Analysis Of Facing It By Yusef Komunyakaa

Yusef Komunyakaa, a poet, was born in in Bogalusa, Louisiana on April 29, 1947, and he began writing poetry in 1973. He has wonderfully written multiple intense poetry collections with deep meanings that express his emotions and illustrates his surroundings. In his poetry, he creates complex and vivid images of what life was like for him. Yusef Komunyakaa has written his poetry based on real life events, repetition, and figurative language.

“Facing It” by the American black poet Yusef Komunyakaa of Shreveport is written with the use of visual images. Yusef Komunyakaa writes about one of his many trips to the Vietnam's Veteran's Memorial in Washington DC. This Memorial is a long polished slab of black reflectant granite with the names of all the US soldiers who lost their lives in Vietnam. Yusef says “my black face fades, hiding inside the black granite”. Here Yusef uses his reflection in the wall to bring the reader back to the war and how he feels standing at the wall now. He makes his feeling ambiguous and give the reader the opportuntity to decide what he is feeling through his use of viual images.

He struggles to internalize his emotions, telling himself he is stone, like the granite memorial, a strong and steady reminder of the past, but he fails as he realizes the difference between him and the memorial: he is a living human being. He shares the darkness, the blackness, with the granite memorial, yet he can feel the full impact of this connection whereas a granite memorial cannot itself feel the pain that it directly represents. The overall moral of the poems is fairly up front for the reader. It is that war is not how stories make it sound, it is not honorable and fun and glorious, it is gruesome, deadly, and changes the lives of many young men and women who still had a lot of life and innocence left in front of them, and now all they will have are the memories of death and their friends dying in front of them. As Komuyakaa face becomes clear it now serves as a direct reminder of the emotional impact of his surroundings upon him, through mirroring his own face and also by simultaneously illuminating his surroundings and his silhouetted existence within these surroundings, reminding him that he stands within the Vietnam Memorial. This effect is described within the (lines 8-13) His constant turning and moving from angle to angle also suggests emotion as he cannot view the

In the poems of “Dulce et Decorum Est” and “Facing It” written by Wilfred Owen and Yusef Komunyakaa respectively, two entirely different yet similar stories of war are told. “Dulce et Decorum Est” is told through the perspective of our narrator as he’s directly in the middle of a war and of the horrors he sees. From the unforgiving terrain to the description of the already beaten down soldiers, and quickly followed up with a gas attack, it is not a pretty picture. The poem tells of the soldiers scrambling to put their helmets on to shield them from the gas, but not all of them make it. One soldier helplessly fumbles with his helmet and does not manage to put it on in time. The images of his friend choking and drowning are all too real for

Whether it’s war or terrorism, children who want to grow securely is living amongst the affected nation. War is obliterating those talented individuals in their childhood who can radically transform the world itself. The two disputed countries may also have justifications to protect the welfares of their own people. There can be wealth and nuclear weapons to demolish this world as a whole. However, peacefully negotiated approach is coveted to compromise on each other. No country can rationalize weapons of mass obliteration and debacles. Often, it is a foolish decision of the pioneers of the country, making it a pretext for the combat. It’s the upright soldiers and their families who need to survive the demise and serious injuries from the weapons. For the last centuries, the spontaneous overflow of poetry has portrayed human emotions concerning wide range of universal issues. Both the poets Donald Bruce Dawe and Wilfred Owen exemplify this cataclysm of losing your families and the conditions the soldiers face, through their notable poems Homecoming and Dulce et Decorum Est.

"Facing it" by Yusef Komunyakaa reveals to us other sides of the war, using vivid images and metaphors. The poem tells the story about the violent war, which is difficult test for a person. Unusual rhythm gives the poem its beauty and unforgettable character. The brevity of some of lines attached the poem dramatic hue. Hero, who identifies himself with the Vietnam Veterans Memorial, is allowing us to understand the atmosphere of the event and the sorrow of people affected by war. Yusef Komunyakaa reminds to the reader about the main things, such as courage, bravery and valor.

Yusef begins the poem by using visual imagery to describe his face reflecting in the memorial wall. He uses the specific words “black face fades” to tell us a few things (line 1). One thing it tells

“Facing it” by Yusef Komunyakaa and “Dulce et Decorum Est” by Wilfred Owen, are 2 great poems written in the perspective of soldiers who experienced disturbance of war. In “Dulce et Decorum Est” Owen talks about his experience in World War 1, taking the reader inside the actual event and giving them the insight on his feelings watching his fellow troops die. In “Facing it”, Komunyakaa also discusses his feeling towards his fellow troops who didn’t survive the attack but he also sheds light on his racial identity. Komunyakaa talks more of his feeling about the Vietnam War while visiting a memorial as oppose to describing the actual event. In "Facing It" by Yusef Komunyakaa and Wilfred Owen 's “Dulce et Decorum Est," the poets use various literary techniques to express their traumatic experiences of war. Without these literary devices, the poems would not be as powerful and effective in expressing how war mentally damaged them.

