Analysis Of 'Family Callers'

In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.

This essay reviews the painting by William Bouguereau’s The Elder Sister. It reviews the elements of design and principles practiced in the artwork. This essay assesses the correct use of the elements and the influence that they have on the entire perception of the painting. The artist has applied an amazing background as well as perfect balance of the piece. The elder sister's arm balances with her leg, the baby's foot balances with older sisters foot, the clouds balance with the bushes. This explains the initial acclaim of this painting. Upon viewing the picture one gets a feeling that the artist meant to depict a young girl who is captivated by her little sibling. This is clear from the use of the angelic almost celestial background that unquestionably creates an affectionate mood. The enchanting smile across the young girl s face communicates the elder sisters bliss. The painter has accomplished quite a bit with the use of the fundamentals in this painting.

The piece I decided to analyze is the famous sculpture, Laocoön and his two sons. I decided on this particular piece for a few reasons, one being the emotion we see on the subjects’ faces, and the other being the importance for future art. When I began this research I could not have possibly understood the relevance this piece had on the art that was yet to come.

The film, Precious, is a powerfully charged story that delves into the family dynamics of a 16-year-old girl and her struggles to survive an onslaught of treacherous experiences. Throughout the film, the viewer is enveloped in a dramatic web of extreme situations, experienced by the main character, and those to whom she is close. The themes of domestic violence, rape, incest, drug addiction, gambling, poverty, social justice, social services, housing and education are laced together throughout the story. Particularly poignant attention is paid to various systems that help shape the experiences of the characters. The social services industry, and its associated workers, educators and administrators, set the foundation for the social themes that are highlighted by this film.

Despite the grotesque and shocking appearance of the creature, the boy shows no fear, or malice generally associated with other species, he is only calm and affectionate in the creature’s appearance. Pinccinini has described this work as a visual representation of empathy, “she looks different, but she is still beautiful.” The familial relationship shown in this sculpture emphasises our compassionate for this other-worldly creature, humanising her. Piccinini is endorsing the study of genetics with this work, there has been much debate about how far genetics can go in the future, how we will soon lose how humanity within our enhancement. This work is used to displace this fear, it is shouting through the loving posing, that no matter how far we go, we will always be fundamentally

The ways in which a family communicates messages with each other plays a key role in shaping the lives of each individual family member. Humans have always belonged to and identified with their families even before they could speak or form any other social group. Family members not only rely on each other to be there for emotional and social support, but also shape how individuals identify themselves. Therefore, the quality of family relationships greatly impacts the quality of life for most people. (Koerner & Schrodt, 2014)

The sculpture demonstrates the idea of children’s mind development. What would one growing child naturally think and imagine, and how do they perceive and describe the themes that are often sublime which us adults lack to connect. This significance retrospect to where we earlier developed our creative thoughts and character.

I selected a sculpture from the museum to analyze. The sculpture’s name is: Totem Pole. There was not one specific artist, instead there were several artists who helped create this piece of art. The Coosa Valley Woodcarving Club members worked together to carve this Totem Pole in 1985. The media used was wood and oil paints. The Totem Pole represents the many tribes of Native American tribes in this area. Meaning that the animals shown would represent different groups or tribes who are all a part of a close community. There are many elements of art that are visible with this sculpture. One element of art displayed is Line. There is a contrast of both regular and irregular lines where some regular lines are incorporated closely to irregular lines. This is shown on the wings of the bird towards the middle of the totem pole where the top of the wing is straight and the lines that are carved in a more vertical direction seem to look irregular due to the lines not being completely straight down. Irregular lines are used mainly here since the lines used look to be reflecting the wilderness of nature and

While reading The Family Crucible, the authors made it feel like I was watching a life-time television series. There were several high points and low points during the family therapy session that left me unsure of how the show would end. This book takes you on a journey using family counseling to help a family heal and communicate better with one another. I thought it was interesting how this systematic therapy took place in a time where therapy was looked at as taboo. Many times in that era family therapy was not an option. The main focus was on the family member with the issue and not on the parents or other family members. In the book the authors used different theories and approaches during the counseling sessions which were quite interesting. This process after time enabled the family to look at the journey they were on in order to understand how the family, as a whole, should function.

