Analysis Of Edward Scissorhands

Right from the beginning of the film we notice this use of colour, the dark, imposing mansion on the hilltop is shown in comparison to the idealistic, pastel-coloured town below. Throughout the film we return to this imagery showing the striking contrast between the two settings of the film, for example the brief glimpse we see of the mansion when Peg gets into her car and glances in her left wing mirror. This is a particularly clever way of showing the dark hill and the bright town in one image. It’s almost eerie to see the two together as they appear to be from opposite worlds. This gives us insight into what is the come, with Edward’s introduction to the town. As soon as we see him outside of his home, driving through the town in Peg’s car, it seems unnatural. Edward has barely any colour at all, with pale, almost white skin, and black clothing, whereas the townspeople are healthy looking and wear clothes that are coordinated to their pastel-coloured surroundings. When Edward gets to Peg’s house, the news of his arrival seems to spread like wildfire – who is this strange, different person and what is he doing here? Peg’s efforts to make Edward blend into this society are almost entirely to do with colour, as there is nothing she can do about the scissors he has in place of hands. She begins to concoct some sort of makeup to make his skin more “natural”

The film Edward Scissorhands directed by Tim Burton is about a boy who has been kept away from society his whole life in a mansion surrounded by unkempt bushes and rusted gates. Alex grey once said, “In a society that tries to standardize thinking, individuality is not highly prized.” And that shows when Edward is ostracized because he is different and does not conform to the so-called statuesque but the almost unwavering love from the Boggs family nearly helps him overcome his rejection after people are so cruel.

Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to

Director Tim Burton uses lighting throughout his films in order to create a feeling of sorrow toward his characters. One example

Lighting is important to tell the mood of a film. Burton depicts sinister and scary images with low-key lighting. Tim Burton’s lighting techniques are completely unique. In “Edward Scissorhands“he contrasts lighting. Peg lives in a town that is bright and cheerful looking. Edward’s castle is depressing and gloomy. Tim Burton again shows off his

First, the stylistic element juxtaposition truly exhibits director Tim Burton establish a theme. He uses colors like the houses. Edwards house is dark while the neighbors houses are bright. It makes Edward look scary. He also uses characters that are opposite like Edward and Kim's boyfriend Jim. Jim is against Edward the whole

expressions. Lighting was used in the film to portray this. Dim lighting was used whenever

High key lighting makes the viewer feel very happy and open, since high key lighting is usually used in bright and playful scenes. For example, in Burton’s Charlie and the Chocolate Factory, when the Willy Wonka is introducing the tourists to the candy room, there is a variation of colors and the lighting used was very bright. By using this type of lighting, it makes the viewer feel joyful and very positive. Also, in Burton’s Edward Scissorhands, the scene when Edward is introduced to Peg’s neighborhood, the lighting is very bright. This makes the viewers understand the differences between Edward’s deep and dark mansion, compared to Peg’s bright and colorful neighborhood. The contrast allows the readers to feel the uniqueness between the two different lifestyles of Edward and

Tim Burtons gothically themes fairytale like story of an uncommonly gentle man in the film Edward Scissorhands, allows, through the eyes of Edward himself, the audience’s unconscious to live his emotions vicariously, allowing the exploration of our own society and anxieties. To analyse the heart of this film it must be looked at Edward’s own childhood misfortunes and consequences, the system of the society that deems him an unholy monster, and typical American relationships of the 1950’s.

Tim Burton, the director of Edward Scissorhands, draws inspiration for his work from fairytales and children’s stories. He has always had an affinity for the darker elements of these stories, which is made evident in the film Edward Scissorhands. The film’s main character is a man named Edward who has scissors for hands. Later, it is shown that he was a metal figure brought to life by his inventor, an elderly man who dies before he is able to give Edward human hands. Edward lives in a mansion on a hill on the edge of town, all alone, until a woman named Peg finds him and bring him to live with her family. Edward immediately develops an attraction to Peg’s daughter, Kim, though she has a boyfriend. Towards the end of the film, Kim tells Edward that she loves him, and Edward seems to be completed. However, Edward struggles to conform to society, and eventually is forced by the members of the community to return to his mansion, isolated from any human interaction. The film combines a make-believe character, as often found in children’s books, with elements of a horror film, like suspicion and violence. The film features several flashbacks throughout that elaborate on Edward’s past and show how he came to be. Burton uses these flashbacks to grow the audience’s understanding of Edward, explain events, and emphasize themes.

This creates the effect of making the mansion feel dark, eerie, and suspicious to the audience, which further develops the illusion that Edward is dangerous, despondent, and opaquely transparent character. Low-key lighting influences this effect by generating a vague and therefore hostile setting of surroundings within the mansion for Peg, leading the audience to feeling tentative toward her actions. Without this, the interior of the mansion would be visible and result in an inquisitional feeling in the audience rather than

Not to mention but,the film technique that Time Burton used was High- key-lighting. High-key-light is where the scene is Full of lighting. In Tim burton’s movie Edward scissorhand when Peg has a barbeque to introduce the neighbors to Edward the scene is full of light.

Edward Scissorhands is a heart-wrenching film about Edward Scissorhands, the creation of an elderly inventor who dies before he can give Edward his normal hands in place of his scissor hands. Edward is taken from the mansion he lives in by a suburban family in an attempt to live a ‘normal’ life. The public feared

In Burton’s films, the use of contrasting settings helps compare the protagonist’s home to the “normal” homes in society. For example, in Edward Scissorhands, Edward lives in a dark mansion. Burton uses an establishing shot and a zoom (in) to establish the darkness of the mansion, which reveals the mansion as a lonely place on top of a hill. The darkness of the mansion creates a sense of isolation for Edward. Beforehand, the audience saw another establishing shot, which was shot in high key lighting, of the neighborhood. The neighborhood is a bright community while Edward lives in the dark, alone. Those details help establish the difference between Edward and the rest of society. The audience also knows that Edward is used to being isolated in the dark. This is normal for Edward and he does not know that “normal” standards of society. This is what makes him unique. In the film,

Imagine getting the chance to go to an enormous chocolate factory with chocolate rivers and meeting the little men called Oompa Loompas running the factory. How about meeting a guy name Edward who makes astonishing bushes and ice sculptures with his scissorhands. Or going to the land of the dead where there are dancing skeletons. Tim Burton is well known for his recurring theme of an outsider who ends up fitting in and teaches the viewers a lesson about difference. In Edward Scissorhands, Charlie and the Chocolate Factory, and Corpse Bride, Burton utilizes a variety style of color,low key lighting, and flashbacks in order to show mood.