A statement such as ‘War is unavoidable’, for some leave a bad taste in their mouth, as if the person stating such a claim was the devil himself, for others it is a way of life. “Facing It” by Yusef Komunyakaa a poem that takes place where most refuse to tread; a journey which displays the interpretation of each viewer and the memories and images the Vietnam Veteran’s Memorial evokes. They erect various Memorials and Monuments which help individuals associate memories and the meanings; but only someone who went through it or experience a personal lost, will find release from conflict, memories left untouched for years, “I said I wouldn’t / dammit: No tears.” (3, 4)

Two authors, Yusef Komunyakaa and Stephen Crane, created deep and moving stories about what the feelings are to be in a American war. Even though both stories are very different they both can also be related very easily. Yusef Komunyakaa wrote a poem called ‘Camouflaging the Chimera’ while Stephen Crane wrote a novel excerpt called ‘The Red Badge of Courage.’ One of the major differences are that TRBOC takes place in the American Civil war even though he was born 6 years after. While CTC takes place in the vietnam war. Going over the writing style, theme, and context figuring out the differences and similarities.

The purpose of this essay is to compare the of Wendell Berry’s essay, “The Failure of War”, Dorianne Laux’s poem, Staff Sgt. Metz and Damon Winter’s photograph of Sgt. Brian Keith. All three of these pieces represent the controversial issue of War which is a topic for a argumentative piece. In two of the written pieces the writer acknowledges the opposition, however, the picture the opposition is implied. Each piece has a purpose aimed at an audience with an emotional appeal.

Yusef Komunyakaa, born in 1947, wrote both February in Sydney and Facing it. These poems were written as a way of “talking around an idea or question,” this idea/ question being that of growing up during the civil rights movement. His poetical technique makes his opinions stand out, being affluencial because although poems contain less words they often have a more powerful appeal. Komunyakaa was especially influenced by jazz and the time that he served in the Vietnam War. He creates his poem February In Sydney to mimic that freedom that he felt through jazz similar to that of meditation. In Facing it he bases the poem on flashbacks of the war while visiting the Vietnam Veterans Memorial.

The collection of poems “Theater”, “Water”, and “Safe House” by Solmaz Sharif shows the varied viewpoints of how war affects the speakers and how death is all too common in the midst of warfare. The author uses a spectrum of literary techniques to enhance the experience of the reader, so we can fully grasp the severity of each speaker’s plight. All of Sharif’s poems differ in form with the use of white space and indentations in “Theater”, colons in “Water”, and a style of abecedarian using the letter S in “Safe House”. While her diverse use of forms generate different emotions from the reader, they share the same notion of how violence is problematic. Each poem has a unique outlook to the sight of war: “Theater” being in the position of a victim and an assailant of war, “Water” explaining a war mission and fatalities in terse terms, and “Safe House” as an observer of an activist against war. Sharif’s strategy to exemplify the effects of how war affects the victim and the civilian is particularly critical because mass media tends to hide the collateral damage of war and only illustrates why we should attack the “enemy”. Another approach the author uses to critique the speakers central conflicts is by arranging words from the US Department of Defense 's Dictionary of Military and Associated Terms, to concur with the message of the several ways war influences the lives of those who are unwillingly encompassed by it. Sharif uses poetry as an outlet to show the underlying tone

Tom Lux’s “The People of the Other Village” was written shortly after the first Iraq war and gained popularity after the 9/11 attacks.   The poem’s voice comes from an indifferent narrator whose unnamed village is at war with the people of an “other” unnamed village.  The exact reason that started this war is unclear; however, as the war escalates, the battle tactics evolve and are depicted in an alternating line structure that mimics the back and forth nature of reciprocal violence.  Ultimately, the author presents a poem that comments on human nature without committing to a judgment of that nature through subject matter, structure, and narrative voice.

Poets frequently utilize vivid images to further depict the overall meaning of their works. The imagery in “& the War Was in Its Infancy Then,” by Maurice Emerson Decaul, conveys mental images in the reader’s mind that shows the physical damage of war with the addition of the emotional effect it has on a person. The reader can conclude the speaker is a soldier because the poem is written from a soldier’s point of view, someone who had to have been a first hand witness. The poem is about a man who is emotionally damaged due to war and has had to learn to cope with his surroundings. By use of imagery the reader gets a deeper sense of how the man felt during the war. Through the use of imagery, tone, and deeper meaning, Decaul shows us the