Research Paper On Elizabeth Huey

Featured and organized by the Metropolitan Museum of Art, Romare Bearden’s collection is one that appreciates and depicts life for what it really is. Bearden did not like abstract expressionism. Instead, he made many collages depicting life with different perspectives, allowing the viewer to see reality, but also try to figure out the true meaning that Bearden meant to portray in the collage that was not directly seen by just looking at the picture. These collages were made by “Cut and pasted printed, colored and metallic papers, photostats, pencil, ink marker, gouache, watercolor, and pen and ink on Masonite” (MET Museum). Bearden liked telling narratives within these collages involving Harlem life. Whether it was on the streets, inside

Heffernan’s paintings express her untamed imagination with majestic fantasy, dream-like subjects, yet she paints with a very classic technique. When I first viewed The Self Portrait as Wunderkabinett, Michelangelo’s Sistine Chapel came to mind. Michelangelo illustrates the desire and describes the oneness that humans anticipate with God through salvation. The artists painting technique is traditional, with the sensible and realistic proportions of the human body, the distinguishing lines, the application of shadow, the intricate detail on every object within the painting, and the use of traditional complementary color pairs.

A review of the world’s great artists conjures familiar images: Michelangelo’s Sistine Chapel; Vincent Van Gogh’s Starry Night; Pablo Picasso’s The Tragedy. There are many more, of course: Monet, Moya, Warhol, Rembrandt, Kandinsky. What is immediately noticeable, however, upon any brief study of art, is the significant absence of women as heralded artists—not only in our ancient pasts, but even today, amongst valiant efforts for gender equality.

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Good Evening my fellow neighbors. Most of you know me and for the ones who do not, I am Mabel Dodge. I am the daughter from a family in Buffalo and had what was considered the best education for girls in the nineteenth- century. Instead of going to college, I got married, became a mother and soon, a widow. Later, I traveled abroad and soon married a Boston architect, Edwin Dodge who I later realized the passion I had was no more- so I divorced him. I became bored and began to crave art, the beauty and inspiration! A “salon” in Florence, Italy that I created for the purpose of attracting the most up- and- coming artists in Europe, had me become well known and even a muse for one of Gertrude Stein’s image poems. I reluctantly joined Edwin my husband at the time, who was eager to come back to the United States. I settled in an apartment on the lower Fifth Avenue which most of you have been in for my “evenings” of controversial debates.

Mollie Goodnight did all that she could throughout her whole life from taking care of her siblings right after both of her parents’ deaths, to just teaching some of her husband's farm hands how to read. Mollie tried to do her best even in the darkest of times, which is one of the reasons that she is one of the best women Texas has ever had.

Harriet Jacobs, or Linda Brent in the book, was born in 1813 near Edenton, North Carolina as a slave. She was blessed with, in her words, “unusually fortunate circumstances(Jacobs, Pg.3)” until age six when her mother died. She stayed with her mistress, Margaret Horniblow, until she was twelve years old where on her mistress’s death she was willed to her mistress’s niece and as a result her new mistress’s father, Dr. Flint. Unlike with her previous mistress, her life with the Flints was harsh and demanding. She eventually escaped from her life with the Flint’s and hid herself away. She was free for a time but she was eventually bought once again, though with a kinder owner who allowed her to write her book while working for her.

Most pieces of art have a deeper meaning than what is simply expressed on the surface. Through emotions, symbols, and motifs, an artist can portray a unique story; however, despite the use of creative symbols, distinct stories can show a similar theme. Two such examples are the short film Destino by Salvador Dali and Walt Disney and The Great Gatsby by F. Scott Fitzgerald, which share the common theme of “the struggle of obtaining dreams”. Based on what is shown in these works of art, it is a challenge to attain dreams.

"What about this girl?" Her role is to be the girl that needs to know

The primary focus of this exhibition is Archibald J. Motley Jr.’s Mending Socks, an oil painting created in 1924 currently located at the Ackland Art Museum. Depicting Motley’s grandmother across a 43.875 x 40 inches (111.4 x 101.6 cm) frame, Mending Socks exhibits a familiar setting complimented by bold colors. Such colors immediately draw the eye to the grandmother, then to the socks on her lap. One then looks to the table, to the fruit overflowing from the bowl, eventually falling on the background. Trailing along, Motley’s grandmother is the off-center grounding of the piece, proving a strong, soothing, and familiar image of relaxed family settings. Behind her, however, are subtle reminders of white power.

Next time you are walking through the Art Institute of Chicago I would highly recommend a visit to the Gift of Edlis|Neeson Collection, located on the second floor, gallery 292A. Here you will find a tantalizing array of modern day contemporary art that delivers a sensory overload wherever you turn. Nestled in between the copiousness of talent you will find three offerings from a prominent living contemporary artist called Jasper Johns titled Alphabet (1959), Figure 4 (1959), and Target (1961). Although at times his work faced rejection from the critics of individualism of abstract expressionists his life’s journey sculptured his path to who he is as a person and who he has become as a modern day renowned contemporary artist.

Coming to an end, it can still be identified that Ira C. Herbert remains most effective due to his direct and optimistic approach by seemingly expressing his feelings in a contemplative tone and obtains his willing to cooperate with Grove Press. Richard, however, as he tightens loose ends, cuts to the point and can best be described as cynical for his defensive outback. Seaver complicates the situation by further adding that, “...no one here or in our advertising agency, I am sorry to say, realized that you owned the phrase”(Seaver 4). He also is seen as convoluting by stating (in his opinion) that he never plagiarized the brand from the start, that he was merely quoting Peter S. Prescott’s book review on Diary of a Harlem Schoolteacher, one

Annabel Lee was written by Edgar Allan Poe. He was born January 19, 1809 in Boston, Massachusetts. This poem is a classic example of Romanticism. His parents are Elizabeth Arnold Poe and David Poe Jr. They traveled and were actors but his family was really poor. He had an older brother names Henry Poe and younger sister named Rosaline Poe. In 1811David abandoned his family and things just got worse from there. His mom died later that year on December 8, 1811 due to tuberculosis in Richmond. Soon enough his dad died due to the same disease.

The art world has been host to a vast menagerie of talent, intellect, and creativity for about as long as human culture has existed. It has grown, developed, and changed just as humanity has. Naturally, with such an impressively expansive history, various avenues of art are visited time and time again by new artists. Artists seek not only to bring their own personal flavor and meaning to timeless concepts, but to find new ways to approach them. While not every single creator and craftsman can make such a great impact on art or the world, their efforts have given birth to some truly magnificent and unique works. In an effort to create a more meaningful understanding, as well a deeper appreciation, of the nuances, techniques, and design choices employed in these attempts, a comparison will be made between Edouard Vuillard’s Interior With a Screen (1909-1910) and Henri Matisse’s Blue Nude (Souvenir of Biskra) (1907). In this essay, each artist’s approach to the subject of the female nude will be closely analyzed, compared, and contrasted, as will their styles of painting, handling of visual elements, and their use of the principles of design. An interpretation of each work and what the artist intended when creating it will also be provided.

The first piece of artwork I examined was Swallows View by Kelsey Grafton. This painted picture is of a backcountry road alongside a hill on the viewer’s left side and a wide, calm river on the right side. I achieved an immediate sense of participation with this painting; my undivided attention was quickly drawn to the sharp line of the cliff overlooking the dirt road and the white-light blue river. My first step