A bronze sculpture consisting of just six rectangular shapes and a semi-rectangular base, this piece is very simple, and its minimalistic structure is similar to that of Malevich’s Supremacist Composition: Airplane Flying. From a certain angle, the sculpture resembles a figure stumbling and falling over the base, depicting some sort of motion. In this sense, it is similar to Boccioni’s Unique Forms of Continuity in Space, which sought to use air currents to symbolize a moving figure. The simplistic yet abstract nature of Shapiro’s work makes it feel right as home in the Modernist Revolution, despite the fact that Shapiro’s sculpture was made in 1991, more than 70 years after the Modernist Revolution occurred. In addition, Untitled is unlike any other “figure” sculpture we have studied thus far. Just about every major sculpture we have covered resembles some form of a human-like body, whether they be an actual human or a divine figure. Even Unique Forms of Continuity in Space possesses what appear to be legs, a head and a torso. The odd and minimalistic composition of Untitled means that is possesses no definite form resembling a human and could very well be meant to resemble something completely unrelated to human, quite possibly an inanimate object or even something that was not meant to be resembled. It is the only work of its kind present at the sculpture garden, and as such, it carries far more mystery than any other work

The Family Crucible is a story about the Brice family who is recommended by Claudia’s psychiatrist to go to family therapy due to the fact that she has not been making any progress in individual psychotherapy. The Brice family comes in to meet with Dr. Carl Whitaker and Dr. Augustus Napier, who co-facilitate family therapy throughout the entirety of the book.

Art is experienced best on an emotional level rather than just the beauty, pleasure or understanding of it. Artists will use their form of artwork to pass along their views and feelings. Teresa López’s and Wendy Ewald’s “The Phantom” is a piece of art that invokes many emotions. It simulates both the possibility of comfort or fear of the unknown and the anxious waiting of the known through its immaculate composition. This is done through its use of dense distortion and contrasting colors. Through distortion the artists get us to focus on the phantom that is the only source of light and the contrasting colors make us realize how contrasting our perceptions can be.

After a thorough review of the textbook and the course material, the specific family system approach that I choose to explore is the Bowenian Approach for this literature review. This specific family system approach is also known as the Bowen Family System Theory as well (D.V. Papero, 2006). The Bowen Family System Theory was established by Murray Bowen, a theorist and psychiatrist who specialized in treating children who were deranged and had schizophrenia (Rockwell, 2010). In the 1950s, Bowen wanted to explore a new venture so he decided that he wanted all of the family members of each child to be involved in an therapeutic process at the same time (Rockwell, 2010).

The artwork, “Number 10,” by Mark Rothko displays two rectangles (top, yellow and the bottom, white) with a baby blue background color. Seeing the painting for the first time was surprising since I didn’t understand how it correlated with the title. It was easy to look at, but it didn’t catch my attention right away! I felt confused and frustrated while observing the piece because I didn’t know how I was going to find the meaning that lay behind the painting. This reminded me of my first-born nephew; I had such a difficult time trying to understand why he would cry so much. However, I was aware that crying was his way of communicating how he felt, just like painting this abstract piece was Rothko's style of communication.

Initially, when I walked up to this sculpture my thoughts were the name of the piece pretty much sums it up. Approaching the statues, they seem to just be large bronze masses on the corner of McCaul street but, as any art should be looked at, I decided to dig deeper than the superficial. The location is odd to me, mainly because the bronze forms are not alone in the corner of the building, but are not really impacted by its surroundings. The trees behind the statue are dead giving a desolate atmosphere invoking a sense of loneliness. Moreover, almost the entire area surrounding the piece is solid concrete, giving a very penitential outlook. I’m not sure if the sculpture’s initial approach is supposed to invoke miserable emotions but if so it does its job