Analysis Of Edward Burtynsky's Photography

The settings and environments of the documentary Painted Babies position the viewer to respond to how beauty

Photography was an ideal medium with which to explore the payers of the unconscious mind. Modernist photographers experimented with double exposure and unusual new effects similar to those of visionary Surrealist painters and sculptors. A champion of the technique, Raoul Hausmann, called photomontage “the ‘alienation’ of photography”. By this, he implied that photomontage destroyed the role of photography as a medium of recreating physical reality. But the statement also suggests that by its dependence on fragmentation and dislocation, photomontage offered a visually and conceptually new image of the chaos of an age of war and revolution.

As skeptical moderns, we often have trouble accepting drawings or paintings as historical records, but we tend to believe in photographs the way that we believe in mirrors; we simply accept them as the truth. Alexander Gardner's photograph Trossel's House, Battle-Field of Gettysburg, July, 1863 might therefore be viewed as evidence rather than commentary. Unlike some of Gardner's other "sketches," this picture includes no perfectly positioned rifles, no artistically angled river, no well-posed men in uniform—indeed, no people at all. The photograph's composition could barely be more prosaic; the horizon slashes the picture in half, and the subject, a white colonial-style house, sits smack in the center. Yet this straightforward, almost innocent

Practiced by thousands who shared no common tradition or training from the earliest days of taking photos, the first photographers were disciplined and united by no academy or guild, who considered their medium variously as a trade, a science, an art, or an entertainment, and who often were unaware of each other’s work. Exactly as it sounds photography means photo-graphing. The word photography comes from two Greek words, photo, or “light”, and graphos, or drawing and from the start of photography; the history of the aforementioned has been debated. The idea of taking pictures started some thirty-one thousand years ago when strikingly sophisticated images of bears, rhinoceroses, bison, horses and many other types of creators were

Bruce Gilden was one of the excellent is a road picture taker. He is best known for his genuine close-up photographs of people in the city of New York City once expressed, "I cherish the general population I photo. That is to say, they're my companions. I've never met a large portion of them or I don't have any acquaintance with them by any means, yet through my pictures I live with them." I feel like John Szarkowski comprehended what Bruce implied while embodied the bona fide centrality of photography in his work keeps on managing new best in class picture takers the about the art of photography.

I am analyzing the form and content of a stylized painting entitled The Palisades by John William Hill. This was found in the collection section of themetmusuem.org which was painted during the pre Raphaelite movement; when artist emphasized meticulous detail in what was observed rather than imagined nature. This artwork shows the aesthetics of nature, depicting a peaceful scenery with spacious green acres during the year of the 1870s. During the late 18th centuries, natural resources weren’t highly industrialized and that in itself shows how nature was essential for all human species. I argue that this painting shows how everything in nature connects and communicates with one another.

Martin Wittfooth, born in 1981, is not only an illustrator, but a fine artist as well. He earned his MFA (Master of Fine arts) at the school of Visual Arts in New York City. Wittfooth’s oil paintings explore themes of industry and nature, evolution, comparison of old ideologies and modern fears, and the growth of human nature on Earth itself; these themes are recognized through symbolism, allusions, issues, and fears. His work, without a doubt, has the ability to engage both the eye and the mind of the viewer.

Humanity continually attempts to strive for an advanced industrialized society without considering the negative implications it may have on our natural environment. A Contrast between the industrialized Ingolstadt and the pure valleys of Chamounix and Servox is used to highlight the romantics view of the world and how such natural beauties should remain pristine and unaltered.’ ‘From the side where I now stood…and above it rose Mont Blanc, in awful majesty’ ‘I remained in a recess of a rock, gazing on this wonderful and stupendous scene’ ‘Their icy glittering peaks shone in the sunlight over the clouds’ The positive connotations held with ‘glittering’ and ‘wonderful stupendous scene’ reinforce Shelly’s priorities. She aims to reinforce that it is the awesome majesty of nature, which Mother Nature bestowed on our humanity, that we should be paying homage to. ‘Morning

Two very prominent painters are photographed cut off from the work of art, seemingly stuck in a gray walled room with no artistic fervor anywhere to be seen. The photographs are bleak, but offer a sense of distance from the audience, enough to show these famous individuals as humans. Penn creates beauty through humanity, with or without the help of fashion his portraits convey truly an unhinged reality of fashion and art, unseen by the general public.

James Keck Photography is a portrait photography studio that is located in Houston, Texas. James Keck is a family photographer. James Keck Photography offers baby portraits, children portraits, family portraits, and senior portraits. James Keck is passionate about the photojournalistic style of portrait photography. James Keck Photography is delighted to capture the special moments and emotions that make families and children special.

The most important characteristic that these photos share is the implication of longevity and a continuation of understanding. In a sense, they represent timeless images. Conversely, they also seem to reinforce the notion that careful conservation should be more prominent, even while presenting nature as strong and magnificent. Both artists seem infatuated with the balance between the strength and fragility of nature. The very concept of nature is one that every living being on Earth can relate to in some degree. Thus, these photographs also represent universal themes that we can always understand. These photos may be interpreted differently by individuals from future eras,

Gregory Crewdson’s unprecedented work in photography has captured many minds because of the flawless aesthetic,character, and mood found in his photographs.Crewdson likes to convey his own anxieties and fears through his photographs. These fears and anxieties that he likes to communicate are exactly the themes and elements of his work. To clarify, Crewdson stated “ I’ve always been interested in the psychological nature of picture” ; and by believing in this paradox Crewdson states “The pictures are my means of trying to find meaning in the world”. Crewdson likes to deliver the themes of mystery, confusing, filmic, horror, and detachment which makes his photographs very interesting to look at; however, personally, I find his work to be very repetitive and it ultimately makes his other work seem uninspired. In addition, even though they are some photographs that really are unique and differ from his other work -

The name "Photography" comes from the Greek words for light and writing. Sir John Herschel, was the first to use the term photography in 1839, when he managed to fix images using hyposulphite of soda. He described photography as "The application of the chemical rays to the purpose of pictorial representation". Herschel also coined the terms "negative", "positive" and "snapshot".

This provides a more conducive way to interpret OIL. In this view, it collapses the distance between phenomenological experience and the truth of that experience which is attenuated within global capitalism. Our “fixed-camera view” is uprooted and we find ourselves viewing those places that facilitate contemporary, Western existence, what Jameson sketches as former British colonies for his example. However, what could be an effort to familiarize the individual with the industrial apparatuses that subtend larger social existence, revealing where the oil that powers contemporary social reality comes from, is transformed into eerily uncanny experience in Burtynsky’s photographs, creating problems for this interpretation.

Using natural phenomenon as a starting point for abstraction, Mark Grotjahn’s paintings straddle the polarities of artifice and nature. His painting, Lavender Butterfly Jacaranda over Green (Fig. 2), expresses his fascination with nature. Transferring the experience of observation to an intrigue of creative possibility, Grotjahn harnesses the mysticism of nature through aesthetic formality.