Analysis Of El Buen Pastor By Luis Jimenez

In Santa Biblia: The Bible Through Hispanic Eyes, Justo L. González invites the reader to read the Bible in fresh ways, and gain insight from the perspective of “those who claim their Hispanic identity as part of their hermeneutical baggage, and who also read the Scripture within the context of a commitment to the Latino struggle to become all that God wants us and all of the world to be—in other words, the struggle for salvation/liberation.” (González 1996, 28-29) Published hot on the heels of the quincentennial of Columbus’ voyage to the new world, and abreast of discussions taking place in the larger Hispanic community, González’s book is both timely and well researched.

The title El Corazon lowrider describes the image very well in a Spanish and English translation. Luis Jimenez was born in the United States in 1940 and both

Imagine seeing the crucifiction of Christ. Seeing that happen would change everyone’s view of the world. Christ’s crucifiction affected many people, including His mother, Mary. Juan de Juanes, the artist, painted this scene realistically. This painting was made with oil paints on panel with long flowing strokes, which seemed to make it come to life. Juan de Juanes depicts many aspects in this painting such as historical significance, colors, and subject matter.

Jose Antonio Burciaga was born on August of 1940, in El Paso, Texas. In 1966 Mr. Burciaga became a graphic illustrator and moved to California with this wife and began writing critical assessments for numerous newspapers and journals. Arriving at Stanford University, the Burciagaas were integral in helping to develop and support numerous Hispanic organizations including El Centro Chicano, a local Latino student center. Mr. Burciaga is most famous for his mural the “Last Supper of Chicano Heroes”, which he painted at the university with the help of his students. Burciaga is also famous for expressing the flaws of social and political systems and used irony and satire to explore issues of racism and discrimination. (HispanicHeritage.Org). I believe this book was included in the ethnic studies group curriculum because Burciaga was famous for expressing the flaws of the government and politicians and people like Tom Horne saw that as a threat.

The Story of Christianity is a book written by Justo Gonzalez; a native of Cuba. Gonzalez serves on the faculty of the Interdenominational Theological Center which is located in Atlanta Georgia. He attended Yale University, where he received his M.A. and Ph.D. in historical theology; in fact Dr. Gonzalez is the youngest person at Yale to be awarded a Ph.D. He is also one of the first generation Latino theologians and instead of growing up Catholic, comes from a protestant background. In addition to writing many other books, Gonzalez is also Cokesbury’s publishing chief narrator of the Christian Believer study video lessons course and the recipient of the Ecumenism Award from the Theological Consortium in Washington, which he received as a

Every artist's dream is to create something that leaves a lasting impression. The Last Conquistador follows the story of a sculptor who does exactly that. John Houser spent nearly a decade painstakingly crafted a 34-foot tall equestrian statue featuring the infamous Spanish conquistador Juan de Oñate y Salazar. Following in the footsteps of his father who assisted in the carving of Mount Rushmore, Houser's fantasy of leaving his mark in one of the largest bronze equestrian statues in the world finally became a reality (Valadez). However, what an artist attempts to express and what message is truly received may not be one and the same. While the Hispanic elite of El Paso praised (and funded) the magnificent piece, the Acoma were horrified by the towering symbol of oppression and genocide looming overhead. This film not only provides a window into the conflict and controversy surrounding Houser's work, but also showcases several aspects of Texas political culture and highlights the dismissive attitude toward Native American culture that is still prevalent today.

The art of Fernando Botero is widely known, revered, paraphrased, imitated and copied, For many, his characteristic rounded, sensuous forms of the human figure, animals, still lifes and landscapes represent the most easily identifiable examples of the modern art of Latin America. For others, he is a cultural hero.To travel with Botero in his native Colombia is to come to realize that he is often seen less as an artist and more as a popular cult figure. In his native Medellín he is mobbed by people wanting to see him, touch him or have him sign his name to whatever substance they happen to be carrying. On the other hand, Botero's work has been discredited by those theorists of modern art whose tastes are dictated more

Ruth M. Guajardo is a professional painter, working full-time as Arts Program Manager for Centro Cultural Aztlan. She holds a BFA from Texas State University in San Marcos, Texas. The implementation of Centro Aztlan’s programs is the primary responsibility of Ms. Guajardo her extensive knowledge and expertise allows her to carry out responsibilities for the effective presentation of the multidisciplinary programs presented and produced by Centro Cultural Aztlan. She is an established artist herself and prior to her employment with us she was director of El Sol Studio for eight consecutive years.

The 1959 novel, Pocho, by José Antonio Villarreal is an insightful cultural exposition told primarily from the vantage point of Richard Rubio, the coming-of-age son of immigrant Mexican parents who eventually settle in Santa Clara, California, after many seasons of migrant farm work. Although fiction, the story likely mirrors some of the experiences of the author who was born to migrant laborers in Los Angeles in 1924 and was himself a "pocho" - a child of the depression era Mexican-American transition. ("I am a Pocho," he said, "and we speak like this because here in California we make Castilian words out of English words." p 165)

The Liberation of Peon, by artist Diego Rivera is portrayed through a Fresco media with dimensions of 73'' x 94 ¼ ". It was painted in 1931 and is on display in the Philadelphia Museum of Art. Looking at this artwork brings a mood of sadness. Five men, four horses, burning villages, and sandy hills occupy the scene. The focal point of the painting appears to be a slave being cut down and freed form a wooden post. The directions of the staring men’s eyes all point me to the direction of the slave being freed. Looking at this artwork I feel that even though the scene seems hostile and dangerous there is positivity because

During our visit to the El Paso Museum of Art, our docent (insert name) took us on a tour of their current exhibitions: Robert Delaunay and Albert Gleizes: The School of Paris from Modern Master Series: Highlights from the Solomon R. Guggenheim Museum, The Immaculate Conception, Amplified Abstraction, and Modern Stone Totems. In addition to our expedition we observed art of Mexico and New Spain that showcased 17th and 19th century paintings and sculptures. European art with includes paintings and sculptures from the Samuel H. Kress Collection. As well as, early American art from the 19th century to the mid 20th century.

On Sundays after Mass- every single Sunday, Latinos gathered on parks to play soccer and have carne asada something that is very traditional in Mexican families my family could be an example of that. These parks were built with the money taken from the Japanese which speaking of now a day’s use these complexes too and this is where the two cultures met.

Anachronologically deemed a feminist for her writings, Sor Juana Inés de la Cruz stood in the New World as a defiant, female Catholic. Through her work, she displays her head-strong character, illuminating the hypocrisy that was flourishing in patriarchal Mexico while simultaneously creating metaphors that clearly showed how she viewed her situation. Moreover, through extenstive allusions, she displays her aptitude, proving that she had one true love in life: the love for learning. Perhaps doomed from the start because of her sex, any time Sor Juana delved into her passion she was bound to hear insolence from a traditional member of society, namely the Bishop of Puebla,

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

     During the 1920’s, many young artists, suck as Diego Rivera, David Alfonso Siqueiros, and Jose Clemente Orozco were commissioned to decorate numerous public buildings with dramatic large scale murals. These were done to try