Analysis Of. Eliot 's ' The Four Quartets ' And `` The Waste Land ``

Walt Whitman is a renowned American poet. He served as an example for all to follow. He put thoughts into peoples head. Whitman was very influential and had a very big effect on people. Langston Hughes was also a very influential American poet. He was known for changing others opinion of race and making their oppression evident to others. Hughes was very influenced by Whitman and he caused him to want to make a difference in people's thoughts on his race. Whitman wrote a poem called I Hear America Singing and some people believe that it influenced Hughes poem, I, Too, Sing America. Hughe builds on Whitman's poems in these categories; structure and technique, themes, and effect on people and society.

T.S. full name is Thomas Stearns Eliot. He had written a total of 68 poems, dramas, etc. in total (Wikipedia). There are many influences, but I think that Vivienne Haigh-Wood, Eliot`s first wife, Ezra Pound, his mentor and religion are one of the biggest influences on T.S. Eliot.

The Nobel Prize for Literature was not rewarded to the deserving writer. You have awarded Bob Dylan the Nobel Prize for Literature on October 13, 2016 degrading dedicated writers around the world. After dropping out of college in the 1960’s to pursue an occupation in which he was already well known as the times “most loved folk poet”, he turned to singing and writing rock-type songs with anti war messages. Whether he did “create new poetic expressions within the great American tradition” he has not proven himself worthy of such a significant award. Such a legendary award offered to many other brilliant writers, should be received by someone who can and will continue to change the world. This award could help out developing writers, developing countries, and should not be handed out single handedly.

By looking through a critical lens at T Stearns Eliot’s poetry in light of his 20th century, modernist context, much is revealed about his personal and the rapidly evolving societal beliefs of that era. Through his repeating motif of time and fragmentation throughout his poems, Eliot reveals the prevalent feelings of isolation while in society along with the need to hide one’s feelings and emotions in this degrading society. His exploration of the use of ambiguity and stream of consciousness by Eliot, which is a characteristic of modernist artists, allows his work to resound over decades while being interpreted and differently understood by every audience that encounters them.

Robert Frost, Langston Hughes, and Rudyard Kipling all have an incredible sense for poetry. “The Road Not Taken”, “Dreams”, and “If-” all have many themes, unique writing styles, and clever uses of rhetorical devices.

The Nobel Prize for Literature is an outstanding prize that honors extraordinary people for their works in literature. It honors people that have changed literature. On October 13, 2016 you awarded Bob Dylan with the Nobel Prize in Literature. This marks him as the first musician ever to win this prize. Many people agree with your decision, while others are not delighted with this fact. I agree with the committee to honoring Bob Dylan with the Nobel Prize in literature “for having created new poetic expressions within the great American song tradition.”

Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.

Throughout his college years, Eliot was active in the writing of literature, even having some of his early poetry published in the Harvard Advocate. In England, Eliot met and befriended fellow expatriate Ezra Pound, who was very

The Modern Poetry Era (1914-1945) was a time filled with many new and revolutionary poets. Of these poets was a man named T.S. Eliot, whom was considered by many to be the most significant poet of his time.

Eliot is not solely criticising modern life in the poem, it also serves as a reflection of Eliot’s social context and his own life, a product of its time.

   Thomas Stearns Eliot was not a revolutionary, yet he revolutionized the way the Western world writes and reads poetry. Some of his works were as imagist and incomprehensible as could be most of it in free verse, yet his concentration was always on the meaning of his language, and the lessons he wished to teach with them. Eliot consorted with modernist literary iconoclast Ezra Pound but was obsessed with the traditional works of Shakespeare and Dante. He was a man of his time yet was obsessed with the past. He was born in the United States, but later became a royal subject in England. In short, Eliot is as complete and total a

T.S. Eliot in the twentieth-century wrote what is today widely-regarded as one of the most important text of modernist poems, “The Waste Land.” This poem evaluates many aspects of ancient and contemporary culture and customs, and how the contemporary culture has degraded into a wasteland. In “The Waste Land,” Eliot conjures, through allusions to multiple religions and works of literature in five separate sections, a fragmented and seemingly disjointed poem. Eliot repeatedly alludes to western and eastern cultural foundation blocks to illustrate the cultural degradation prevalent in the modern era of England. One specific eastern example is brought up in the third section of the poem, which T.S. Eliot names “Fire Sermon,” an allusion to

Q5 "Much of what Eliot writes about is harsh and bleak, but he writes about it in a way that is often beautiful". Comment fully on both parts of this assertion.

Eliot’s creative use of poetic form is one of the hallmarks of “The Wasteland” and greatly contributed to the overall tone and mood. The structure of the poem is uneven and almost discordant. It rapidly transitions between various unrelated scenes at a rapid pace. For example, “I read, much of the night and go south in the winter/What are the roots that clutch, what branches grow…” (19-20) illustrates an abrupt shift in the setting which includes the speaker, time, and place. In the first line, the reader is listening to the story of Marie. In the second line, however, the reader has been transported to a desert: a literal wasteland. This choppy stream of images emphasizes a message about society: like the poem, society does not progress smoothly and can even be unpredictable.

All words, phrases and sentences (or just simply images) which make up this poem seem to, in Levi-Strauss’ words, “be a valeur symbolique zero [and the signifier] can take on any value required ”, meaning that the images Eliot uses do not have one fixed signification and consequently conjure up thought-provoking ideas that need to be studied (qtd. in