Analysis Of 'February : Christmas Rolls'

By analyzing the use of symbolism, personifications, irony and foreshadowing by the two authors, it will become evident that their protagonists share similarities when dealing with the recurring theme of the tragedy of unrequited love.

The images in the movie relate very closely to the amusing feeling the book gives us, giving us a high angle on the guests and long shots, showing us collectively how everyone was crying. At that night Nacha dies, and shatters Titas world. Later on Pedro gives Tita roses, and she decides to make quail in rose. The passion dripped from her to the dish, and made Gertrudis the older sister think of sinful thoughts. The aroma arousing from her reaches to a soldier Juan, who was Gertrudis dream, the moment is described magically: “A pink clod floated toward him, wrapped itself around him…naked as she was, luminous, glowing with energy… without slowing his gallop, so as not to waste a moment, he leaned over, put his arm around her waist, and lifted her onto the horse in front of him, face to face” (pg 55-56). The movie draws a great parallel here, the picture is blurry a little as if it is a dream, and for the first time in the movie, which is very dimly lit and poorly lighted, the picture is bright, with a flowing movement of the two as they disappear. One of the most significant moments in the book is when Tita delivers Rosauras baby Roberto, the thing she loved the most. In the movie however, the whole phase of taking care of Roberto in the kitchen and feeding him is very brief, which is very confusing for later scenes. As mama Elena senses that Pedro and Tita might have an affair going on, she sends them to one of her relatives in the United States.

In this paper I will discuss Social Theories such as Structural Functionalism, Conflict theory; with emphasis on Karl Marx’s early work and how it relates to the conflict theory and Symbolic interaction. I intend to define and discuss relevant sociological terms of these theories and how these theories could apply to my favorite holiday which is Christmas.

As Esquivel describes the inner emotions of Tita; the main protagonist, through the use of descriptive metaphors she asserts that “The anger she felt within her acted like yeast on bread dough. She felt it's rapid rising flowing into every last recess of her body; like yeast in a small bowl, it spilled over to the outside, escaping in the form of steam through her ears, nose, and all her pores” (Esquivel 149). Her use of metaphors enable the reader to visualize Tita’s anger and frustration by relating them to food items. The way Esquivel is very descriptive when expressing the emotions of Tita convey the mood of resentment; because of the all too familiar feeling of loving someone who you can not be with.

Food and family tradition are important for this story, since the food is seen as a way of communication and family tradition as an obstacle within Tita’s life. Ever since she had been born, her closeness to food was seen from that very moment. In the first "scene" of the book, this can be seen. “Tita made her entrance into this world, prematurely, right there on the kitchen table amid the smells of simmering noodle soup, thyme, bay leaves, and cilantro, steamed milk, garlic, and of course, onion” (Esquivel, 5-6). This shows how she connects to food, and this connection only grows more throughout the story. Although, later on Tita is able to mix her own feelings within her food preparation helping her communicate what she feels. When she is cooking is also gets emotionally involved, therefore this lets her mix her feelings in the recipe as well.

The life she had before her love for Pedro. Esquivel’s purpose in this passage is how much life is changed for love. She includes the slightest detail in a random order because that's how Tita thinks, she is overwhelmed with herself in the life she was given. It's to show everyone has a breaking point, but love changes everything. Titas love for Nacha is irreplaceable, she shaped Tita into a woman before she even was one. Her inexplicable love for Pedro began at such a young age and Tita got what she wanted, to spend her life with Pedro but not in the way she had hoped. Seeing her love with her sister throughout many years, did take an emotional toll on her. In addition, Mama Elena’s tradition affected Tita since she was born on that table in the kitchen. Yet no matter how horribly Mama Elena treat Tita she did not defy her out of rebellion, she ultimately defied her out of exhaustion. Tita respected her out of love and that's what kept Tita going throughout this novel, the power of love.                                                 In “Like Water for Chocolate”, Esquivel extends the theme of magic realism to the everyday world of a

She goes from a mellow, passive, or almost barely speaking, to an aggressive and advocating tone against her mother and her sister Rosura. She is quick with her response, and raises her voice when arguing with them. The figurative language in the story depicts the transformation that Tita has to go through. The figurative language shows the sturdy connection between human’s feelings and food or women and their bodies. Poison is being used as a metaphor to indicate how the old society is being corrupted by new society. The magical realism, gives us the blend of an ordinary life with magic. Things that would never happen in reality, but is imported from the beginning to the end of “Like Water for chocolate” to make it enchanted. The story help us readers predict by delivering a hint of something that’s going to occur in the future. It foreshadows with in the lines and the ingredients that is listed at the beginning of every chapter. In the beginning of the chapter the setting of the story indicates the tradition of a girl being raised in the kitchen. Tita is the first in her family to make a different to go beyond the “status quo” and discontinue the oppression of women. She gives women a passage to have to make their own decisions, follow their hearts, but to never forget where they come from.

