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Analysis Of Emory Douglas: The Black Panther Party

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Emory Douglas is an African American artist from San Fransisco. He is best known for his political publications and revolution art works, which began with the Black Arts Movement in the early 1960s and then the Black Panther Party later in the decade. Violence in Emory Douglas’ works stems from the 1960s Black Liberation Movement where “Black communities and other minorities” began to identify as a part of the “Third World” fighting for liberation from the Western colonial powers. This movement arguably began in 1955 at the “Bandung Conference in Indonesia where Asian and African nations gathered in solidarity against Western colonialism,” and continued into the 1970s. America’s imperialistic foreign policies and the segregated domestic race relations galvanized the African American masses to follow revolution leaders like Malcolm X and Martin Luther King, Jr. After the assassination of Malcolm X, Huey P. Newton and Bobby Seale co-founded the Black Panther Party to follow Malcolm’s principles: self- respect, self defense, and self determination. Emory Douglas was a key player in the party as their Revolutionary Artist, Minister of Culture and Central Committee member. He was to “visually articulate” the revolutionary ideology program of the …show more content…

Douglas uses Fanon’s ideas on the importance of collective national consciousness and solidifies African American culture through his heroic images of it and mocking images of the values of White supremacy and capitalism. Douglas also emphasizes Fanon’s principle on advocating armed self-defense and revolutionary violence against the oppressors by including gun imagery. Douglas moves beyond the pacifist civil rights proclamations of Martin Luther King, Jr. and mobilizes agency Black hands, deterring state violence and healed the battered Black psyche, victimized from years of White Racist

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