan is in a way, ingenious but most definitely insane and crazy.

Edgar Allen Poe is known for the various literary devices he uses in his works. One of the most famous devices he uses is symbolism. In many of his stories, including “The Masque of the Red Death,” “The Fall of the House of Usher,” “The Tell-Tale Heart,” and “The Cask of Amontillado,” Poe uses symbolism to further develop each story by the messages he writes between the lines. Symbolism is an important aspect of Poe’s many works, seeing as how it allows the readers to make connections within the stories. In “The Cask of Amontillado,” Poe represents symbolism through the title of the short story, the outfit Fortunato wears, and the Montresor family motto and coat of arms.

Edgar Allan Poe’s, “The Cask of Amontillado” (1846) is narrated by Montressor. He is a gothic narrator, as his motives are associated with revenge and mental instability. In fact, the story opens with Montressor’s description of revenge of his friend Fortunato, who supposedly “insulted” him, and he lures Fortunato to his family’s catacombs for his death. However, Montressor is unwilling to reveal Fortunato’s insult and he is uncertain of why he wants to commit the horrendous act. Montressor’s narration is unreliable, and as the story unfolds we deduce his mental state. By carefully analyzing the tale, Montressor’s psychological dilemma encourages us to find the missing pieces of the puzzle and interpret the events in a metaphorical sense suggesting that the events are far less associated with revenge but more with Montressor’s guilt.

As they walk into Montresor’s damp vaults to get the wine, it is apparent that the narrator sent all his servants to the carnival to guarantee that only he and Fortunato were at the vaults at the time. After Fortunato is heavily intoxicated with wine, Montresor ceases his moment and chains him up to a stone wall, and finally buries him alive. From the moment the two get