Esquivel’s experiences when growing up in Mexico, she lived with a close bond with her grandmother. The importance of the novel focuses on recipes and the setting of the kitchen where the character Tita demonstrated her love for food and cooking similarly like Esquivel. The author uses her close bond with her grandmother and the memories of the kitchen to modify her character in the novel with the usage of magical realism. In the novel, Esquivel incorporates magical realism and how effective food can change someone. On the other hand, Esquivel features the daily attribute of the lives of a Latina woman. Due to the tradition, Tita felt very restricted from following the norms of a Latina girl involving marriage and children. The frustration makes her overwhelm which she is boiling hence the name of the

Following, we learn that Mama Elena has no milk to feed Tita, which makes Nacha, the family cook - her official caretaker as she replaces Mama Elena. This is important to point out because the initial separation of the two main characters is quite evident; there is no mother-daughter bond that should have been established, Mama Elena doesn’t have time to worry about her, “without having to worry about feeding a newborn baby on top of everything else.” (7) We grow to understand why Tita forms other vital bonds with Nacha, and of course the food that surrounds her daily, helping her not only to grow but acts as an outlet for her emotions. “From that day on, Tita’s domain was the kitchen…this explains the sixth sense Tita developed about everything concerning food.” (7) From the beginning, Tita is given barely any freedom, she is given a purpose, she will not marry anyone until Mama Elena is alive, she is to look after her, which becomes a great conflict when the love of her life, Pedro, is to marry her sister, Rosaura, and not her. Mama Elena wants to hear nothing about Tita’s frustration. Mama Elena herself has lost her true love and because of it is insensitive to Tita’s love with Pedro. The reaction of each woman to her predicament helps explain the opposite characters. Mama Elena lets the loss of her young love turn into hatred for anything but tradition, and

Magical Realism: “John interrupted these memories by bursting into the room, alarmed by the stream that was running down the stairs. When he realized it was just Tita's tears, John blessed Chencha and her ox-tail soup for having accomplished what none of his medicines had been able to do- making Tita weep” (Esquivel 207).

From the very first page of Laura Esquivel's Like Water for Chocolate it is clear that the real world in which her characters inhabit shall be greatly exaggerated. When Esquivel's narrator describes Tita as being so sensitive to onions that “when she was still in my great-grandmother's belly her sobs were so loud that even Nacha, the cook, who was half deaf, could hear them easily.” (Esquivel, p. 5) the reader encounters something at once refreshing, as is always the case when one experiences the supernatural where least expected, and yet ancient at the same time. While Esquivel could have attempted to tell her story, really the tale of a (mostly) unrequited love, in a straightforward manner, the casual inclusion of the extraordinary places it immediately in the tradition of magical realism.

From the day Tita entered the world, her fate was sealed with the De la Garza’s family tradition, which lead to the cause of her pain and suffering from the hands of her mother, Mama Elena. Tita and Mama Elena’s estranged relationship was oppressed with complications from Tita’s premature birth and the sudden death of her father, which caused Mama Elena to reject her nurturing nature and discard bonding with Tita. Although Tita’s emotions would leave her in a weakened mind state, her determination towards breaking the brutal convention, she is faced with, would begin to display her strength, through her visualization of a fulfilled life without the criticism of Mama Elena. While Tita

From the day Tita entered the world, her fate was sealed with the De la Garza’s family tradition, which lead to the cause of her pain and suffering from the hands of her mother, Mama Elena. Tita and Mama Elena’s estranged relationship was oppressed with complications from Tita’s premature birth and the sudden death of her father, which caused Mama Elena to reject her nurturing nature and discard bonding with Tita. Although Tita’s emotions would leave her in a weakened mind state, her determination towards breaking the brutal convention, she is faced with, would begin to display her strength, through her visualization of a fulfilled life without the criticism of Mama Elena. While

Carol Anne Duffy presents love and romance in a unique way that differentiates valentine from any other love poem. Throughout this poem carol expresses love though the original metaphor of an onion. This essay analyses how she does this so effectively and how she presents a range of ideas about love and romance.

“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.