Analysis Of Edmund Spenser 's ' The Faerie Queene '

The debate on whether to sanction Queen Guinevere by death, or not, takes place between the Pope, King Arthur and Sir Lancelot through letters. Men who are the source of women’s suffering are the same ones to redeem them from their bondage.

Envy is a sin that poisons the sinner and is self-destructive in nature. The common perception of envy is that it is an emotion that, much like jealousy, that comes from a desire to possess something that someone else has. However, envy goes a step further and causes an individual to not only desire what someone else has, but to also wish that the other person did not have it at all. Spenser uses the conventional view of envy stated above in conjunction with some unconventional imagery in order to elaborate on the nature and implications of being an envious person. In doing this Spenser is able to teach to reader an aspect of envy that they may not already know or understand. In his portrayal of envy in book one of The Faerie Queene, Spenser is trying to convey to his readers that people who are envious are trapped in and endless cycle of envy that leads to nothing but unhappiness and misery. Spenser’s interpretation of envy, like the other deadly sins in the house of pride, can be broken down into 4 images: the animal that he rides, his appearance, how he behaves, and the ailment he has. This paper will use the first three of these images to show how Spenser’s depiction of Envy is meant to teach the reader that the sin of envy can only lead to perpetual unhappiness and misery.

“The Faerie Queene,” was written during the early modern period, shows a massive change in Christian religious practices. Redcrosse offers his services to Gloriana, Queen of Fairyland Una reveals that the dragon of hell has captured her parents and that she needs assistance in getting them free. Redcrosse takes on the challenge of getting her parents released (Canto 1). This demonstrate a hero, he will go through great trials and fight fierce monsters and this in itself is the character of a heroic knight. Not only does his armor protect his body and those with him, but also being a Christian he has the protection of Christ. For the Christian to be holy, he must have faith.

The Canterbury Tales, written and narrated by Geoffrey Chaucer, explores manipulation and dishonesty in the Catholic Church. The Nun in “The General Prologue” exemplifies improper qualities to which a Prioress should have. Along with the Nun, The Friar in “The General Prologue” uses false information to gain customer. In “The Pardoner’s Tale,” the Pardoner uses greedy tactics to wield other pilgrims into buying his relics.In Geoffrey Chaucer’s Canterbury Tales, Chaucer uses the Nun and the Friar in “The General Prologue” and the Pardoner in “The Pardoner’s Tale” to show the hypocrisy in the Church.

“When love speaks the voice of all the gods makes heaven drowsy with the harmony,” Taming of the Shrew, Act IV, scene II.

The Seven Deadly Sins is a major aspect to the religion of Christianity. Religion in the Middle Ages was exceedingly important and the central character to the lives of the people living in this time era. In early fourteenth century, Robert Manning of Brunne wrote a poem of an educational text informing people to avoid the seven deadly sins. Sometime later, in the late 1500s, Edmund Spenser wrote a book entitled The Faerie Queene and in Book 1, Canto 4, Spenser discusses the Seven Deadly Sins as the two characters, Redcrosse and Duessa, embark on their journey to the sinful House of Pride. Spenser has a unique way of which he alters to readers an artful conception of such a broad aspect

In the debate, a number of different options have emerged. Some, like medieval author Paul Ruggiers, argue that it is impossible to determine the Prioress?s attitude and that, ?we must be satisfied with ambiguity.? Others like writer Victoria Wickham argue the most popular belief, that the Prioress?s bigotry is without question and readers should be more concerned about the degree rather than the fact itself. But there is another possibility. Edwards and Spector, two prominent medieval scholars, put aside the issue of racism temporarily and instead offer an alternative interpretation on the very nature of Chaucer?s love-hate contradiction in the Prioress?s tale. They argue that the love vs. hate contradiction is not dependent on outside forces, but is actually an internal conflict within the Prioress herself. Consequently, the individuals and subsequent groups in her tale are not specific characters but culturally influenced manifestations representing separate issues. In this way her personality becomes the allegory of her tale, making specific references within her story irrelevant to her true attitude.

The Medieval Period in history brought along scores of fables about everything from knights engaging in courtly love to corruption in the Catholic Church. The Canterbury Tales written by Geoffrey Chaucer expertly encapsulates many of the great motifs of the era. The Tales are a series of stories and descriptions of characters of all social classes that were composed in the late 1300’s. Chaucer utilizes a multitude of literary techniques to convey his personal views of people, and ultimately, what they represent in society. The author uses such devices when depicting two morally contrasting characters, the Parson and the Summoner, that are documented in the Prologue.

Two very powerful female figures are presented in Error of The Faerie Queene, and Sin of Paradise Lost. These two characters are quite similar in description, Milton making a clear tribute to Spencer's work. Both characters have the same monster qualities, and both posses allegorical names and qualities.

What literary criticism lens is most effective in creating meaning and entertainment throughout Shakespeare’s A Midsummer Night’s Dream? The play, A Midsummer Night’s Dream, has several characters involved in a love triangle. Many scenes in the story involves power being used or taken away and use of money. Throughout the play, readers and viewers experiences Hermia’s power is being taken away by her father, Eugues,which is her kindred, not letting her marry the man she truly loves,Lysander. Later throughout the story, Robin, character from the story contains a enthrall love juice that has power and makes another character from the story, Titania, fall in love with a donkey.The marxist literary criticism lens is the most effective in creating meaning and entertaining readers and viewers in Shakespeare’s A Midsummer Night’s Dream.

Edmund Spenser’s epic poem The Faerie Queene is well known as an allegorical work, and the poem is typically read in relation to the political and religious context of the time. The term allegory tends to be loosely defined, rendering a whole work an extended metaphor, or even implying “any writing in verse or prose that has a double meaning”(Cuddon 20). In true Spenserian style, with everything having double meanings, both uses of the term allegory are applicable to his writing.

The poem, "The Faerie Queene", is a story about a courageous knight who goes through great trials and fights monsters. This in itself is entertaining but, it also has many allegorical references to Christianity. Many times Spenser talks about things when in reality he's really talking something closer to home. For instance, this faerie land he talks about sounds like he is referring to England, the country where he's from. Also, the title Faerie Queene itself is seems to represent Queen Elizabeth, the Queen of England. Redcrosse, the hero of the poem, is a major part of this allegory. He is called the "Knight of Holinesse" which is a reference to being holy and worshiping God. He represents the lonely Christian on a journey to put

The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.

The opportunity to view both productions of King Lear has appeared twice for me in the past two years. The first time I viewed Trevor Nunn’s 2009 production of King Lear my review would have been based solely on my ability to understand the dialogue and my appreciation of the acting of Ian McKellen. Two years later I have a better understanding of the actual play and while I still enjoy the 2009 production the 1982 production directed by Jonathan Miller presents the words of William Shakespeare in a more accurate and period specific manor.

    Edmund Spenser in his epic romance, The Faerie Queene, invents and depicts a wide array of female figures.  Some of these women, such as Una and Caelia, are generally shown as faithful, virtuous and overall lovely creatures.  Other feminine characters, such as Errour, Pride, and Duessa are false, lecherous and evil.  This might seem to be the end of Spenser's categorization of women; that they are either good or bad.  Yet upon closer examination one finds that Spenser seems to be struggling to portray women more honestly, to depict the "complex reality of woman" (Berger, 92).  Spenser does not simply "idealize women or the feminine viewpoint" as he could easily do